Not exact matches
In the context of the wider
group though, it
seems odd that although there was a (wise, IMHO) effort to bring in outside counsel via teleconference, there
seems to have been an omission to bring Julie into that
conversation directly.
On another track, find a monotonous
group commentary featuring director David Frankel, producer Wendy Finerman, costume designer Patricia Field, screenwriter Aline Brosh McKenna, editor Mark Livoisi, and DP Florian Ballhaus; the adage too many cooks spoil the broth would
seem to apply, as nothing remotely revelatory emerges from their
conversation.
Where the
groups seem to converge, though, is that their members are gradually becoming involved in
conversations about policy, ranging from teacher evaluation to seniority to professional development.
After identifying which approach a teacher
group seems to be taking, leaders can facilitate
conversations to push teachers» thinking toward responsive revisioning, adding the appropriate guiding questions.
That tells how to find and navigate
groups and make connections there without offending people (most of those who I've run across there) who
seem to think any word out of an author's mouth is promotion, even when it's just
conversation and doesn't even mention one's books at all.
«At last year's fair it
seemed every
conversation touched on digital, and this year will obviously be no different in that regard,» said David Young, Chairman and CEO of Hachette Book
Group.
«I'm delighted because I've wanted to do a
group conversation with the members of The Hairy Who for a long time and it
seems like a complete miracle that it has actually came to fruition, with all six members here in Chicago to participate in this special / Dialogues
conversation,» said London's Serpentine Galleries curator and co-director Hans Ulrich Obrist.
It allows «
conversations» to emerge between similar pieces, like an inspired
grouping of three of her mattress castings: the ochre one, made of rubber, Untitled (Air Bed II)(1992) propped sideways
seems watchful, while its reddish resin sibling Untitled (Amber Bed)(1991) slumps against the back wall as if drunk or knackered; meanwhile, their black companion Untitled (Black Bed)(1991) lies flat out, as if scorched and dead to the world.
What got me most was the magic of feeling I was listening in on
conversations between color
groupings — how the reds and blues
seemed to be speaking (or perhaps singing) in slightly different dialects of the same paint language, some mute or just whispering, other maniacally chatty, muttering or even yelling bloody murder — all which keeps your eye moving back and forth trying to figure out what it all means.»
Applying Gaston Bachelard's elaboration on Carl Jung's psychoanalytic studies on space as a base point, Lí Wei brings a
group of installations which demonstrates a
seeming cellar and garret, unleashing an unorthodox
conversation between the viewer's internalized desire and external facade of hypocrisy.
Welcome to the ongoing
conversation about context collapse, about semi-private posts being made public, about «likes» that
seemed like private acts being publicized to an unintended audience, about, say, students being outed by design choices that turn the joining of a
group into a public announcement.
As attractive as exposure through a large number of
groups may initially
seem, consider your actual ability to participate in dozens of
conversations before clicking on EVERY interesting
group.