Sentences with phrase «great screen shots»

We've got some pretty great screen shots of what we used to look like back then (thankfully Josh has hired a designer since then.)

Now that you've read my reasons and seen some great screen shots from Twisted Lands, be sure to check it out and see for yourself.

It is easy to follow and has great screen shots for ease of use.

Not exact matches

Regardless of whether it's great D. even if the defense breaks down, no one is Klay level in terms of hitting wideopen shots over screens.

wow are we sterile up top, goals need to come from defense again, ozil & cech were great, mert once again taking the brunt of bad comments meanwhile a clean sheet and did nothing wrong, open goal that was saved was kos out of position and monreal caught up the pitch too high, giroud has great ball skills, issue is his position on the pitch, watched the match again focused on giroud, he tends to camp behind the defender from the ball, this only works when you have the quickness to break, he does nt, I have screen shots where ozil is 25 yrds farther up the pitch then giroud, thisis the problem, he is rendered useless unless ozil holds up, and thats not ozils strength, thus very few sog's from giroud on the run, when giroud gets lucky w space in front of the defender, he is lethal, but needs to get into that space,

But I think the reason I got open shots, my teammates set great screens and they happened to put a lot of focus on Maya (Hood) and Malina (Hood).»

As great as it is to have them available, though, try to catch the episodes on the big screen as they are beautifully shot, and if you check your local listings you might still find episode one playing between now and the debut of episode two on January 13th.

She goes step - by - step with pictures and screen shots of how to go about everything, which was so great to have when I was getting everything set up.

Most of the images are from my own screen shots of the movie, but I did manage to find lots of great, high quality promotional stills as well to supplement.

It would be great if you could provide some facts that Yulia Volskaya is a scammer and was recently registered on the site or some screen shots proving your statements.

Filmed on location in Italy and Spain and shot in brilliant Todd - AO and Color and directed by the great British director Carol Reed, Charlton Heston and Rex Harrison (in their first and only film together) give two of the screen's best performances.

Other highlights of the festival include three Philadelphia - shot archival screenings from the late, great Jonathan Demme, including, Beloved, Neil Young Trunk Show, and Philadelphia; WWII drama Darkest Hour; Greta Gerwig's coming - of - ager Lady Bird; the much - talked - about The Florida Project; and Todd Haynes reunion with muse Julianne Moore in Wonderstruck.

It comes across on screen that this shoot must have been a great deal of fun... even when the film takes a dark turn.

It's actually astonishing that we not only have great actors nailing tricky scenes, and really some stunning, winding camerawork to go with it, but such things as the weaving in of special effects and the utter lack of capturing any of the off - screen crew members who surely must have been around helping with the shoot (that we never see anything we shouldn't in any of the many on - screen mirrors is quite astonishing) only makes this one of the more brilliant efforts at shooting a seamless film since the first in Alfred Hitchcock's Rope.

It's shot with a lot of style, pastel technicolors, witty split screens and so on, and the cast (which also includes David Hyde Pierce and Rachel Dratch) is great at the screwball comedy dialogue.

between Jim, Maggie, and Don (and Lisa); the goosebump - raising way that the show used on - screen text to reveal the BP spill and the Giffords shooting; the structural flourishes of the 2010 election episode and the season finale; that great scene where Don gives a master class in covering trashy news; the way you can see Olivia Munn finding her bearings as an actress, and how that parallels her character becoming a confident on - air personality; the brashness of Jane Fonda, the patience of David Krumholtz, the deliciousness with which Emily Mortimer says the word «douchebag,» the way Jeff Daniels tosses off his throwaway lines, and the way he answered that «sorority girl»'s question the second time.

Though still less than half the film, they definitely are employed with greater frequency than on the last movie, with many establishing second unit shots and significant action moments going with the screen - filling 16:9 now more commonly used for television than feature films.

Held until the last ember dies out and leaves the screen black, the shot exemplifies the great beauty and peril of Steve McQueen's work, as we gather with awe that we're watching Solomon's hope turn to ash, but we only process it on an intellectual level.

