Sentences with phrase «great subject of his art»

It was the great subject of his art: «My only ambition is to be able some day to paint a Christ so moving that those who see him will be converted.»

Not exact matches

Henri Matisse (1869 - 1954) came to do Christian art very late in his life, and even then it was decidedly an atypical subject for the great master of sensation, color and line.

Bruce If you want to appreciate art reason won't get you there either, but the emotional surrender to music, or an oil canvas, or even a great novel does not make the fictional subjects of these things actually real.

Respected for its strength and grace, the tiger is the national animal of India and the subject of many great works of art.

Don't get me wrong - those are great elements of the cinema when handled correctly - in fact Haneke himself has shown some true genius in developing these very subjects into great art.

One of the great fallacies in popular art is that «great» men and women make great subjects for cinema.

A breezy, entertaining documentary about famed skateboarder Danny Way, capped by a fantastic jump over the Great Wall of China, doesn't transcend its subject the way «Exit Through the Gift Shop» transcends graffiti art.

For instance, reading fiction that presents children characters in the Great Depression, such as Leah's Pony, not only provides English language arts opportunities but help students connect with the subject matter through the power of stories.

«Alongside the EBacc, the arts are a crucial part of a broad and balanced curriculum and it is great to see that the best schools ensure young people have the option to study both academic and creative subjects.»

It is a great opportunity to find out something new on the subject of the interest: art, technology or business — broaden the horizon of cognition.

These topics are of great importance to ensuring that students receive a high - quality arts education and are the subject of other clearinghouses devoted to research on teaching and learning within particular arts disciplines.

While completing their professional practical experience, the majority of respondents reported being exposed to schools that did not value the arts, instead placing greater emphasis on other academic subjects.

Those are by far the exception; the vast majority of charter schools are boosting student performance, encouraging greater parental involvement, increasing teacher satisfaction, and broadening the curriculum with classes such as music and art without sacrificing core subjects.

The theory invites a great deal of creativity in teaching and learning and over the last 35 years, arts educators, in particular, have used the theory to develop arts - integrated curricula that acknowledge the power of artistic processes to produce and share knowledge across core subject areas.

Howard Gardner covers a great deal of territory in this interview, from the role of the federal government in education to teacher education to charter schools, but what stands out most to me is his statement: ``... education in the arts needs no justification in terms of «transfer» to other subjects or to its generation of wealth; it is a «good» in itself.»

And it clearly is an art, for a great literary biography (Atlas singles out Richard Holmes» Shelley: The Pursuit) can, and ideally should, sing with the narrative resonance of the great novels or poems that its subject produced.

Kintoki confirms that Toriyama's art and subject matter have frozen in time since he finished Dragon Ball 15 years ago, although he still has a great sense of color; I hope the forthcoming colorized Dragon Ball Z chapters look this good.

In revealing the failure of much academic art history, and a great deal of history in general, to take account of the unacknowledged value system, the very presence of an intruding subject in historical investigation, the feminist critique at the same time lays bare its conceptual smugness, its meta - historical naïveté.

In Great Minds, art collector and patron Richard Chang talks to Mark Rappolt about his relationship with art; and artist Hilma af Klint enlightens Matthew Collings on the subject of spiritual guidance.

Horn was the subject of a mid-career retrospective at The Solomon R. Guggenheim Museum in New York, and her work is featured in major public collections worldwide including The Solomon R. Guggenheim Museum, New York; Museum of Modern Art, New York; Museum of Contemporary Art, Los Angeles; Castello di Rivoli Museum of Contemporary Art, Turin, Italy; Tate Gallery, London, Great Britain; San Francisco Museum of Modern Art, San Francisco; Musée National d'Art Moderne, Centre Georges Pompidou, Paris, France; Stedelijk Museum, Amsterdam, the Netherlands; and Van AbbeMuseum, Eindhoven, the Netherlands.

