Sentences with phrase «great visual language»

We haven't seen it yet, but no matter what the verdict ends up being on the movie itself, it at least has a really great visual language.

Not exact matches

This is so not only of visual phenomena but also, and perhaps especially, the linguistic because the great bulk of language on television — and radio too, for that matter — is merely a parody of civilized speech.

But Billboards still speaks the language of film, with incredibly well - staged scenes and a great visual gag involving Officer Dixon (Sam Rockwell) and his music.

Fassbender and Smit - McPhee are really excellent here, and the film was shot by the great Robbie Ryan, who worked with Andrea Arnold on films like «Fish Tank» and «Wuthering Heights» to give them such a visual language.

The movie eventually gets to Shakespeare's words, but perhaps the movie's greatest strength and most limiting weakness is how it relies on visual language to embellish or replace Shakespeare's own language.

But Jane Campion's wondrous, petal - delicate film not only finds a shimmering visual language that's wholly in sympathy with the great man's turn of phrase, but applies his poetry in a real - world context that never feels too precious or contrived.

The visuals and provided sentence stems show students how to make a correct sentence in English, and they are a great way to get students writing independently in a new language.

The visual nature of these probes is great for use with English language learners.

Design chief Marek Reichman revealed that the Vulcan also previews the «visual language of our future sports cars», as Aston prepares to give greater visual differentiation to its sports cars and GTs in its next generation of models, due from 2016.

Oh Yeah Studio recently invited 15 of the world's leading designers, illustrators and motion artists that have a great impact on today's visual language, to take part in an exhibition called This Is Now.

In these works, Valdés draws inspiration from an art - historical motif, as he does in much of his work, using his own visual language to skillfully play tribute to one of the great masters.

(1910 - 1962) American, yet imbued with visual culture of Europe, Franz Kline exemplifies the development of pictorial language from a figurative form that derives from Rembrandt and the other great masters whose work he knew well from visiting European museums, to abstraction.

Plensa debuted the monumental sculpture Echo in Madison Square Park in 2011, and Rapaport was quoted in the New York Times article regarding the project, «When we think of great modern and contemporary public art, usually we think of work that uses an abstract visual language.

Structuring his own visual language characterized by the remarkable sense of tension, rhythm, and balance, he created portraits with great complexity and depth.

These artists have had great significance for the development of international contemporary art, either because they have created visual languages, objects and pictures of originality and quality, or because they have reinvented important aspects of cultural production.

The museum's unique collection of international contemporary art is a selective collection of works created by artists who occupy key positions in the field, either because they have created a distinctive visual language, objects and images with great originality and quality, or because they have reinvented important aspects of cultural production.

The dynamic confident style of Francis has often been likened to that of Jackson Pollock, yet the visual language of this great artist is far more complex than that.

For nearly 60 years, Knox Martin has produced a singular visual language with roots in both the Old Masters and that great upheaval in mid-20th-century American art known as Abstract Expressionism.

Great infusion of a dark visual language that is backed by an obvious talent.

Comprised of three sections, organised in rough chronological sequence, the first section features earlier works from the formative period, 1948 — 1958, during which Herrera experimented with different modes of abstraction before establishing the visual language that she would explore with great nuance for the succeeding five decades.

This expanded version of that exhibition fills our galleries as never before, presenting a thematic journey that reveals the breadth of America's modernist vision, beginning with the great heroes of American art of the late 19th century, whose work set the course for modern art in the United States, and concluding with a grand display of the Abstract Expressionists, whose new visual language turned American art into a global force.

This exhibition presents a thematic journey that reveals the breadth of America's modernist vision, beginning with the great American art heroes of the late 19th century, whose work set the course for modern art in the United States, and concluding with the Abstract Expressionists, whose new visual language turned American art into a global force.

It begins with the formative period following World War II, when Herrera lived in Paris and experimented with different modes of abstraction before establishing the visual language that she would explore with great nuance for the succeeding five decades.

Among the most successful of these is Paul Chan's short, two - channel film Teh Cat n Teh Owl (2014) at Greene Naftali, with its reference to the great French filmmaker Chris Marker dressed up in the visual language of virtual communication.

There's a lot of body language and psychology at play and Jason is great at helping people navigate that stuff to become more effective visual communicators.

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