I read books that extended the original story 20 years into the future, played the video games, and have even recently spent an evening at Secret Cinema dressed as Han Solo, recreating A New Hope and The Empire Strikes Back (two of
the greatest films of all time).
So this week the magazine Sight & Sound posted the results of their poll which involved 846 critics chiming in on what they believe the be
the greatest films of all time.
You know how Citizen Kane is considered by some to be
the greatest film of all time?
If you look back in history, some of
the greatest films of all time were genre films that really had something to say about where we are in the world.
Remember, Vertigo never won a single Oscar, was only nominated for two, and is now considered
the greatest film of all time.
Critic Andrew Sarris once declared, «Lola Montès is, in my unhumble opinion,
the greatest film of all time.»
Every 10 years or so, Sight & Sound magazine (the «grande dame» of film publications) asks critics, film - makers and other luminaries to help them select
the greatest films of all time.
Finally available as it should be seen (thank you Film Forum and Quad), one of
the great films of all time.
We don't have a list to hand of how many directors have casually tossed out three of
the greatest films of all time in quick succession, but it's got to be a small club.
Orson Welles already had
the greatest film of all time under his belt (Citizen Kane), and a few years later he gave us the greatest movie entrance of all time in Carol Reed's funny, thrilling and fatalistic The Third Man.
FAVORITES I genuinely think Tobe Hooper's The Texas Chain Saw Massacre is
the greatest film of all time, followed closely by National Lampoon's Christmas Vacation (a perennial classic cruelly denied Oscar glory — Randy Quaid should have been a shoo - in for Best Supporting Actor at least).
2:15 am (1st)-- TCM — Rear Window Hitchcock, Stewart, and Kelly mix equal parts suspense thriller, murder mystery, romance, voyeristic expose, ethical drama, caustic comedy and cinematographic experiment to create one of
the greatest films of all time.
While it's true that Get Out is probably still the landmark film of the year and will do what all great films do when they don't win Oscars: consistently land on
the greatest films of all time lists, Spielberg says Guillermo del Toro has joined a legacy of filmmakers and he did do that.
Paramount is good about releasing classics on Blu - ray from time to time, and their latest batch offers one of
the greatest films of all time, and an entertaining minor work by a master director.
«If you look back in history, some of
the greatest films of all time were genre films that really had something to say about where we are in the world,» he added.
When people rave about a movie so bad it's good (a common pose is to announce ironically that it's «
the greatest film of all time»), all they're really doing is asserting their own superiority, not just to the movie but to the valuation of movies.
Not exact matches
We adapted this ranking from our list
of the worst sequels
of all
time, selecting the
films that had a vast discrepancy in Rotten Tomatoes critic scores between their terrible sequels and
great originals.
Experiencing the world
of Harry Potter can be a
great way for
film and TV crafts pros on hiatus to spend
time.
Widely recognized as one
of the
greatest American movies
of all
time, when it released in 1956, The Ten Commandments was arguably the most ambitious
film ever attempted by Hollywood.
I also wanted to talk up what is perhaps John Sayles»
greatest film, the very play - like Sunshine State, as a beautiful illustration
of the fact that in modern
times especially, some need to heed the Berry-esque call to stay (or return) and build the community, but others need to sell and go, and get free
of a community, or mere arrangement, that is holding them back.
Go here and watch game
film on him: http://draftbreakdown.com/category/defensive-tackle-2018/vita-vea/ He had a
great game against Washington State, but the rest
of the
time he was consistently neutralized by double teams and often just one blocker.
Braveheart's a
great movie - even if it is one
of the most historically inaccurate
films of all
time.
In 1970, I Told You So was one
of the first Ghanaian
films to receive international acknowledgement and
great reviews by The New York
Times.
Kristen Connolly's Dana is a decent and empathetic primary protagonist, but the real casting highlight is Fran Kranz, who completely steals the show as one
of the
great all -
time movie stoners Marty, whose unique drug - addled world logic not only aids in its survival, but provides some
of the
film's best jokes.
Although at
times it suffers from cheesy dialogue, The Cabin in the Woods is easily on the best horror
films of our
time, poking fun at the cliches
of horror, while being pretty scary, as at least one
of your
greatest fears appears, in one
of the best
films of 2012.
If you can find it, look at the
great British documentary Song
of Ceylon (1934), one
of the most poetically structured
films of all
time.
I've never been a fan, as a rule
of horror movies, however, the trailer drew me to this one and i'm glad it did, the awful acting we usually get in horror movies wasn't there this
time round, in fact, the whole cast were excellent, the special effects were really very good and the humorous, intelligent dialogue (another thing you don't usually get in horrors) was brilliant, loved the
film, Chris Hemsworth, although with less to do in this than he does in Thor, was
great in it too.
