Over the course of her career, she has curated
groundbreaking exhibitions throughout the United States, Mexico, and Latin America.
Not exact matches
Recent group
exhibitions include Focus Beijing, De Heus - Zomer Collection, Museum Boijmans Van Beuningen, Rotterdam (2014); the
groundbreaking show ON OFF: China's Young Artists in Concept and Practice, Ullens Center for Contemporary Art, Beijing (2013), a comprehensive survey of the generation of Chinese artists born at the end of the Cultural Revolution and at the dawn of the country's era of reform; as well as the 2013 California - Pacific Triennial, Orange County Museum of Art, Newport Beach, CA, showcasing the most innovative art produced
throughout the Pacific rim.
Dagley's work was included in the
groundbreaking group
exhibition Post-Hypnotic, which traveled
throughout the United States from 1999 - 2001.
In addition, she championed experimental and underrepresented artists
throughout her tenure, while bringing many noteworthy
exhibitions to the Walker, such as Merce Cunningham: Common Time, International Pop, and
groundbreaking exhibitions like Adios Utopia: Dreams and Deceptions in Cuban Art Since 1950, one of the most comprehensive
exhibitions of Cuban art to be organized in the US in decades and currently on view.
As part of «Pacific Standard Time: LA / LA», an ambitious exploration of Latin American and Latino Art in dialogue with Los Angeles that spans across more than 70 cultural institutions
throughout Southern California, this
groundbreaking exhibition will address an art historical vacuum that has omitted these women from the international record, reappraising their contributions to global contemporary art.
This
exhibition examines her
groundbreaking project Drawing Which Makes Itself, of 1972 — 73, while highlighting the ideas that she has pursued
throughout her career.