Sentences with phrase «grotesque art»

Sequel to the indie hit of 2014, Nidhogg 2 is an action / fighting game that builds upon its predecessor's gameplay with new weapons, character customization, and captivatingly grotesque art.

Nidhogg 2: Sequel to the indie hit of 2014, Nidhogg 2 is an action / fighting game that builds upon the gameplay of its predecessor with new weapons, character customization, and captivatingly grotesque art.

Whether you're chasing down a killer who turns his murders into grotesque art exhibits or evading the gaze of a gigantic eye in the night sky, The Evil Within 2 never lets up on throwing something new and weird your way that is guaranteed to give you the heebie - jeebies.

Not exact matches

Emaciated, mad, with long hair that merges with skins, ravaged by a life of dissipation and then long repentence, she is one of the most powerful works of Christian art, the perfect example of the grotesque made beautiful.

The Silence of the Lambs (Jonathan Demme, 1991) In the face of grotesque sequels, lesser prequels and numerous parodies, The Silence of the Lambs still stands as a cinematic work of art among crime dramas.

The Advertising Gallery also includes quite a mix of campaign art, and amid the formal colour and black & white posters is a tongue - in - cheek poster with a dagger - pointing Welles smirking like a scoundrel; and a caricature poster of the entire cast & crew, led by a completely grotesque, pointy - eared image of longtime Mercury Theatre alumnus Everett Sloan.

The Eyes Of My Mother is a grotesque, depraved genre movie with the skin of an art film pulled tightly over its bones.

BioShock's is a grotesque world of a utopia gone wrong and you can instantly recognize it from that unique Art Deco visual style.

Pusher, a tabletop game created as a political art protest against the human rights abuses in the Philippines, uses a childlike aesthetic and fun gameplay to highlight the grotesque horror of the murders of anybody branded as a «pusher» or drug dealer by a repressive government.

The lineup of mostly the losers that all gamers decided weren't worth remembering from the Zero / Alpha or SF3 entries, the lame newecomers, the doubling down on the grotesque, bulbous, overly - muscled, out - of - proportion, already divisive art style, the fact that Street Fighter IV was strung out over 9 years of rereleases and SF x Tekken entries... just * fart noise * to the whole thing.

It's all rendered in gorgeously grotesque pixel art.

Saul is often associated with the Chicago Imagists, a group of artists typically defined by their Post-War tradition of fantasy - based art - making rooted in surrealism, pop culture, and the grotesque, as well as the Funk Artists of the San Francisco Bay Area.

With the exception of one misstep, One and Many, Deborah Roberts» current solo show at Art Palace, is raw, painful, beautiful, grotesque, vulnerable, and vicious.

Recurring themes across his practice include the uncanny, grotesque, refuse, and vernacular arts and crafts.

• Tony Smith (1912 — 1980), sculptor who bridged AbEx and minimalism (dad of Kiki) Mel Kendrick (b. 1949), formalist process - based sculptor Chris Wilmarth (1943 — 1987), sculptor of steel, bronze, and etched glass Joel Shapiro (b. 1941), minimalist sculptor who flirts with figuration Christopher Wool (b. 1955), Neo-AbExer with a taste for graffiti and repetition Alex Hubbard (b. 1975), rising master of painterly materials and abstract coloration Josh Smith (b. 1976), Factory - like painter of great expressive volume Jacob Kassay (b. 1984), mirrored - painting - wunderkind - turned - sackcloth artist • Andy Warhol (1928 — 1987), Pop maestro and appropriationist world - changer David Robbins (b. 1957), artist and «Concrete Comedy» theorist David LaChapelle (b. 1963), lush photographer of celebrity decadence Ronnie Cutrone (1948 — 2013), Factory personality and East Village cult figure George Condo (b. 1957), Neo-Picassian painter of the grotesque Mark Dagley (b. 1957), Op abstractionist • Richard Serra (b. 1939), grand master of process art and the post-industrial sublime Grégoire Müller (b. 1947), painter of current - event appropriations Philip Glass (b. 1937), «Einstein on the Beach» composer Lawrence Chandler (b. 1951), composer, musician, and sound artist • Sol LeWitt (1928 — 2007), father of conceptual art, multitasking artistic outsourcer Adrian Piper (b. 1948), performance art innovator Mark Williams (b. 1950), monochromatic minimalist painter

Major group exhibitions include the Fifth International Biennial: Disparities and Deformations, Our Grotesque, SITE Santa Fe, Santa Fe, NM (2004); Supernova: Art of the 1990s from the Logan Collection, San Francisco Museum of Modern Art, San Francisco, CA (2003); de Kooning to Today: Highlights from the Permanent Collection, Whitney Museum of American Art, New York, NY (2003); 2000 Whitney Biennial, The Whitney Museum of American Art, New York, NY (2000); and Greater New York, P.S. 1 / The Museum of Modern Art, New York, NY (2000).