Spoof movies come and go, and there will always be the ones that are
great, but as
time goes on, this genre
of film is what really makes this industry hurt inside and out.
Not knowing that this
film would spend so much
time focussing on the relationship
of Edward and his girlfriend Lindsay (Shailene Woodley), I was pleasantly surprised to see such
great chemistry from these two unlikely performances.
Without a doubt, Friedkin is one
of my all -
time favorite directors, although it could be argued that he hasn't done a truly
great film since 1985's TO LIVE AND DIE IN LA.
Based on the exciting true story
of one
of the
greatest moments in modern history, the
film captures a
time and place where differences could be settled by games and a cold war could be put on ice.
By the
time Great Balls
of Fire was released, X had announced their breakup (though the band would stage several reunions throughout the 1990s), and while Doe began recording and touring as a solo act, he also devoted an increasing amount
of his
time to his acting career, so much so that by the end
of the 1990s Doe's
film work had outstripped music as his primary livelihood.
The awards made some questionable decisions when it came to recognizing this
film, and among the most questionable, in my opinion, was a lack
of recognition for the score by the
great Alfred Newman, who hit some conventions and contrivances, but did what he did best by breaking down a lot
of barriers for epic scoring sensibilities at the
time to come up with refreshing and stellar compositions whose symphonic beauty is remarkable by its own right, and important in the selling
of the sweep
of this
film.
[img] http://images.rottentomatoes.com/images/user/icons/icon14.gif [/ img] The Pact feels as if it's been constructed from an infinite number
of inspirations stretching from classic ghost story horror cinema to the recent wave
of found footage
films but at the same
time because
of such
great execution you could never actually call it generic.
The depth
of emotions you begin to feel for these animals was a
great surprise and I wanted more by the
time the
film ended.
It's also, quite unexpectedly, one
of the all -
time great feelgood movies, and if you don't take anything else from the
film, then take its unabashedly positive moral to heart, and «choose life».
If the abundance
of agriculture may be too much for some tastes, the
film subtly reveals how farming methods grew increasingly industrialized over the years: Just as the armies
of the
Great War employed modern weapons like tanks and airplanes for the first
time, so the Paridiers begin to use combines and tractors to yield more crops with less labor.
The cinematography and location shooting are excellent and things look
great, the music is decent, and this is one
of those
films that was made at a
time when you could still make them like this and not have to worry about too much tinkering and interference.
With stunning performances from its cast, the
film occur during the First World War, and it shows us the chaos, and considering the fact that this was made in 1930, it's an impressive feat in filmmaking, as what we have here is a picture that captures the fear and agony
of combat, and it's a well made movie for its
time, and it still looks
great after all these years.
It doesn't rank up their with the all -
time Pixar
greats for me personally, but there's still no denying it offers not only many eye - popping sights to behold, but a refreshing examination
of Mexican culture that is certainly unique, not only for Pixar but for a major animated
film in general.
Graham's father, a wealthy industrialist, bought the paper in 1933 at a bankruptcy auction, a fact not mentioned in the
film, curious for a movie that spends a
great deal
of time talking about the paper's dire finances.
Also, the
film feels a little long and draggy at
times, as if the
great director John Landis was just very unfocused and unsure
of how to use all
of the
great talent at hand to its fullest.
All that mixed with the ingredients
of a blockbuster
film, a
great cast, good humorous
timing and spectacular set pieces makes for a very entertaining ride that works as a standalone
film as well as part
of the bigger picture.
Possibly the
greatest science fiction
film of all
time, The Empire Strikes Back put the spirit
of adventure and drama back into action movies.
There have been few better British
films than Brief Encounter even at a
time when our studios are taking their place in the vanguard
of this
great contemporary art.
Far From Heaven would have been one
of the
great American
films of the»50s; it is certainly the finest American melodrama
of our
time.
It's not merely that Stoller's
film is long (clocking in at just over two hours), it's that so much
of its
time is misappropriated; plot threads with Tom's parents (David Paymer and Mimi Kennedy) and Violet's mother (Jacki Weaver) could be jettisoned entirely, with that
time freed up to examine in
greater interesting detail Tom's emotional waywardness.
The
film is essentially a primitive rah - rah story about an underdog's triumph over a bully, and in the
times that Americans are living through now the things in it that are merely simple seem simplified to the point
of odiousness... In the Heat
of the Night seems to be made up
of a
great deal
of attitudinizing and very little instinct.
A Girl, a Guy and a Gob was one
of two RKO Radio
films produced by silent - screen
great Harold Lloyd, who reportedly dropped in on the set from
time to
time to offer a bit
of sage comedy advice (note the «handkerchief» bit utlized by Edmond O'Brien; it had previously done service in Lloyd's own Welcome Danger).
A rolling and thundering color
film that is herewith devoutly recommended as one
of the
great motion pictures
of our
times.