Not exact matches
Allusions to «Vertigo,» «Rebecca,» and Georges Franju's
great 1960 French
horror movie «Eyes Without a Face» are intentional: The Skin I
Live In is, above all, the creation of a movie fanatic who loves to look.
In a perfect demonstration that
horror and trauma are the stuff of real, everyday
life and not the macabre vision of fantasists, Cries and Whispers marked Bergman's recovery as one of Europe's
greatest film directors.
This Italian indie game doesn't
live up to our expectations, but it is in a position to deliver some interesting adventure /
horror moments and can offer some
great replay value.
Shot outside Pittsburgh on a shoestring budget, by a band of filmmakers determined to make their mark, Night of the
Living Dead, directed by
horror master George A. Romero, is a
great story of independent cinema: a midnight hit turned box - office smash that became one of the most influential films of all time.
A
horror film with the power to put a rascally grin on the face of that
great genre subverter John Carpenter (They
Live), Get Out has more fun playing with half - buried racial tensions than with scaring us to death.
Shot outside Pittsburgh on a shoestring budget by a band of filmmakers determined to make their mark, Night of the
Living Dead, directed by
horror master GEORGE A. ROMERO, is one of the
great stories of independent cinema: a midnight hit turned box - office smash that became one of the most influential films of all time.
If the fiendishly clever
horror sleeper Unfriended is about anything more than its own ingenious construction — the way it seems to credibly unfold, in real time and with
great realism, within the frame lines of a laptop computer — it's about how the internet has allowed people to indulge their worst impulses with anonymity and impunity, behaving ways on the web that they never would in «real»
life.
Courtesy of a
great Lynsky performance that's equal parts miserable and furious, I Don't Feel at Home in This World Anymore (which won the Grand Jury Prize at Sundance before premiering exclusively on Netflix) finds humor and
horror in the notion that «everyone is an asshole» — and then locates hope in the closing - note idea that, rather than worrying about them,
life is best spent in the company of those precious few who aren't.
In many cases comic personal accounts of Ndalianis» experience of the
horror sensorium compete for space: analysis of de Certeau's Practice of Everyday
Life is combined with description of its manifestation in the practice of consuming contemporary media culture (her childlike joy at controlling Batman who she describes as «the
greatest fictional character ever invented»).
I'm glad to know that this one
lived up to it's creepy trailer and not only made the list of many
horror fans as one of the year's best, but proved why indy
horror will always be home to some of the
greatest horror flicks.
Halloween is one of the
greatest horror movies ever, and other Carpenter films like The Fog, The Thing, and They
Live aren't too shabby either.
It springs to
life in a funhouse of
horrors kind of way that leans into some
great jump scares -LSB-...]
Some of the
greatest horror movies, from The Cabinet Of Doctor Caligari to The Night Of The
Living Dead, channel contemporary social anxieties.
Night of the
Living Dead (1968) Shot outside Pittsburgh on a shoestring budget by a band of filmmakers determined to make their mark, «Night of the
Living Dead,» directed by
horror master George A. Romero, is one of the
great stories of independent cinema: a midnight hit turned box - office smash that became one of the most influential films of all time.
It appears that Keith David from John Carpenter's (The Thing, They
Live) has replaced the
great Clarence Williams III in the role as funeral director Mr Simms in the upcoming anthology
horror sequel Tales from the Hood 2, according to Brainwaves podcast.
This little gem features American treasure and all - around genre cinema maestro John Carpenter discussing his 1988 sci - fi / action /
horror cult classic They
Live, going into detail about such things as the conceptual ideas behind the movie's premise, his casting of professional wrestler «Rowdy» Roddy Piper as the protagonist, and the rebellious inspiration for the film's infamous fight scene between Piper and the
great Keith David.
There's no clowning around in It, the new big - screen adaptation of novelist Stephen King's 1986 bestseller, which deftly breathes cinematic
life into two of the
horror master's
greatest strengths.
Life of Pi Directed by: Ang Lee Starring: Suraj Sharma, Gérard Depardieu, Irrfan Khan Rating: Not Yet Rated Release Date: November 21, 2012 TRAILER SCORE: 9/10 Thoughts by TSR: I've never been involved in a shipwreck, but the opening moments of this trailer for
Life of Pi do a pretty
great job of capturing the
horror and chaos I imagine -LSB-...]
Although it didn't make it onto my Best of the Fest list, one film that I had a
great time at during Sundance was Tucker & Dale vs Evil, a comedic spin on
horror films, where the hillbillies
living in their vacation cabin are the peaceful ones, and it's the college kids who wrongly accuse them of being killers.
When Don Shanks got the job of stunt coordinator for the 1989 sequel Halloween 5: The Revenge of Michael Myers he also became the new man behind the infamous white mask of
horror's most hallowed killer, bringing back to
life the big screen's
greatest cinematic terror while exposing a new degree of humanity to The Shape.
October 10, 2013 Halloween is the best excuse in the world to watch something terrifying yet
life - affirming, and certainly we can all use some distraction right about now... My friend,
horror aficionado and extremely talented fellow critic, Dustin Putman, has just released a
great book of previous as well as brand spanking new reviews of movies...
What's really
great about the film, however, is how Peele weaves real -
life, commonplace occurrences — like a black person being unfairly targeted by police — and juxtaposes them with the
horror story elements, highlighting the
horror in the everyday.
Already tipped as a «Future
Great» by Art Review, Thomasson is fast - tracking his way to stardom via
live art works that look at the degree to which everyday
life is a kind of performance: the
horrors of workplace team building have provided the basis for recent projects.