The members of the various noble houses are involved in an ongoing struggle to sit on the ruling Iron Throne of Westeros,
the greatest symbol of power across the Seven Kingdoms.
Not exact matches
In his powerful book The Non-Violent Cross James Douglass makes a
great deal
of the resurrection, but for him the resurrection is only a
symbol of oppressed people's awakening to the
power of nonviolence: «Man becomes God when Love and Truth enter into man, not by man's power but by raising him to Power, so that revolution in love is revealed finally as the Power of resurrection» (pp. 23 -
power of nonviolence: «Man becomes God when Love and Truth enter into man, not by man's
power but by raising him to Power, so that revolution in love is revealed finally as the Power of resurrection» (pp. 23 -
power but by raising him to
Power, so that revolution in love is revealed finally as the Power of resurrection» (pp. 23 -
Power, so that revolution in love is revealed finally as the
Power of resurrection» (pp. 23 -
Power of resurrection» (pp. 23 - 24).
The culture
of consumerism and the chase for material
symbols of wealth and security have sometimes come to be dominant; the pursuit
of spiritual fulfillment in many has slowly begun to degenerate into empty and sterile ritualism; the legitimate thirst for education has often become perverted into an obsessive drive to acquire with the
greatest speed the formal diplomas necessary to gain entry to jobs offering the easiest opportunities to make the quickest rupees; political statesmanship in some areas has begun to depreciate into an opportunities race for
power and position; the spirit
of SEVA (Service) to the nation has intermittently begun to be suffocated in many, by the abuse
of discretions, sometimes mediated by a bloated bureaucracy itself enmeshed in a vast network
of multiplying paper and self - proliferating regulations; menacingly many good and decent people even in public life, have come to be corroded by a culture
of demanding corruption; and some potentially creative lawyers, have begun to take perverted pride in mere «cleverness», rendering themselves vulnerable to the prejudice that they are a parasitic obstruction in the pursuit
of substantive justice.
«Now shall you deal with me, O prince, and all the
powers of hell,» she proclaims, as she rises in a mushroom cloud (the
great symbol of unleashed evil in that Cold War era) to transform herself into an enormous horned and bat - winged dragon with Fantasia's Satan's gleaming, slitlike eyes.
In full repudiation
of the
power and mystic realism
of symbols, a writer in Deuteronomy argues that even in the personal presence
of their God, manifest in the
great theophany on Sinai, no physical form was apparent, but only an invisible presence felt in
power and in religious perception:
Their desire to accommodate Christian
symbols to the reigning paradigms
of knowledge is so
great that questions about the descriptive
power of those
symbols are often dismissed as fruitless or irrelevant.
Because the ships
of Tarshish carried such
great riches, they became
symbols of wealth,
power, and pride.»
His extraordinary
powers enabled him quickly to bring forth a
great variety
of utterly new realities: tools and processes, abstractions and
symbols, languages and logics, rational analyses and syntheses, measurement and experimentation, and many others equally unprecedented.
(We recall the analysis
of Paul Tillich: «This is the
great function
of symbols: to point beyond themselves, in the
power of that to which they point, to open up levels
of reality which otherwise are closed, and to open up levels
of the human mind
of which we otherwise are not aware» (Paul Tillich, «Theology and Symbolism,» in Religious Symbolism, ed.
In a similar fashion, the Revivalism
of the
Great Awakening transformed certain
of the central
symbols of Puritanism and introduced new values and beliefs which questioned not only the authority and function
of Crown and Parliament but also the traditional role and
power of established clergy and magistrate alike.
One hears echoes
of Ruskin's nostalgia for the harmony
of the medieval manor in contrast to the din
of modern factories, or
of James» preference for the Virgin over the dynamo as the central
symbol of power in society, or
of Schumacher's «small is beautiful» against the «
great industrial city.»
They are a perfect
symbol of the
Great American Dream; a mass - produced status
symbol with the
power to speed the owner away to a better place.
Originally conceived as a floating
symbol of American ideals at a time when the United States was emerging as a world
power, Columbia is dispatched to distant shores with
great fanfare by a captivated public.
Anselm Kiefer The weight
of memory, the grotesqueries
of imagination and the
power of symbols have no
greater champion in the art
of today than Kiefer.