Sentences with phrase «group exhibition surveying»

August 3 - September 2, 2007 A group exhibition surveying reductive strategies by artists living in and around New York City.

The group exhibition surveyed two dozen projects by architect John Yeon and included architectural photographs by Stoller, Maynard Parker and Roger Sturtevant.

Not exact matches

About Blog Explara is The One - stop Event Platform offering pre-event (Ticketing, Registration), event - day (Mobile App, Entry Check - in) and post-event (Membership, Survey) solution for Events, Conferences, Exhibitions and Groups / Associations.

The exhibition Mernet Larsen: Getting Measured will feature never - before - seen early drawings, a select group of studies and works on paper, and a survey of paintings from the 1960s to the present.

Her extensive exhibition history includes solo and group exhibitions at Blumenbar Verlag, Berlin (2008); Victoria & Albert Museum, London (2010); Blanton Museum of Art, Austin (2010); a major survey exhibition Love Is What You Want at the Hayward Gallery, London (2011); Turner Contemporary, Margate (2012); Malba — Museo de Arte Latinoamericano de Buenos Aires, Argentina (2012), a two gallery solo show at Lehmann Maupin, New York (2013).

The massive group exhibition serves as a survey of the burgeoning New Contemporary Art Movement for art lovers in the United Kingdom, handpicked by two of the scene's most respected galleries.

Notable recent group exhibitions include Assembly, A Recent Survey of Artist's Film and Video in Britain, 2008 - 2013, Tate Britain (2014); and Soundworks, ICA, Institute of Contemporary Arts, London (2012).

The exhibition presented a group of five walls drawn from prior exhibitions including Christopher Williams: The Production Line of Happiness, the artist's first major museum survey which travelled from The Art Institute of Chicago to The Museum of Modern Art in New York and London's Whitechapel Gallery in 2014 - 2015.

Selected Group Exhibitions 2017 Ted Stamm / Gerrit Rietveld, OV Project, Brussels, Belgium 2017 Painting on the Edge: A Historical Survey, Stephen Friedman Gallery, London 2012 Times Square Show Revisited, Hunter College Art Galleries, New York, NY 2010 Black & White, Galleri Weinberger, Copenghagen, Denmark 1987 Recent Acquisitions, Guggenheim Museum, Brooklyn, NY 1987 Recent Acquisitions, Brooklyn Museum, New York, NY 1985 Art Heritage at Hofstra, Emily Lowe Gallery, Hofstra University, Hempstead, NY 1985 Constructures: New Perimetries in Abstract Painting, Nohra Haime Gallery, New York, NY 1984 Fourth Annual Anniversary Show, John Davis Gallery, Akron, OH 1984 Fifteen Abstract New York Painters, Susan Montezinos Gallery, Philadeiphia, PA 1984 Small Works, Muhlenberg College, Allentown, PA 1984 Mail Art, Franklin Furnace, New York, NY 1984 Artists Call, Judson Memorial Church, New York, NY 1984 Process Black, LIU South Hampton, New York, NY 1984 A Decade of Art, Artists Space 105 Hudson, New York, NY 1984 Offset: A Survey of Artists Books, New England Foundation for the Arts, Wakefield, RI 1983 David Reed, Sean Scully, Ted Stamm; Zenith Gallery, Pittsburgh, PA 1983 Donald Alberti, Russell Maltz, Olivier Mosset, Ted Stamm; 1708 East Main Street, Richmond, VA 1983 Abstraction Two Views: Davis and Stamm, The Contemporary Arts Center, Cincinnati, OH 1983 Second Anniversary Exhibition, Harm Bouckaert Gallery, New York, NY 1983 Hundreds of Drawings, Artists Space, New York, NY 1983 A More Store, Jack Tilton Gallery, New York, NY 1983 Donald Alberti, Russell Maltz, Olivier Mosset, Ted Stamm; Condeso / Lawler Gallery, New York, NY 1983 Artists for Nuclear Disarmament, Colburn Gallery, Burlington, VT 1982 A Look Back: A Look Forward, Aldrich Museum, Ridgefield, CT 1982 Pair Group, Art Galaxy, New York, NY; travelled to Jersey City Art Museum, Jersey City, NJ 1982 Destroyed Prints, Pratt Manhattan Center, New York, NY 1982 Annual Holiday Invitational, A.I.A. Gallery, New York, NY 1982 Group Exhibition, Roy Boyd Gallery Chicago, Merwin Gallery, Illinois Wesleyan University, Bloomington, IL 1982 Pair Group II, Jersey City Museum, Jersey City, NJ 1982 Black and White, Freeport Mc Mo Ran, New York, NY 1982 Faculty Exhibition, Hillwood Commons Gallery, C.W. Post, Greenvale, NY 1981 Drawings, Roy Boyd Gallery, Chicago, IL 1981 Abstract Painting: New York, Hofstra University, Hempstead, NY 1981 Arabia Felix, Art Galaxy, New York, NY 1981 Words and Images: Contemporary Artist's Books, Southern Alleghenies Museum of Art, Loreto, PA 1981 Love: Hate: Fear and Suicide, University of Brussels, Brussels, Belgium 1981 New Directions, Commodities Corp..

