Tilton demonstrates in this video game score that he has all the hallmarks
of someone who would be a
great film composer — not just the composition itself (which is beyond reproach — the orchestration in particular is so impressive) but also his
dramatic sense, which is honed to provide a gripping narrative here.
Murphy finds inspiration for her subjects in the popular culture
of the 1940s and»50s, presenting them with an attention to light and shadow that creates a
sense of mystery and often incorporates
dramatic effects from forces
of nature — a sign
of her youth on the
Great Plains.
It also departs from the biennial's value system as rooted in the empire building world's fairs
of the 19th and 20th centuries — many call London's
Great Exhibition of 1951 held in a dramatic crystal palace the «first» biennial — designed to give viewers a deeply overwhelming «great mass and jumble of things» (commodities, mostly) as «a challenge to make sense of... unimaginable diversity; to find or invert a «perspective» on the whole so that objects could be made to «stay and lie orderly.&r
Great Exhibition
of 1951 held in a
dramatic crystal palace the «first» biennial — designed to give viewers a deeply overwhelming «
great mass and jumble of things» (commodities, mostly) as «a challenge to make sense of... unimaginable diversity; to find or invert a «perspective» on the whole so that objects could be made to «stay and lie orderly.&r
great mass and jumble
of things» (commodities, mostly) as «a challenge to make
sense of... unimaginable diversity; to find or invert a «perspective» on the whole so that objects could be made to «stay and lie orderly.»