With such a tight shooting schedule, Craig was forced to come up with a way of getting it done efficiently, quickly, and still getting these great performances on screen.

Though the pursuit in Gun Fury takes the team down Mexico way, the picture was shot near Sedona, Arizona (Walsh employing some of John Ford's creative geography), and even if the 3 - D didn't do its part, with multiple objects and even animals surging toward the screen, and a gun - to - the - camera throwback to The Great Train Robbery (1903), the vibrant Technicolor cinematography by Lester White is bold and picturesque in its own right.

I'm no box office expert, but while $ 54 million is obviously a great late - summer number for «Rise of the Planet of the Apes,» I can't help but wonder if it would have had a shot at more bank if it had been let out of the bag earlier via advance press screenings.

[shudder] 24 Frames Noomi Rapace and Sigourney Weavers» Alien franchise screen tests IndieWire six life saving tips for cinematographers from the great Darius Khondji (Se7en, Evita, Midnight in Paris, and more...) Empire Penelope Cruz will star in her fifth Pedro Almodóvar movie Fleeting Lovers (title may change) which starts shooting this summer.

AV Club deep screen capture to reveal how well constructed shots in Divergent do nt make for a good film BuzzFeed great essay on the current relevancy of Before Sunrise (1995) and instant nostalgia Heat Vision Tyrese Gibson obsessed with playing Green Lantern in a film that's at least 5 years away based on a character already ruined by the movies Decider 10 essential movies about nuns from our beloved Black Narcissus to less impressive but famous offerings like Doubt

And if it is changed some time between the press screening and Friday's opening, what will they do with the next scene when someone says something about how great it is that a candidate received a bump in the polls for shooting someone?

Q: Your chemistry together is so great; did you know each other well off screen before shooting the film?

In honor of See It Big: Gordon Willis, the Museum of the Moving Image screening series co-curated by Reverse Shot, Michael Koresky and Jeff Reichert here pay homage to the great cinematographer by focusing specifically on his work in Woody Allen's 1978 drama Interiors.

From the sound of a faucet off screen to the appearance of a pigeon, every nuance of performance, every shot and every sound effect work together toward a greater whole.

Director Kathryn Bigelow gives the proceedings a hefty dose of style, using a lot of dreamy slow motion and quick editing, and staging the action scenes with great energy; her most brilliant work here are the on - screen recreations of the SQUID clips, shot in long takes and with appropriately edgy and shaky handheld camera work.

They shared some funny memorable moments from filming (Jack Black share a great story about ripping a bit of improv from Joaquin Phoenix), the challenges of trying to make Don't Worry in 25 days, what it was about the material that got Gus Van Sant and the cast involved, what it was like shooting the group scenes, what Van Sant learned from early screenings, and a lot more.

To fix that, last year Honda added a touch screen infotainment unit with navigation and power folding wing mirrors to the car's feature list but that didn't help shoot up the sales to a great extent.

Sony has included a ton of fun 3D effects that do things like put moving dinosaurs on the screen, and there are some Instagram - like filters and special features built in, but the rear camera of the Z2 Tablet doesn't take great shots.

Great step - by - step guide with screen shots Mike.

Raising outstanding German Shepherds for over 25 years QUALITY - Size - Intelligence - Gorgeous * Superior Intelligence * Easy to train * Desire to Please * Athletic, Traditional & Large Boned - Old Fashion * Gorgeous Confirmation & Markings * Quality lines imported from Germany * Family Companion Loving Protector - that would give its life for you ALL OF OUR PUPPY PURCHASES INCLUDE: * American Kennel Club Registration * Microchip - Activated loss program * Internal parasite control * 1st & 2nd Shots * Puppy care kit * Puppy Care Booklet, with vaccination, worming completed * Online Multi Generation Pedigree with Pictures / Titles * Vet inspected approved prior to leaving ranch * 1 year Health & amp; Hip Guarantee We have been raising these lines for generations, everyone a great family member We breed these lines is very simple, working dogs are just bred to be more Intelligent - Easier to Train, Healthier - Usually living longer lives - More Loyalty making them the Perfect Pet - Best Companion & Protector We health screen all of our dogs - No known health issues Long / Short Coat * Black / Red, Black / Tan, Solid Black Our Males 100 - 150 lb / 28over 30in Our Females 70 - 135 lb / 23 - 28in

He also says to always shoot in raw mode, use lightroom for editing and in edit mode do a print screen of the photo so the image you use on your website looks great but it too low quality for anyone to use or be able if they want to to increase the size.

