Sentences with phrase «group conversations around»

Capping off six weeks of small group conversations around food, it was intended to be a celebration of what the more than 30 people engaged in these conversations have learned, and the new micro-communities they're beginning to create.

Not exact matches

Funny, to many of us, the church is just as «outside» as any other group, it's one voice in a conversation of many voices that include atheism, Judaism, Christianity, Buddhist philosophy, Muslim, Morman, the thousands of gods in India, the native gods around the world.

Just as Aimate sparked some lively conversation among our group, so it is meant to spark conversation in small groups around the country.

As part of this conversation, I'd like to invite you to participate in a special discussion group here on the blog around Matthew Vines» book, God and the Gay Christian: The Biblical Case in Support of Same - Sex Relationships.

We had an incredibly fun group of people over, and although I was busy cooking and serving, there were a lot of good laughs and conversations around the table.

Then, for 50 minutes, the young men talked, with Bailys loosely guiding the conversation around the theme of what it takes to go «outside of the box» in your thinking and decision - making — a topic that was broad enough to encompass both a discussion about what it might feel like to leave Illinois for college and a long debate about the experience that Rashid, one of the group members, had had the previous weekend, when he was jumped by two guys while he was walking from his grandmother's house to a convenience store to buy M&M's.

Following this disclosure, I decided, for F's benefit, to start a conversation in our Facebook group around this subject.

Last year, they hosted a group of doctors, nurses and midwives from Alabama (where CPMs can't legally practice) so that they could learn more about how legalized midwifery works and to create a greater conversation and collaboration around working together.

Fusion Academy Evanston and Yellowbrick Consultation and Treatment Group are excited to present a screening of the acclaimed documentary, «Angst: Raising Awareness Around Anxiety,» a new film created to open up the conversation about anxiety and provide tools, resources, and hope.

Then come home around the time my fluff fairy was finally delivered, enjoy opening that lovely teal tissue paper to reveal a gorgeous new print, then join the conversation back in the Cloth Diaper Support Group.

To those ends, we strive as a group to prioritize issues and build policy platforms that shape the conversation around local progressive politics.

The second group was asked to walk around the corridor while consuming the cereal bar, and the third group was simply asked to sit opposite a friend and have a conversation.

Each month, in over 100 US cities and 11 countries around the world, groups of like - minded health professionals gather together in the same space to watch the Functional Forum and engage in active conversation.

Instead of getting rid of your coat, getting a drink or going to the toilet, you should look around and pick a group of friendly - looking people you can start a conversation with.

Back in December, around the time that the New York Film Critics Circle awarded its supporting actor prize to Moonlight's Mahershala Ali, I had a conversation with a fellow member of the group that's nagged at me ever since.

We're bringing in principals, we're bringing in parents, reaching out to other arts groups... so while I feel like we're definitely feeling the cuts and we're seeing it in schools and suffering is happening with museums and cultural institutions in Chicago, at the same time there's a lot of energy and excitement about national conversations around the arts.»

Leading on from this is a new meadow lawn area and ecological planting was established around the existing trees and a number of enclosed seating areas have been set into the natural planting to encourage quieter contemplation and conversation between small groups of children.

Participants will be introduced to a Collaborative Conversation Guide, that provides an evidence base framework relative to student outcomes for structuring conversations around key processes; Instructional Grouping, Instructional Delivery, and Collaborative Culture.

Groups like the Rural Opportunities Consortium of Idaho have begun the conversation with research around dual enrolment, college readiness, technology, and demographics in rural charter schools.

This initial conversation led to a commitment by this group to organize a Third Grade Reading Task Force to which met five times in 2014 to review key research, build on past community efforts and to define the goal, scope and pillars of a potential community - wide collective impact effort around early childhood literacy.

Last year, much of the positive feedback we received was around our faculty members, so we are excited to bring a new and inspiring group of women to the conversation.

As a part of this process of engagement, Partners for collaborated with a group of Illinois advocacy organizations to convene district leaders in Illinois» highest - need districts to begin a conversation around comprehensive and targeted support and intervention strategies under ESSA.