David Altmejd: Faces @ Modern Art Grotesque and surreal faces inventively sculpted out of crystals, fruit and various other materials provide a visual feast of «anti-faces».

2009 Arena Mexico, Guadalajara, Mexico Bad Habits, Albright - Know Art Gallery, Buffalo, NY, Curated by Heather Pesanti Glitterati, Headquarters, New York, NY, Curated by Thomas Woodruff and Aaron Cobbett LOVER, On Stellar Rays, New York, NY, Curated by Kate Gilmore & Candice Madey Glamour Bomb, Parlor Gallery, New Jersey, NJ hit it big, Mason Gross School of the Arrs, Rutgers University, New Brunswick, NJ Wild Exaggeration, The Grotesque Body in Contemporary Art, Haifa Museum of Art, Haifa, Israel

The figures in the new series have got down from their pedestals and turned into grotesque giants cast in one of the most tradition - laden materials in art history — bronze.

His art connects with a centuries - old Gothic lineage of horror, agony, and the grotesque originating in classical art inspired by religious fervor and the narratives of Christianity, and continuing through to contemporary art.

Neo-Expressionism's blend of grotesque and provocative subject matter, combined with the media - saturated palette of Pop Art, makes a style particularly ill - suited for rendering an image of raw horror.

His work has been included in group exhibitions around the world including Greater New York, P.S. 1, NYC; Adaptive Behavior, New Museum of Contemporary Art, NYC; I am a Camera, The Saatchi Collection, London; Family, Aldrich Museum of Contemporary Art, Ridgefield, CT; Make It Now, The Sculpture Center, New York; Portugal Arte 10, Portugal Biennial, Lisbon; Wild Exaggeration, The Grotesque Body in Contemporary Art, Haifa Museum of Art, Haifa; and others.

The Carnegie Museum of Art's Heinz Architectural Center will host works by Jessi Reaves, known for her sculptural furniture that looks both familiar and somewhat grotesque, with common materials assembled in unsettling combinations that plays with ideas of incompletion in art and desiArt's Heinz Architectural Center will host works by Jessi Reaves, known for her sculptural furniture that looks both familiar and somewhat grotesque, with common materials assembled in unsettling combinations that plays with ideas of incompletion in art and desiart and design.

Chicago, Richard L. Feigen & Co., «The Art of the Grotesque and Fantastic,» February 4 - March 31, 1987.

During the past thirty years, Jones» work has been featured in significant group exhibitions, including Disparities & Deformations: Our Grotesque, Site Santa Fe (2004); Out of Actions: Between Performance and the Object at the Museum of Contemporary Art, Los Angeles (1998); Mapping at the Museum of Modern Art, New York (1994); and Choices at the New Museum of Contemporary Art, New York (1986).

This application of multiple immediate reads is what keeps it open and interesting, and the artist's color choices (mainly yellow and black, which always turn a little green when they're placed and mixed together) and paint application are intentionally excessive and grotesque, maybe in the same ways as consumption and consumerism within the art world.

Exhibitions include Dos Mundos: Worlds of the Puerto Ricans 1973, Mira, Mira, Mira, Museum of the City of New York 1974, Ten Japanese Artists, 1975; Legacy of James Vanderzee, 1977; Sacred Artifacts: Objects of Devotion, 1982; Disinformation: The Manufacture of Consent, 1985; Repulsion: Aesthetics of the Grotesque, 1987; Foreign Affairs: Conflicts in the Global Village, 1988; Dia De Los Muertos, 1988; Prisoners of Image: Ethnic and Gender Stereotyping, 1989; Mon Reve: Haiti after the Duvaliers, 1989; Artists of Conscience, 1992; Peoples Choice: Komar & Melamid, 1994; Expansion Arts, I, II, III, 1995 - 1998; (Mickey) Mouse: An American Icon, 1998; The Artists as Patron, 1999; Honeymoon Series by Yoshio Itagaki, 2000; Between the Real and the Unreal: Recent works by Simen Johan, 2000, Genochoice an installation by Virgil Wong, 2000.

