Sentences with phrase «grey wall of the gallery»

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We wanted to keep some of these architectural features to provide some visually interesting points and it helps us not to stumble too far into the typical white walls / grey floor of the usual gallery and studio spaces.

For a 1987 show of small grey paintings he has a passage from the French writer Maurice Blanchot typed up and affixed to a wall of the gallery.

From such monuments, it takes a moment to adjust to the small scale of Hodgkin's paintings themselves, hung very far apart on walls dramatically painted eau de nit, mailbag grey and mustard yellow, at Tate Britain's sweeping main galleries.

In a corner of North Gallery A sits a tall, dark - grey concrete wall.

In the first room of Marian Goodman's new gallery, adjacent pairs of vast grey painted - glass panels are retwinned on opposite walls, so that the space contracts a little around a huge central sculpture, 7 Panes of Glass (House of Cards)(2013), that drolly invokes both Richard Serra's cliffs of leaning steel and Caspar David Friedrich's The Sea of Ice (1824).

The first of these will occupy the three large walls of the gallery with a colour palette of red, yellow, blue, orange, purple and green with the second in a strict tonal palette of black, grey and white.

When Hodgkin filled two floors of the Hayward Gallery a decade ago, he had all the walls painted a grim, uniform grey.

Another detail, Ambe measured up 25.6 inches from the gallery floor and had its walls painted grey up to this height so that they would match the color of the concrete floor and reinforce the «inner water» space.

Appearing as a mirage of mechanical brushstrokes applied in graduating grey, the painting creates a subtle optical illusion as the colours dissolve into the gallery walls and manipulate our trust in its structure.

Scaled up, it has lost some of the vigour and focus that often characterises the gallery's smaller efforts, and the result is a High Renaissance exhibition as austere as its chilly grey walls.

In Bars and Stars («The Daily Mirror», May 1, 2004), a variety of grey printing blankets which drape along the gallery walls and floors are screen - printed repeatedly with images from a tabloid newspaper and are studded with anodized aluminium stars.

«Exemplary of [The Chicago Effect: Redefining the Middle's] strengths is a brief interlude in the middle of the main gallery marked by a stripe of grey paint that hangs on the walls and floor between two halves of the white cube... Isolated Fictions: A Reenactment, as the sub-show is titled, presents a provocative case study in the generative possibilities between art schools, small galleries, art centers, and other «middle men» of the art economy.»

Installed in the grey - walled galleries of the De La Warr Pavilion, the exhibition feels like the England of Saturday Night and Sunday Morning (the social realist film based upon the book by Alan Silitoe) rather than that of Blair's Cool Britannia.

From 2 October 2009 — 21 March 2010 Tate Liverpool's ground floor gallery will be transformed into an emotive display of these nine significant paintings — the walls will be painted grey according to Rothko's specifications and atmospheric lighting will enhance the dramatic qualities of the works.

Even the grey colour of the gallery walls is part of the artist's specifications for the presentation of the nine canvases.

The walls are painted in shades of grey, dark and brooding in the downstairs gallery and paler upstairs, the paint streaked in rain or tears.

While most of the room was painted a warm white to match the fireplace, the gallery wall was done in a light grey.

The deep - grey walls and dark mantelpiece make a perfect backdrop for a mini gallery of intriguing objects.