Not exact matches
This
groundbreaking exhibition examines the artistic dialogue that took place between American painter Joan Mitchell and Canadian artist Jean - Paul Riopelle
during their 24 - year romantic relationship.
The
groundbreaking exhibition «We Wanted a Revolution» examines for the first time the experiences and perspectives of women of color
during the emergence of second - wave feminism.
Seeing the World Within is the first
exhibition to focus on the
groundbreaking paintings Seliger created
during the first decade of his career, and the first museum - organized
exhibition of Seliger's work in 30 years.
Founded by Dwan in a storefront in Westwood in 1959, the Dwan Gallery was a leading avant - garde space
during the 1960s, presenting
groundbreaking exhibitions by Edward Kienholz, Yves Klein, Franz Kline, Claes Oldenburg, Robert Rauschenberg, Ad Reinhardt, and Robert Smithson, among others.
With a title that plays on Robert Rauschenberg's infamous 1961 portrait of Iris Clert — a telegram that simply states, «This is a portrait of Iris Clert if I say so» — this major
groundbreaking exhibition examines the rise and evolution of symbolic, abstract, and conceptual portraiture in modern and contemporary American Art
during the past century.
It was also
during this decade that Johnson's paintings were selected for inclusion in
groundbreaking exhibitions at the Smithsonian Institution, the Museum of Modern Art, and the Whitney Museum of American Art.
During that decade collectors had the opportunity to buy first - rate examples of Cuban Modernism at important galleries such as Perls and Pierre Matisse, while MoMA's
groundbreaking Modern Cuban Painters
exhibition in 1944 showcased the full breadth of the island's artistic talents.
During the past few years, New York has seen the restaging of two
groundbreaking underground art
exhibitions, originally organized in 1980 by Lower East Side - based collective Colab: The Real Estate Show and The Times Square Show.
A solo
exhibition focusing primarily on works made
during the past decade by the
groundbreaking Los Angeles - based assemblage artist John Outterbridge (b. 1933) will take place at A+P in Leimert Park.
During his 31 years as the
exhibitions secretary at London's Royal Academy, Sir Norman Rosenthal staged
groundbreaking exhibitions of art including the legendary show, «A New Spirit in Painting» (1981), which brought artists such as Joseph Beuys, Gerhard Richter and Georg Baselitz to broader recognition.
On February 18, the Art Gallery of Ontario (AGO) presents Mitchell / Riopelle: Nothing in Moderation, a
groundbreaking exhibition that examines the artistic dialogue that took place between American painter Joan Mitchell and Canadian artist Jean Paul Riopelle
during their 24 - year romantic relationship.
Although he worked largely in anonymity
during his lifetime, Traylor became one of America's most respected self - taught artists after his exposure to a larger public in the
groundbreaking 1982
exhibition «Black Folk Art in America, 1930 — 1980,» held at the Corcoran Gallery in Washington, D.C.
This is the first
exhibition to explore the
groundbreaking contributions to contemporary art of Latin American and Latina women artists
during a period of extraordinary conceptual and aesthetic experimentation.
Her curatorial experience includes a decade at the Whitney Museum of American Art,
during which time she organised numerous
groundbreaking exhibitions, including «Black Male: Representations of Masculinity in American Art, in 1994».
The works were borne out of the artist's residence at Tate Liverpool
during the European Capital of Culture 2008
exhibition The Fifth Floor: Ideas Taking Space; a
groundbreaking project inspired by ideas and proposals from people across the city.
During her tenure as Director, Walker presented
groundbreaking exhibitions featuring the work of Chantal Akerman, Joseph Beuys, Bruce Nauman, Hélio Oiticica, and Kara Walker, as well as the
exhibition «How Latitudes Become Form: Art in a Global Age.»