For the ninth iteration of Thinkspace's traveling group exhibitions, we have teamed up with D * Face and his crew to present the largest survey of the New Contemporary Art Movement to ever take place in the United Kingdom.

His work was included in the Museum of Modern Art's 1961 group exhibition, «Art of Assemblage,» an important international survey of artists working with collage in two and three dimensions, and during that same year he participated in the São Paulo Bienal.

This group exhibition presents a survey of mid-career St Petersburg based artists.

10/4 to 10/22 Nader Tehrani, Dean, Chanin School of Architecture, Daniel Libeskind AR ’70, Laurie Hawkinson AR» 83, Gina Pollara AR» 91, Bradley Samuels, AR» 05, are part of a group exhibition, Work in Progress, which showcases alternative visions for New York City development projects, as well as a photographic survey of active construction sites throughout the city.

The inaugural triple - exhibition, opened September 25th, features shows by David Adamo, Devin Farrand, and a curated group survey featuring works by big - name stars, including Rosemarie Trockel and Ed Ruscha.

In addition to numerous group exhibitions, recent solo shows include the New Museum in New York, Pigna Projectspace in Rome, and Cornerhouse in Manchester (a survey of her solo works from 2008 to 2012) with an accompanying book.

«More Wrong Things», a solo exhibition at Hales Gallery in London (20 May — 24 June) displaying a small group of works from the 1980s to the early 2000s, coincided with the opening of «Kinetic Painting» at the Museum für Moderne Kunst in Frankfurt (until 24 September), a vast survey of Schneemann's career.

Selected group exhibitions include: Stanze / Rooms, from the Sandretto Re Rebaudengo Collection, me Collectors Room, Berlin (2014); Mirrorcity, Hayward Gallery, London (2014); Summer Exhibition 2014, The Royal Academy, London (2014); Turner Prize 2013 Exhibition, CCA Derry ~ Londonderry, Londonderry (2013); Assembly: A Survey of Recent Artists» Film and Video in Britain 2008 — 2013, Tate Britain, London (2013); Soundworks, Institute of Contemporary Art, London (2012); Time Again, Sculpture Center, New York (2011).

In the past two years, standout exhibitions have included «The Freedom Principle: Experiments in Art and Music, 1965 to Now,» which explored the influence of the 1960s African American avant - garde on current creative output, and, up now, the first - ever survey of the Ho Chi Minh - based, politically minded collective The Propeller Group.

But more to the point, in the last year and a half my students at the Kunstakademie Düsseldorf and I have begun a study of exhibition types, an attempt as a group to create a typological study of exhibition forms — the monographic or survey show of an individual artist, thematic or historical group exhibition, international biennial, etc..

The premier exhibition is a rotating group survey of New Precisionist painting... see more

I'm excited to be a part of the Pencil / Line / Eraser exhibition at Carroll / Fletcher gallery in London, «a group show surveying recent works in expanded drawing which use paper and line as a point of departure.»

Selected from the Allan Stone Collection, the exhibition will survey paintings and works on paper by a group of artists that reference the landscape.

The Moscow Biennale is the epicentre of a vast effort by the Moscow art scene that includes more than a hundred exhibitions throughout the city, structured within the categories Special Guests, Special Projects and a Parallel Program, ranging from a Louise Bourgeois survey show and a new project by Anish Kapoor, up to group exhibitions that present diverse perspectives on the Moscow and broader Russian art scene.

Exhibitions include: a group exhibition curated by artist Nayland Blake that investigates queer identification through new communications technologies; the first comprehensive career survey and solo museum exhibition dedicated to Cary Leibowitz, whose bold text - based works address issues of identity, sexuality, and queer politics; and a focused exhibition on broadcast and video work, organized in partnership with Electronic Arts Intermix (EAI), that focuses on how artists have engaged with the legacy of broadcast media.

She has been included in group exhibitions Based in Berlin, a survey of contemporary artists working in the city.

Its program focuses upon significant contemporary artists and includes historical surveys and thematic group exhibitions that advance new dialogues about art.

The Chicago Artists Coalition is proud to present A Challenge to the Summer Group Show: BOLT Alumni Exhibition & Dialogue, an experimental survey and series of events that directly acknowledges and engages its artists and audiences.

