The resulting
grid paintings on view at UNTITLED.
Not exact matches
Important
paintings on view from this period include Blue Cradle (1956) and Thursday (1960), which feature strong colors and gestures, as well as Crossfield I (1968), which hints at the final phase of Tworkov's career in its
grid - like structure and layered lines.
through May 25th Julie Langsam This exhibition features several recent
paintings from Langsam's long - running series of banded montages that set nearly monochromatic, tightly rendered
views of iconic modernist buildings
on top of a band of
gridded abstract motifs inspired by classic modernist
paintings and beneath ominously lit skies that invoke Romantic landscape
painting.
On view will be new
grid paintings and a new series of craquelure
paintings in black and white.
This exhibition features several recent
paintings from Langsam's long - running series of banded montages that set nearly monochromatic, tightly rendered
views of iconic modernist buildings
on top of a band of
gridded abstract motifs inspired by classic modernist
paintings and beneath ominously lit skies that invoke Romantic landscape
painting.
This is no doubt why — probably causing great inconvenience to the publishers — Steinberg insisted
on an «extra page» in his book Other Criteria (2007), a foldout that erupts like a tongue, rupturing the division between inside and outside and showing the eventual series of
paintings that emerged from these drawings as a diagrammatic
grid crisscrossed by multiple points of
view.
Presented in a tight
grid in one of the largest configurations ever executed by the artist, here covering the entirety of four walls, the recent My Eternal Soul
paintings on view are part of a highly celebrated, ongoing series begun in the late 2000s.
Among them, Lehmann Maupin will show new photographs by Catherine Opie; Cheim & Reid will unveil new large - scale sculptures by Lynda Benglis; at PPOW, Dotty Attie's subversive
gridded narratives
painted from photographs are
on view; and David Zwirner continues the gallery's 25th anniversary celebration with gallery artists including Annie Albers, Ruth Asawa, Marlene Dumas, Sherrie Levine, Alice Neel, Bridget Riley, and more.
On view will be a selection of recent diagonal and rectilinear
grid paintings, motifs he has explored since the 1970s.
In his works
on view, Gilbert - Rolfe manipulates the Modernist
grid and applies hyper - saturated color to question
painting's position in a post-Modern context.
This sense of infinity is sharpest in later works (not
on view here), in which Feeley would
paint the same motif four or five times
on a single canvas, arranging the iterations in a
grid.
The yellow, white, gray and raw canvas
grid painting, Untitled (1975, acrylic, pencil and matte medium
on canvas, 60 x 60 inches), will be
on view in the exhibition.
On view here will be Burning all illusion (2016), a
painting in which coverless encyclopedias are arranged in a
grid.