When I began making almost all of my literacy assignments open - ended and had students do them on the computer, I saw two important benefits: (1) Students» completed assignments told me a lot about them as individuals; and (2) While each learner worked at his or her own computer, I was able to move around the classroom and have one - to - one and small - group conversations.

Book club groups, for instance, could take advantage of the private sharing option to get into more in - depth conversations around the current title they're reading via messaging apps or email.

Afterwards, the group along with Jody Kono Kjeldsen, Executive Director of the PBRA as well as other associated staff gathered around the oceanfront pool for good conversation, pupus and drinks to watch a wonderful sunset.

The dining and living areas enable the chef of the evening to join in the conversation and laughter as your group unwinds on plush sofas around the wood stove.

The controls are well mapped to the DualShock 4 controller by updating the controls for every season to that of A New Frontier with the control scheme consisting of pressing X, triangle, square or O to perform actions, start a conversation with a person in your group or to choose a response in a conversation with the buttons being clearly marked towards the bottom of the screen; pressing R2 to run or perform fight actions when defending yourself; pressing up or down on the d - pad to look at your inventory; mashing certain face buttons such as X, triangle, square or O when in one - on - one encounters with walkers; changing the direction of the left analogue stick to move around cover in a tight situation or walking around as you explore the environment during your search to find people and supplies; changing the direction of the right analogue stick to move the cursor around the environment for you to investigate and observe certain objects and items of importance as well as deciding who to start or continue a conversation with or even positioning your aim when you are about to defend yourself from a walker; pressing the share button takes you to the share feature menu; and pressing the options button to display the pause menu.

The lack of touch pad implementation is surprising as the Vita's touch screen control scheme was pretty much perfected as it saw the cursor being replaced with icons and consisted of tapping on an icon to perform a particular action, interact with an object, start a conversation with a person in your group or to choose a response in a conversation, while dragging your finger around the touch screen would move Clementine around cover or exploring the environment as you search for supplies and people, so it is difficult to understand why such functionality could not have made the transition from the Vita to the DualShock 4 controller.

It's painful to find myself the odd - man - out in a conversation about video games, blindly stumbling around the outsides of the group as they talk clear strategies and CoD jargon while I ask if anyone else has 242 stars in Super Mario Galaxy 2.

The controls are well mapped to the DualShock 4 controller by retaining the improvements from the second season with the control scheme of Michonne consists of pressing X, triangle, square or O to perform actions, start a conversation with a person in your group or to choose a response in a conversation with the buttons being clearly marked towards the bottom of the screen; pressing R2 to run or perform fight actions when defending yourself; pressing up or down on the d - pad to look at your inventory; mashing certain face buttons such as X, triangle, square or O when in one - on - one encounters with walkers; changing the direction of the left analogue stick to move around cover in a tight situation or walking around as you explore the environment during your search to find people and supplies; changing the direction of the right analogue stick to move the cursor around the environment for you to investigate and observe certain objects and items of importance as well as deciding who to start or continue a conversation with or even positioning your aim when you are about to defend yourself from a walker; pressing the share button takes you to the share feature menu; and pressing the options button to display the pause menu.

The controls are well mapped to the DualShock 4 controller with the control scheme consisting of pressing X, triangle, square or O or alternatively by pressing up, down, left or right on the d - pad to perform a particular action, start a conversation with a person in your group or to choose a response in a conversation with the buttons being clearly marked towards the bottom of the screen; there are certain face buttons, such as X, triangle, square or O that you have to button mash when in one - on - one encounters with walkers as the buttons are randomly generated each time you play; changing the direction of the left analogue stick to move Lee around cover in a tight situation or walking around as you explore the environment and find people; changing the direction of the right analogue stick to move the cursor around the environment for you to investigate and observe certain objects and items of importance; pressing the share button takes you to the share feature menu; and pressing the options button to display the pause menu.