Combining the influence of ancient pre-Columbian cultures and Mexican art with modern - day schlock horror and comic - strip grotesque, Yarber's work, at once disturbing and comedic, trashy and mythical, embodies an eternal contemporaneity.

Many of these examples are traditionally representational: interestingly, much of the discussion about Open Casket has hinged on the appropriateness of Schutz's characteristically grotesque painterly style, and on the limitations of abstraction or figuration in political art.

Drawing on techniques familiar of Pop Art, Photorealism, and commercial graphics, the legendary feminist artist Marilyn Minter creates pieces described as both shiny and grotesque, glittering and filthy.

The show's title is a play on «allegories,» emphasizing both the art - historical pedigrees of Eisenman's figures and her love of the grotesque, the absurd, and the down - to - earth.

Ossorio's art arrived at a creative breakthrough during this period, as it continually evolved into more grotesque forms.

Studies from the early 1990s make pointed caricatures of characters depicted through art history, with Sherman appearing as a grotesque creature in period costume.

In his art, we see haunting, incomplete, and sometimes grotesque characters fighting against and merging into backgrounds comprising a personal lexicon of forms.

Flood's paintings and collages of the 1980s and 1990s transform pervasive corporate, pornographic and celebrity imagery into provocative and knowing grotesques of the colliding worlds of art and consumer culture using adulterated found materials: signs, advertisements, flea - market paintings, and magazines.

Kusama has completed several major outdoor commissions, some giant pumpkins and other sculptures in the form of brightly coloured grotesque plants and flowers, for public and private institutions including the Kirishima Open Air Musuem, Japan; Fukuoka Municipal Museum of Art and Matsumoto City Museum of Art in Japan; Eurolille in Lille, France; and recently, the Beverly Hills City Council in Los Angeles.

A critic and curator, Kelley writes for art and music journals and has organized numerous exhibitions incorporating his own work, work by fellow artists, and non-art objects that exemplify aspects of nostalgia, the grotesque, and the uncanny.

(Geoffrey Harpham, «The Grotesque: First Principles,» Journal of Aesthetics and Art Criticism 34 (1974)»

These artists revel in the grotesque and the gauche, mixing high and low in a way that was transgressive in the late - 1960s and «70s but which today is second - nature to Curry, Mike Kelley, and Richard Hawkins, who later taught Curry at the Art Center College of Design, Pasadena, also impressed on him the importance of digging through popular culture's darkest and most insanitary corners for subjects ripe for aArt Center College of Design, Pasadena, also impressed on him the importance of digging through popular culture's darkest and most insanitary corners for subjects ripe for artart.

Since the 1990s, Rachel Harrison (born 1966) has developed a colorful and delightfully grotesque sculptural idiom out of the most contemporary detritus — styrofoam, plastic buckets, vacuum cleaners — which she blends with slapstick humor and art historical and pop cultural references.

There are probably some Hogarthian grotesques out there who imagine British art should be made by «British artists», but most people working in the arts voted to remain in Europe.

Excommunicated from the art world in the early»90s for her cheerful paintings of hard - core pornography — Minter said feminists accused her of sexism — today she shows her work at the Venice Biennale; she's collected by the Guggenheim and Jay Z and is a godmother to a new generation of artists experimenting with what she calls «the feminine grotesque.»

Looking at chocolate as a material in contemporary art, this exhibition was richly engaged with consumption, the body, the grotesque, antiform, the organic, waste, and taste.

Art Nouveau, Art Deco, Op Art and Futurism act as visual cues, pointing to the opulent, the grotesque, and most recently the voyeuristic narrative in the work.

Albright - Knox Art Gallery, Buffalo, NY Disparitiees & Deformations — Our Grotesque.

The Pace Gallery has just featured its second exhibition of the wonderfully precise work of James Siena, now a fastidious family man, but one who came to Op through psychedelica, grotesque doodling, and the 1980s alternative art scene.

In 1970, the first exhibition of these paintings outfitted with an anarchistic sense of humor and the grotesque caused an art scandal in New York, as numerous critics took offense at his «betrayal» of abstract art.

Papenburg, Bettina «Grotesque Sensations: Carnivalising the Sensorum in the Art of Wangechi Mutu,» Carnal Aesthetics Book 2013

Papenburg, Bettina «Grotesque Sensations: Carnivalising the Sensorium in the Art of Wangechi Mutu», Acadamia Online, May 2014.

Producing an art of revelatory impurities that encompasses both the wondrous and the disturbing, the grotesque has informed many of the key postmodern movements in art and culture.