Featuring a formidable list of writers, and encapsulating the eclectic range of art that has delighted and inspired audiences throughout Hayward Gallery's history, Fifty Years of Great Art Writing ranges from painting and photography to sculpture, choreography and architecture, and takes in a huge diversity of subjects, from Paul Klee to the art of the Harlem Renaissance, from David Shrigley's drawings to David Hockney's photographs, from Francis Bacon's take on the human body to Africa Remix, from Pipilotti Rist's installations to Afro - Asian artists in postwar Britaart that has delighted and inspired audiences throughout Hayward Gallery's history, Fifty Years of Great Art Writing ranges from painting and photography to sculpture, choreography and architecture, and takes in a huge diversity of subjects, from Paul Klee to the art of the Harlem Renaissance, from David Shrigley's drawings to David Hockney's photographs, from Francis Bacon's take on the human body to Africa Remix, from Pipilotti Rist's installations to Afro - Asian artists in postwar BritaArt Writing ranges from painting and photography to sculpture, choreography and architecture, and takes in a huge diversity of subjects, from Paul Klee to the art of the Harlem Renaissance, from David Shrigley's drawings to David Hockney's photographs, from Francis Bacon's take on the human body to Africa Remix, from Pipilotti Rist's installations to Afro - Asian artists in postwar Britaart of the Harlem Renaissance, from David Shrigley's drawings to David Hockney's photographs, from Francis Bacon's take on the human body to Africa Remix, from Pipilotti Rist's installations to Afro - Asian artists in postwar Britain.

The subject should be artistic in nature and should help LAND artists gain a greater understanding of the arts and its role and potential in our society.

First things first: The pianist Cecil Taylor, one of the great American artists of the past century, is the subject of an imaginative exhibition and residency at the Whitney Museum of American Art for the next 10 days, called «Open Plan.»

Last week, the New York Studio School hosted members of the Center for Italian Modern Art (CIMA) for an interesting talk on one of the greatest Italian painters of the twentieth century: Giorgio Morandi — the subject of the current exhibition at CIMA, on until June 25th.

His restoration of ornament in his own work has a lot to do with his general project of situating himself within the sweep of art history, a subject in which he has always taken a great deal of interest.

Tucson Museum of Art: Arguably, the finest exhibitions are ones that expand our worldview, or at least prod us into greater understanding of artists» subject matter, style, and societal influences.

He has been the subject of numerous solo and group exhibition worldwide, including three museum shows in 2017 and 2016: Rodney McMillian: a great society at the Art Institute of Chicago (2017); Views of Main Street (2016) at the Studio Museum in Harlem and St. Louis Art Museum; and The Black Show (2016) at the Institute of Contemporary Art, University of Pennsylvania.

So much pious pontificating rubbish is spouted about the function and value of the arts in society that I was delighted last week to catch the great sculptor Anthony Caro putting the subject into wise perspective during an interview with my colleague Alastair Sooke on the latter's BBC Four series Romancing the Stone.

In her catalog essay, the Whitney Museum of American Art's film curator, Chrissie Iles, distinguishes Ms. Collier from the Pictures Generation artists: «Collier's relationship with her subject matter takes place at one remove, and at a greater historical distance, within a social culture transformed by the Internet, in which the linear trajectory of history has collapsed into a flat matrix of information, influence and temporal fluidity.»

His powerful yet delicate sculpture reveals his profound respect for the process of making art, which can transform the mundane and unattractive into something of great beauty, which in turn, often references subjects of great ugliness, including racism and police brutality.

Selected exhibitions; Sluice Art Biennial, London (2017); Cass Art Festival, The Oxo Tower, London (2017); 8 Easels, (Solo exhibition) Sadler's Yard, Manchester (2016); Common Denominator (Solo exhibition) Victoria Station Gallery, Manchester (2016); Open Depot, Depot, Manchester (2017); On - Going, Sloe Gallery, Manchester (2017); The Greater Manchester Emerging Contemporary Arts Prize Summer Exhibition, Greater Manchester Chamber of Commerce, Manchester, (2016); Subjected To Change, Basement Arts, Leeds (2014); (Residency & solo exhibition) Northern Graduates Exhibition, The Curwen Gallery London (2013).

In 2013, their painting One Day You Will No Longer Be Loved III was the subject of Derren Brown's Channel 4 special, The Great Art Robbery.

In a group of paintings by Tong Hongsheng, the artist applies the techniques of Vermeer — universally acclaimed as one of the greatest painters in Western art history — to traditional Tibetan Buddhist subjects, an intriguing twist considering that whole political can of worms.