The lack of touch pad implementation is surprising as the Vita's touch screen control scheme was pretty much perfected as it saw the cursor being replaced with icons and consisted of tapping on an icon to perform a particular action, interact with an object, start a conversation with a person in your group or to choose a response in a conversation, while dragging your finger around the touch screen would move Lee around cover or exploring the environment and finding people, so it is difficult to understand why such functionality could not have made the transition from the Vita to the DualShock 4 controller.

Selected group exhibitions include The Forever Now: Contemporary Painting in an Atemporal World, the Museum of Modern Art, New York (2014 — 2015); 30 Americans, organized by the Rubell Family Collection, Miami, traveling to Contemporary Arts Center, New Orleans (2014), Frist Center for the Visual Arts, Nashville (2013 — 2014), Milwaukee Art Museum (2012), Chrysler Museum of Art, Norfolk, Virginia (2012), Corcoran Gallery of Art, Washington D.C. (2011 — 2012), North Carolina Museum of Art, Raleigh (2011), and Rubell Family Collection, Miami (2008 — 2009); Variations: Conversations in and Around Contemporary Painting, Los Angeles County Museum of Art (2014); Body Doubles, Museum of Contemporary Art, Chicago (2014); Angel of History, Beaux - arts de Paris: L'école nationale supérieure (2013); and In the Holocene, MIT List Visual Arts Center, Cambridge, MA (2012).

Cain's work has been included in many museum group exhibitions in recent years, including: Variations: Conversations in and around Abstract Painting, the Los Angeles County Museum of Art, Los Angeles, CA (2014); Now - ism: Abstraction Today, Pizzuti Collection, Columbus, OH (2014); Outside The Lines, Contemporary Arts Museum, Houston, TX (2013); Painting in Place, Los Angeles Nomadic Division, Los Angeles, CA (2013); PAINT THINGS: beyond the stretcher, deCordova Sculpture Park and Museum, Lincoln, MA (2013); Made in L.A., Hammer Museum, Los Angeles, CA (2012); and Gold, Imperial Belvedere Palace Museum, Vienna, Austria (2012).

«Untitled» (1998/2007), a 12 - panel work depicting two groups of Black men in a domestic setting casually engaging one another in conversation, graces the front cover and extends around to the back.

Variations: Conversations in and Around Abstract Painting, Los Angeles County Museum of Art, Los Angeles, California Painter's Painters: Gifts from Alex Katz, High Museum of Art, Atlanta Georgia Nature Study: A Group Exhibition, Crown Point Press, San Francisco, California Summer Choices: A Group Show, Crown Point Press, San Francisco California Joyride, Marlborough Broome St, New York, New York Capture the Rapture, CB1 Gallery, Los Angeles, California Persian Rose Chartreuse Muse Vancouver Grey, Equinox Gallery, Vancouver, Canada The good, the bad and the ugly, Gesso Artspace, Vienna Austria Another Cats Show, 356 S. Mission Rd, Los Angeles, California Cornucopia, Parkett Exhibition Space, Zurich, Switzerland The Machine Project Field Guide to the Gamble House, Gamble House, Pasadena, California Wake Up Early, Fear Death, curated by Philipp Kaiser.

Notable group shows include «Variations: Conversations in and around Abstract Painting», curated by Franklin Sirmans, Los Angeles County Museum of Art, LA, CA; «Making Sense: Rochelle Feinstein, Iva Gueorguieva, Dona Nelson, Deborah Grant» curated by Margaret Miller, USF Contemporary Art Museum, Tampa, FL; «Graphicstudio: Uncommon Practice at USF,» curated by Jade Dellinger, Tampa Museum of Art, Tampa, FL; «Desire,» Pasadena Museum of Art, Pasadena, CA.

«Variations: Conversations In and Around Abstract Painting» LACMA Group exhibition August 24, 2014 — March 22, 2015 More information here

Instead, as visitors move around the stages they hear conversations among various groupings of «instruments» (four «strings,» three «sticks,» four «bells,» three «bows / delays,» various «pulleys,» and two «wires»).

