Sentences with phrase «green double line»

Oversized Christian Dior sunglasses are made of transparent green plastic with a darker green double line that outlines part of the frame.

Not exact matches

We're particularly keen on the line's straight and double - breasted suits, as well as its three - button jackets in tones of grey, navy, chrome green and black, perfect for the boardroom look.

According to Dr. Natali, «Our results show that while permafrost degradation increased carbon uptake during the growing season, in line with decadal trends of «greening» tundra, warming and permafrost thaw also enhanced winter respiration, which doubled annual carbon losses.»

If results (recovery + activation) are really good then I conduct a «harder» aerobic session, run double days, longer or just spend more time green - lining my 148 max aerobic HR.

AKRIS coat comes in a green abstract watercolor floral print, sheer silk organza and features an A line silhouette, round, collarless neckline, patch pockets, and double zip front wi...

Military drama about Green Berets operating behind enemy lines and on horseback doubles as a tribute to courage under fire.

Based on Yousef's 2010 memoir Son Of Hamas, Nadav Schirman's film — an audience prizewinner at Sundance in January — briskly runs down a decade - plus of double - dealing on the front lines of the Israeli - Palestinian conflict, offsetting the interview footage with archival news reports, a crashing orchestral score by Max Richter, and staged aerial surveillance shots, tinted night - vision green for maximum atmosphere.

Also sharing a good deal of screen time is underrated character actor David Morse (Double Vision, The Green Mile), as the lead corrupt cop on their trail, treading the fine line between well - meaning servitude to his fellow officers and out - and - out malevolence.

April Silvered Water, Syria Self - Portrait (2014, Ossama Mohammed & Wiam Bedirxan)-- 6.1 Song to Song (2017, Terrence Malick) DP — 7.1 Chiasmus (2003, Daïchi Saïto) 16 mm Chasmic Dance (2004, Daïchi Saïto) 16 mm Blind Alley Augury (2006, Daïchi Saïto) Super-8mm Green Fuse (2008, Daïchi Saïto) Super-8mm Field of View # 1 (2009, Daïchi Saïto) Super-8mm All That Rises (2007, Daïchi Saïto) 16 mm Trees of Syntax, Leaves of Axis (2009, Daïchi Saïto) 35 mm Never a Foot Too Far, Even (2012, Daïchi Saïto) 16 mm Dual Projection Engram of Returning (2015, Daïchi Saïto) 35 mm Early Experimentation Silent Shorts (1896 - 1903, Various) The Goddess (1934, Wu Yonggang)-- 7.2 In the Heat of the Sun (1994, Jiang Wen)-- 6.5 After Hours (1985, Martin Scorsese) 35 mm — 7.1 The Great Train Robbery (1903, Edwin S. Porter) + M (1931, Fritz Lang)-- 8.8 [up from 8.5] + Rebel Without a Cause (1955, Nicholas Ray)-- 8.0 [same] + The Thin Red Line (1998, Terrence Malick)-- 8.3 [up from 7.8] The Void (2016, Jeremy Gillespie & Steven Kostanski) DP — 5.2 Goodbye, Dragon Inn (2003, Tsai Ming - liang)-- 8.8 Steamboat Bill, Jr. (1928, Charles Reisner and Buster Keaton) 35 mm — 7.2 Stranger on the Third Floor (1940, Boris Ingster)-- 5.8 The Fate of the Furious (2017, F. Gary Gray) DP — 5.7 The New World [Extended Cut](2005, Terrence Malick)-- 8.6 In Chris Marker's Studio (2011, Agnès Varda) Bad at Dancing (2015, Joanna Arnow) The Maltese Falcon (1941, John Huston)-- 6.4 + Eraserhead (1977, David Lynch) 35 mm — 9.7 [same] + The Elephant Man (1980, David Lynch) 35 mm — 6.9 [down from 7.1] Two Lovers (2008, James Gray)-- 7.6 + Double Indemnity (1944, Billy Wilder)-- 7.3 [up from 7.2] The Lost City of Z (2016, James Gray) DP — 6.8 + Kill Bill Vol.