Forza looks great, I just think Drive Club looks better to me from the videos and screen shots I have been seeing...

A split screen which adjusts to both of your locations is great until you are trying to shoot a grappling hook and all of a sudden your line of sight is changed and you can't move your icon any further.

There's a wistful joy to bouncing around the screen whilst shooting and collecting that constantly reminds you of how great gaming can be even without kingsize budgets.

Being able to move your constantly shooting ship (of which there are three to choose from) anywhere on the screen offered a great sense of maneuverability, since a lot of mobile games adhere to staying in one spot (all of those endless runners, for example).

Furthermore, high - speed, screen - filling shot patterns are great for PvE, but impossible to dodge in PvP.

A bunch of Wii U games with very minor additions (it's great that these games will get a second chance to sell, but to me [and all Nintendo die - hards] they're nothing but old games), a few seconds of a new Mario title (what was showed could of easily been generated for the sole purpose of that trailer, and may not be actual footage from a game in development), an NBA game that we saw on a tiny screen, and some shots of Skyrim, a 5 + year old title.

Plus, with Vita's ability to take screen shots on the fly, this is fodder for some great HD beauty shots!

If players hold their fingers on the screen for a few seconds before firing, the shot does greater damage, which is useful when attacking stronger enemies.

New screen shots of Resistance 3 have surfaced and they look great.

What makes the Indie Game so great well it's a four player shoot»em up with ridiculous firepower, kill everything on the screen bombs and tons of enemies fire tons of bullets.

2010 3 minute wonder series, Broadcast commission, Channel 4 (27,28,29,30 Sept; 18, 19, 20, 21 Oct) 06.2010 Persistence of Vision, FACT, Liverpool, UK 05.2010 Steps into the arcane, Kunstmuseum Thurgau, Switzerland 05.2010 It has to be this way ², National Gallery of Denmark, Copenhagen [commissioned solo show] 03.2010 Hands on, (curated by John Hilliard) Galerie Raum Mit Licht, Vienna, Austria 02.2010 Depatterrn, Galleri Erik Steen, Oslo, Norway 10.2009 Performance, Film Weekend: The Jarman Award at KunstHalle, Zurich, Switzerland 09.2009 Performance, Whitechapel Gallery, London, UK06.2009 Mostravideo, Itau Cultural Institute, Sao Paulo, Brazil 02.2009 Altermodern, Fourth Tate Triennial, Tate Britain, UK 01.2009 It has to be this way, Matt's Gallery, London [commissiond solo show] 12.2008 Performance, Event Horizon, Royal Academy of Art [commissioned solo show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies, White Box, New York, USA 07.2007 Swallowing Black Maria, Smart Project Space, Amsterdam [commissioned solo show] 02.2007 The Believers, Touring show to five cities in Norway, with performances in Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artforms.

The bright screen of the Galaxy S8 Active makes it easy to see what you're shooting even in direct sunlight, and the camera is capable of great shots, capturing plenty of detail and vivid colors.

Some users may pine for more granular controls, on - screen guides (and indeed, a focus guide would be great for macro shots), and RAW image support, but we're pleased with Motorola's simple approach here.

Screen Recording, Scroll Shot, Smart Gestures, Ultra Power Mode and so many more great features of the phone are gone.

It also incorporates some great software features in the camera app, shots raw files and uses knock - knock and split screen multitasking.

Going out and shooting a recent roller derby practice with the iPad felt a little clunky at first, but it was great to actually see specific skate details on the screen rather than just assuming they'd be there in the final product.