Building on Frieze Masters» role as a significant platform for curatorial discovery and conversation, this year's fair saw the growing attendance of museum leadership from around the world, with a record 230 groups visiting the fair.

Leading a residency group has been a great way for me to connect with artists who have different kinds of practices and concerns and to really expand the conversation I have around art making.

We are having a great event in NYC if you are around — The Conversation Group and Technorati.

Notable group exhibitions include The Campaign for Art, SFMMA, San Francisco (2016); Conversations in and Around Abstract Paintings, LACMA, Los Angeles (2015); Don't shoot the Painter, curated by Francesco Bonami, Galleria d'Arte Moderna, Milan (2015); Painter Painter, Walker Art Center, Minneapolis (2013) and the 2010 Whitney Biennale, Whitney Museum, NY.

Recent group exhibitions include Variations: Conversations in and Around Abstract Painting, Los Angeles County Museum of Art; In the Holocene, MIT List Visual Arts Center, Cambridge, MA; American Exuberance, Rubell Family Collection, Miami; ILLUMInations, International Pavilion, 54th Venice Biennale; and Secret Societies.

His work has been featured in numerous group exhibitions, including Variations: Conversations In And Around Abstract Painting, Los Angeles County Museum of Art (2014); Die Geometrie der Dinger, GAK Gesellschaft für Aktuelle Kunst, Bremen, Germany (2013); Only here: The Federal Republic of Germany's Contemporary Art Collection Acquisitions from 2007 to 2011, Bundeskunsthalle, Bonn, Germany (2013); Actual Fact / Factual Fact, Märkisches Museum Witten, Germany (2011); Neuer Konstruktivismus, Bielefelder Kunstverein, Museum Waldhof, Germany (2007); Dereconstruction, Gladstone Gallery, New York (2006); and Formalismus, Kunstverein in Hamburg, Germany (2004).

Staying in line with the group's previous work, the exhibit aims to create conversations around fair opportunities for all artists.

The group exhibition aims to complicate and implicate conversations around the theme by co-opting Anderson's own way of contextualizing Nationalism, ``... nationalism has to be understood by aligning it, not with self - consciously held political ideologies, but with the large cultural systems that preceded it, out of which - as well as against which - it came into being».

Recent group exhibitions include The Noise of Art, Soccer Club Club, Chicago (2016); Accumulations: 5,000 Years of Objects, Fictions, and Conversations, Mead Art Museum, Amherst College, Amherst, Massachusetts (2016); NEON: The Charged Line, Grundy Art Gallery, Blackpool, England (2016); Grafforists, Torrance Art Museum, California (2016); NO MAN»S LAND: Women Artists from the Rubell Family Collection, Rubell Family Collection, Miami (2015); Pretty Raw: After and Around Helen Frankenthaler, Rose Art Museum, Brandeis University, Waltham, Massachusetts (2015); The Forever Now: Contemporary Painting in an Atemporal World, Museum of Modern Art, New York (2014); and California Landscape into Abstraction, Orange County Museum of Art, Newport Beach, California (2014).

Currently, Saban is included in group exhibitions Variations: Conversations in and Around Abstract Painting at LACMA, CA (through March 22, 2015) and the upcoming Vibrant Matter at Kiosk in Ghent, Belgium (February 14 thru March 29, 2015).

Select group exhibitions featuring her work include Third Space / Shifting Conversations About Contemporary Art, Birmingham Museum of Art, AL (2017); Constructing Identity: Petrucci Family Foundation Collection of African - American Art, Portland Art Museum, ME (2017); The Color Line: African American Artists and the Civil Rights in the United States, Musée du quai Branly, Paris (2016); SHE: International Women Artists, Long Museum, Shanghai (2016); No Man's Land: Women Artists from the Rubell Family Collection, Rubell Family Collection, Miami, traveled to the National Museum of Women in the Arts, Washington, DC (2015); 30 Americans, Corcoran Gallery of Art, Washington, DC (2011), which has traveled extensively around the United States (2011 - 2017, ongoing); and Americans Now, National Portrait Gallery, Washington, DC (2010).