Not exact matches
Previous research has suggested that the spheroids were used as percussive tools for shaping or
grinding other materials; however most of the objects analysed by the team had weights that produce optimal levels of damage from throwing, rather
than simply being as heavy as possible.
There's no benefit to any combat
grind other than material collection; experience for leveling up is only gained by building and improving your town.
Or the
other side of the coin, those that would toss them in the garbage and cringe wishing there was a better option
than putting hazardous
materials into the
ground.
The following translated details come from Gematsu... - boy who lost his memory that the protagonist encounters on the Vacant Island -
other than his name, Malroth, he has lost all of his memories since coming to the Vacant Island - luckily, he hasn't lost the ability to build - very good at fighting monsters and collecting
materials - using the power he possesses, Malroth will play a big role in battles and
material collection - Malroth will aid the hero as a relaible ally - he will fight monsters with powerful attacks - also helps collecting
materials using the power he possesses for building - create weapons and equip them to Malroth - if you equip him with a powerful weapon, Malroth will play an even greater role - when the protagonist starts collecting
materials, Malroth will lend a hand - use the power of two to cover more
ground - while Malroth plays a big role in
material collection, he is not good at building things himself
The large works that have occupied him since 1969 are, in brief: Hubris, commissioned for the University of Hawaii at Manoa, one of Smith's most open and regular pieces to date, which consists of a two - section, 9 - by - 9 grid in black concrete, one half thin slabs at
ground level, the
other half the same grid raised to 3 feet 3 inches by a four - sided pyramidal module; Batcave, a complex environmental interior designed to «mold space and light» rather
than material form, at the Osaka World's Fair, a new version of which will be shown soon at the Los Angeles County Museum; a gigantic triangular sculpture inserted into a Californian mountainside; a labyrinthine water garden for a delta; Smog, a huge new horizontal piece made from the dismantled components of Smoke (which was made for the Corcoran's «Scale as Content» show, 1967); Haole Center, a sunken square «pavement» within a square stone sculpture, with a metal ladder leading down below the earth's surface; two related monumental sculptures on platforms (Arch and Dial); and a flat 81 - block grid proposed for downtown Minneapolis.
These stem from a diversity of site - specific conditions, including, but not limited to: local vegetation; presence of building structures and contributions made by such structures involving energy use, heating and air conditioning, etc; exposure to winds, the wind velocities determined by climatic factors and also whether certain wind directions are more favored
than others by terrain or the presence or absence thereof to bodies of water; proximity to grass, asphalt, concrete or
other material surfaces; the physical conditions of the CRS itself which include: the exact location of the temperature sensors within it, the degree of unimpeded flow of external air through the CRS, the character of the paint used; the exact height of the instrument above the external surface (noting that when the
ground is covered by 3 feet of snow, the temperature instrument is about 60 % closer to, or less
than 2 feet, above an excellent radiating surface, much closer
than it would be under snow - free conditions).
Further, if the concept which the phrase reflected was of the court being satisfied or as satisfied as it could be having regard to the limitations which an interlocutory process imposed that factors existed which allowed the court to take jurisdiction, it ought ordinarily to require that, when the court looked at the
material, it found the points in favour of the
ground for jurisdiction alleged to be more
than just evenly balanced by those which pointed the
other way.