I agree with # 21 Jeff Huggins, Andy your article make me confuse whether your comment focused on the «grid», solar energy, and hydrogen and implied that solar's ability to contribute to
the grid in any large way was somewhat dependent on hydrogen?
Not exact matches
We also need to explore alternative fuels with lower greenhouse gas emission profiles, integrate
larger amounts or renewable into the electric
grid and develop
ways to use natural gas and coal
in cleaner
ways.
He also says governments
in Africa and Latin America are getting
in the
way of off -
grid solutions to their people's energy difficulties through corruption, policies that discourage entrepreneurism like tariffs on solar lamps, and a general prejudice
in favor of the
large coal - and gas - fired power plants they see as drivers of developed - country wealth.
CNC machining — a reductive milling process
in which robotic arms carve material away based on points plotted on a 3D
grid — allows artists and designers to work on a
large scale; the technology can also carve surfaces
in ways that would not be possible by hand.
The digital image is just a
way of breaking an image down into a
grid, which is a micro-moment
in a
larger issue.»
In a series of large paintings, she mounts page after page in a grid so that the viewer relates to the magazines in a spatial rather than a sequential wa
In a series of
large paintings, she mounts page after page
in a grid so that the viewer relates to the magazines in a spatial rather than a sequential wa
in a
grid so that the viewer relates to the magazines
in a spatial rather than a sequential wa
in a spatial rather than a sequential
way.
The early Pictographs were created with a defined
grid structure
in order to organize theimages, often figurative and fragmented,
in a utilitarian manner.Around 1948, Gottlieb began deconstructing the
grid in an effort to find an alternative
way to balance nature's interrelated forces: order and chaos.The earliest work on view, Inscription to a Friend, 1948, is an example of Gottlieb's initial attempts to integrate abstract forms that could still be relatable to a
larger universal language, without the help ofthe
grid.Inscription, 1954, demonstrates Gottlieb's further progression into purely abstract imagery using an evocative and highly developed lexicon.
The work is
in many
ways characteristic of what one might describe as Snyder's signature style — it is
large in scale and brightly colored, its composition is guided by a
grid - like structure, and it contains both abstract and narrative elements.
The addition of
large amounts of solar to the
grid promises to fundamentally change the shape of that daily demand profile —
in ways that make
grid operators nervous about maintaining power and reliability.
Around half of our
grid - based electricity could be supplied by means of a few very
large power systems burning methane, either
in the form of natural gas or the effluvium from underground coal gasification [the only
way to employ coal cleanly, he argues], and burying the carbon dioxide they produce.
High levels of renewable generation also make demands on the existing
grid — demands that it was not designed to cope with, such as transporting
large amounts of wind power within a country, or coping with — as
in Germany — big numbers of solar modules all feeding current into the
grid (most likely the distribution
grid, which was not designed for two -
way traffic).
There is barely enough
large scale observational data to interpolate to a model
grid in an accurate
way.