Sentences with phrase «groundbreaking exhibition form»

The Blanton Museum of Art is excited to announce that the 2017 Annual Fund will support the groundbreaking exhibition Form into Spirit: Ellsworth Kelly's Austin.

Not exact matches

In 1960, the Martha Jackson Gallery organized the exhibition New Forms — New Media, which was groundbreaking in its focus on the innovative new materials of the Read More»

His groundbreaking carving technique — which forms the basis of the Scratching the Surface project and was first presented to the public at the VSP group exhibition in Lisbon in 2007 and at the Cans Festival in London the following year — , has been hailed as one of the most compelling approaches to art created in the streets in the last decade.

Taking over all four floors of the Vancouver Art Gallery, this groundbreaking exhibition will offer an international survey of mashup culture, documenting the emergence and evolution of a mode of creativity that has grown to become the dominant form of cultural production in the early 21st century.

Szeemann's groundbreaking 1969 exhibition When Attitudes Become Form, also at the Kunsthalle, introduced European audiences to artists like Joseph Beuys, Eva Hesse, Richard Serra and Lawrence Weiner.

These works formed the basis of his groundbreaking 1971 exhibition at the Whitney Museum of American Art and drew praise from prominent critics such as Clement Greenberg, who quickly became a champion of Bowling's work.

Maev Kennedy: A thrilling new exhibition pits groundbreaking landscape art from 18th - century Britain against modern takes on the form

Most recently, in 2007, The Pace Gallery mounted the groundbreaking exhibition, Josef Albers / Donald Judd: Form and Color, which paired the theoretical approaches to color and formal structures of these two seminal artists.

This groundbreaking exhibition will illuminate the contributions of more than 100 women artists from 15 countries who pioneered experimental art forms to create a new emancipated female body.

In 1969 he participated in the groundbreaking exhibitions When Attitudes Become Form at Kunsthalle Bern and Op Losse Schroeven: Situaties en Cryptostructuren at the Stedelijk Museum Amsterdam; the latter still counts as the introduction of conceptual art in The Netherlands.

Free and open to the public, the exhibition surveys groundbreaking works from around the world that together register one of the most important developments in recent art history: the rise in the last twenty - five years of a renewed sphere of artistic practices that blur the lines between art and everyday life in projects emphasizing political concerns, participation, and forms of dialogue.

that asked spectators to look, walk, view, read, and think about combinations of objects, images, and texts installed in a gallery and the Swedish curator Maria Lind's groundbreaking renovations of the exhibition form and the museum space into something more active, open, and democratic inviting the public into new and unexpected encounters with works of art and institutions.

The narrative is bracketed by American artist Robert Smithson's seminal non-sites that asked spectators to look, walk, view, read, and think about combinations of objects, images, and texts installed in a gallery and the Swedish curator Maria Lind's groundbreaking renovations of the exhibition form and the museum space into something more active, open, and democratic inviting the public into new and unexpected encounters with works of art and institutions.

A groundbreaking architectural intervention by artist Sarah Oppenheimer, which will link the museum's modern and contemporary collections through meticulously crafted sculptural forms placed in the floor, ceiling, and walls; Recent contemporary acquisitions, including A Man Screaming is Not a Dancing Bear by the artist collaborative Allora & Calzadilla, Untitled (bicycle shower) by Rirkrit Tiravanija, and Live Ball by Nari Ward, as well as works by Guyton \ Walker, Los Carpinteros, Elad Lassry, and Susan Philipsz; An exhibition of eight large - scale color photographs by South African artist Zwelethu Mthethwa, inaugurating the wing's project space for changing exhibitions; An exhibition of outstanding drawings by artists including Lee Bontecou, Philip Guston, and James Rosenquist from the BMA's Thomas E. Benesch Memorial Collection, presented in the museum's new dedicated gallery for prints, drawings, and photographs; A new site - specific work by acclaimed Baltimore street artist Gaia.

During her tenure as Director, Walker presented groundbreaking exhibitions featuring the work of Chantal Akerman, Joseph Beuys, Bruce Nauman, Hélio Oiticica, and Kara Walker, as well as the exhibition «How Latitudes Become Form: Art in a Global Age.»