A period of experimentation on paper in the late 1950s and early 1960s gave way to
a greater spatial complexity in the late 1960s, 70s and 80s, where the cubic cages were transformed into theatrical spaces, demonstrated in 1967's Triptych Inspired by T.S. Eliot's «Sweeney Agonistes» (Hirshhorn Museum and Sculpture Garden).
Not exact matches
These openings in the canvas were evocative of Lucio Fontana's
Spatial Concept works, but with
greater precision,
complexity and integral to the composition.
While a number of studies have suggested the engineering feasibility of specific SWCE proposals, the questions in the Climate Science and Climate Monitoring streams present far
greater challenges due to the inherent
complexity of temporal and
spatial delays and feedbacks within the climate system.