Brake pad wear sensors, Electric engine and trunk lid release, Multi function display, On board computer, Outside temperature gauge, Variable power assisted steering, 2 speed front wipers + intermittent wipe, Aspherical driver's exterior mirror, Automatically extending rear spoiler, Body colour bumpers, Body colour door handles, Body colour electric / heated door mirrors, Coming home function, Electric heated rear glass window, Electric windows one touch open / close, Electrical soft - top actuation with comfort window lowering and closing of side windows, Front air dam with integrated air inlets, Front fog lights, Green tinted glass, Heated washer nozzles,Under - carriage cover, Water repellent side windows, Windscreen with grey top tint, Active carbon filter, Coat hook integrated into back seat, Continuously variable dimming interior light, Electrically adjustable backrest, Footwell illumination, Front centre console storage box, Front headrests, Front passenger seat isofix location point, Height / reach adjust steering wheel, Integrated double cupholders, Interior orientation lighting, Interior roof lining, Leather covered handbrake / gearlever / door pulls, Lockable glovebox, Luggage compartment lid front and rear in aluminium, Rear centre console + storage compartment, Sports pedals, Storage compartments in doors, Sunvisors with illuminated vanity mirrors, 3 point automatic seatbelts,Anti - lock Brake System + ABD,Anti - slip regulation, Driver and passenger airbags, Front seatbelt pretensioners + load limiters, Head airbags, Motor Slip Regulation - Engine Drag Torque Control, Passenger airbag deactivate switch, Side (thorax) airbags, Alarm, Locking wheel bolts, Remote control central locking, Transponder engine immobiliser, Porsche stability management (PSM), Tyre repair kit; including sealant foam

My normal target would be much closer to the entry, but since there is a pull - back part that adds to the height of the whole double top pattern, I move it to the next big support level (green line).

Depicting nothing more than the straight white lines and wide arks across the blank green expanse of the pitch, these canvases perform a subtle yet playful doubling, as the artist mischievously mirrors the action of the line painter.

In the course of over 20 years she has founded the Israel Museum's international contemporary art collection and curated numerous exhibitions including James Turrell: Two Spaces (1982), Anselm Kiefer (1984), Three British Sculptors: Richard Deacon, Julian Opie, Richard Wentworth (1985), New York Now (Jeff Koons, Sherrie Levine, Allan McCollum and others, 1987), Christian Boltanski: Lessons of Darkness (1989), Life Size: A Sense of the Real in Recent Art (1990), Hidden Reflections (Marylène Negro, Christian Marclay, Hiroshi Sugimoto and others, 1992), Kiki Smith (1994), Gerhard Richter (1995), Marks: Artists Work Throughout Jerusalem (David Hammons, Juan Muñoz, Sarkis and others, 1996) Skin - Deep: Surface Appearances in Contemporary Art (Zoe Leonard, Ana Mendieta, Khalil Rabah, Jana Sterbak and others, 1999), Yinka Shonibare: Double Dress (2002), Nedko Solakov: Alien Auras (2003), Vanishing Point: Hidden Beauty in Contemporary Art (2005), Green Line — A Project by Francis Alÿs (2005), News (2006), Made in China — The Estella Collection (2007), Bizarre Perfection (2008), First Show: Contemporary Art from The Israel Museum, Jerusalem.

So as California was doubling its share of electricity from costly renewables, its retail electricity prices rose in line with the rest of the nation as the cheaper natural - gas - generated electricity covered for the more expensive green energy.

Amid the lines of technical language mandating the use of non-existent coal power technology or no coal at all, the bill quietly allowed publicly regulated utilities to double their profits, so long as the power generated was politically approved green power.

After 1950 this tracks forcing very linearly, see the green trend line sloping up at 1.73 degrees per doubling of CO2.

The comparison made is between Boston's Green Line and San Francisco's Muni, with former having nearly double the operational greenhouse gas emissions of the latter — even though the energy consumption per passenger is slightly higher in San Francisco.