★ MUSEUM OF MODERN ART: «BRUCE CONNER: IT»S ALL TRUE» (closes on Sunday) One of the great outliers of postwar American art is the subject of a profuse, beautifully ordered retrospectivOF MODERN ART: «BRUCE CONNER: IT»S ALL TRUE» (closes on Sunday) One of the great outliers of postwar American art is the subject of a profuse, beautifully ordered retrospectiART: «BRUCE CONNER: IT»S ALL TRUE» (closes on Sunday) One of the great outliers of postwar American art is the subject of a profuse, beautifully ordered retrospectivof the great outliers of postwar American art is the subject of a profuse, beautifully ordered retrospectivof postwar American art is the subject of a profuse, beautifully ordered retrospectiart is the subject of a profuse, beautifully ordered retrospectivof a profuse, beautifully ordered retrospective.

While at MoMA PS1 and Clocktower, Mount worked with international scope of curators, artists, and institutions, and on seminal exhibitions such as the first Greater New York in 2000; the retrospective of painter John Wesley, covering his entire career from 1961 - 2000; Around 1984: A Look at Art in the Eighties, Disasters of War: Francisco de Goya, Henry Darger, Jake and Dinos Chapman; Body Works: Bruce Nauman, Valie Export, Gabriel Orozco, Joan Jonas, and Louis Bourgouis; Sol LeWitt: Concrete Block; Min Tanaka presents Subject: Heuristic Ecdysis, Santiago Sierra, Person remunerated for a period of 360 consecutive hours, 2000, among others.

Danh Vo's Hugo Boss Prize show at the Guggenheim, for which he presented thousands of trinkets, knickknacks and bric - à - brac (and a few little paintings) from the collection of the late Lower East Side painter Martin Wong (who was himself the subject of P.P.O.W.'s great - looking booth at the ADAA Art Show in March).

The figure is the greatest subject of all — it will live as long as we do — and this stimulating book reminds us... If there ever was an art book that needed to become a major exhibition — or a maybe a salon — The Figure is it» (Hyperallergic).

Highlighting the museum's stellar permanent collection, this show demonstrates the great variety of subjects and materials that can be found in three - dimensional art.

Despite a cultural taboo, Namdakov has addressed the subject of Genghis Khan, sculpting the great Mongolian leader in bronze (2003, 2011) and acting as art director in the film Mongol (2007), for which he received Russia's Nika Award for Best Art Directiart director in the film Mongol (2007), for which he received Russia's Nika Award for Best Art DirectiArt Direction.

Modern industrial design in Canada is a subject gaining increasing interest, and the Art Gallery of Greater Victoria's current exhibition «The Modern Eye: Craft and Design in Canada...

The article analyzes how Sandberg opted for the subject of vitality in great detail, and how he tried to abandon the classical categories of art history as the basic model for art exhibitions.

According to a review by Irish Times art critic Desmond MacAvock, O'Neill had always shown the greatest consistency of manner, style and subject matter of the Belfast school of contemporary Irish painting.

In 2014 Gokita was the subject of the large - scale solo exhibition, Tomoo Gokita: The Great Circus at the Kawamura Memorial DIC Museum of Art in Sakura, Japan.

Ruhlmann, Art Deco's greatest artist, is also the subject of a gallery exhibition on the Upper East Side.

This is the most important jewish subject painting by this great artist painted in 1931 it resembles a chagall or ryback work of art very art deco in style and very large it hung at the jewish federation bldg..

He was knighted in 1987 and received the Order of Merit in May 2000, which recognises great achievement in the fields of the arts, learning, literature and science, and he was the subject of a major retrospective at Tate Britain in 2005.

Neel casts her subjects as great icons of art history be it the reclining nude or the Madonna and child — always taking care to present them with honor and dignity.

Tracey Emin, in full Tracey Karima Emin, (born July 3, 1963, Croyden, Greater London, England), British artist noted for using a wide range of media — including drawing, video, and installation art, as well as sculpture and painting — and her own life as the subject of her art.

Sure, this is not exactly cheap — but it's unusually affordable for such a strikingly elegant piece by Richard Serra, one of the greatest living American artists, whose coveted works on paper were the subject of a 2011 survey at the Metropolitan Museum of Art.

Whether as angelic creatures or exotic lures, women filled the imaginations of artists and constituted the great subject of fin - de-siècle art.