From 2003 until 2011 he was a curator at the Antwerp Museum of Contemporary Art (MuHKA), where he organized large - scale group exhibitions as well as monographic shows, including Emotion Pictures (2005); Intertidal, a survey show of contemporary art from Vancouver (2005); The Order of Things (2008); Auguste Orts: Correspondence (2010); Liam Gillick and Lawrence Weiner — A Syntax of Dependency (2011); A Rua: The Spirit of Rio de Janeiro (2011); Chantal Akerman: Too Close, Too Far (2012) and the collaborative projects Academy: Learning from Art (2006), The Projection Project (2007), All That Is Solid Melts Into Air (2009), and Kerry James Marshall: Paintings and Other Stuff (2013).

What accounts for this repressed in curatorial discourse, as opposed to the group or thematic exhibition, or the events of biennials and international surveys?

Current projects include the group show Rose Ocean: Living with Duchamp, the solo exhibition Njideka Akunyili Crosby: Predecessors; a two - year performance - based residency / installation with Kamau Amu Patton, and the career - survey Dona Nelson: Stand Alone Paintings.

Dynamo — A century of light and motion in art, 1913 - 2013 is the title of a survey art exhibition at the Grand Palais in Paris, a show that brings together major works that deal with light and motion and includes artists such as Bruce Nauman, Dan Flavin, Hans Haacke, James Turrell, Yayoi Kusama, Jean Tinguely, Alexander Calder, Marcel Duchamp, Bridget Riley, Dan Graham, Anish Kapoor, Jesus Rafael Soto, Conrad Shawcross, François Morellet, Jeppe Hein, Carlos Cruz - Diez, Takis, as well as artistic collectives such as GRAV (Group of visual Arts research), and the Groupe Zéro.

Along with illuminating the works in the exhibition, the publication will survey critical temporal interventions in film and video by John Akomfrah, Black Audio Film Collective, Robert Bresson, Cecilia Dougherty, Andrea Geyer, Djibril Diop Mambéty, Chris Marker, The Otolith Group, Raoul Peck, Semiconductor (Ruth Jarman and Joe Gerhardt), Hito Steyerl, Clarissa Tossin, and Apichatpong Weerasethakul.

Numerous solo and group gallery and museum shows that followed culminated in a survey exhibition curated by Julie Joyce at the Santa Barbara Museum of Art in 2011, which drew widespread critical acclaim.

Notable solo exhibitions include The Great Assumption, JOAN, Los Angeles (2018), Sam Anderson: The Park, Sculpture Center, New York (2017), Big Bird, Kölnischer Kunstverein, Cologne (2017), Rowhouse Project, Baltimore (2016), The Vanity East, Los Angeles (2015), Chapter NY, New York (2013), in addition to featuring in the group survey exhibition Greater New York, MoMA PS1, New York (2015).

Group exhibitions include New Insight at Art Chicago; the North American Graduate Art Survey at the Nash Gallery, Minneapolis; IMC Lab + Gallery, New York; Chashama Gallery, New York; Crane Arts Center, Philadephia; The Project Space at The Royal College of Art, London; Invisible Dog Art Center, Brooklyn, NY; and Flux Factory, Long Island City, NY.

His work was included in two of the most celebrated national exhibtions of African - American Fine Art - the 1939 Baltimore Museum of Art's Contemporary Negro Art, the first museum group exhibiton of African - American artists, and the 1940 Exhibition of the Art of the American Negro (1851 - 1940) at the Tanner Galleries in Chicago, the largest survey of African - American art at the time.

We've culled gallery listings worldwide to highlight 50 must - see exhibitions over the next three months, spanning 14 cities and ranging from historical surveys to cutting - edge contemporary work, from all - female group exhibitions to debut solo shows.

She has shown extensively for the past five decades, in solo and group contexts, and has been the subject of numerous survey exhibitions including Museu d'Art Contemporani de Barcelona (2003); Generali Foundation, Vienna (2002); New Museum, New York (2000); The Museum of Contemporary Art, Los Angeles (2000); Kunstverein München, Munich (1992); Ikon Gallery, Birmingham, England (1991); and Alternative Museum, New York (1987).

Her past curated group exhibitions include, I am What I am Not Yet, A Survey of Brooklyn's Moment, Madelyn Jordon Fine Art, 2015; The Space Between, Paul Kolker Collection, 2014; Schiller and Dream within a Dream New Century Artists, 2014; Shrink It Pink It, 80 Artists, Cathouse FUNeral Gallery, 2014; Persona, Colleen Asper and Amy Beecher, 7 Dunham, 2013; and It's Really Normaling, Brian Belott and Eric Hibit, The Greenwich House, 2013.

The group exhibition is a survey of art made in California starting in the mid-1950's spanning until the present featuring works by Richard Diebenkorn, Ed Ruscha, and Larry Bell to name a few.

Notable exhibitions • «Jane Alexander: On Being Human,» Galilee Chapel of Durham Cathedral, England, 2009 • «Survey,» Jack Shainman Gallery, New York, New York, 2009 • «Jane Alexander,» Gasworks, London, 2000 • «Bom Boys and Lucky Girls,» University of Cape Town Irma Stern Museum, South Africa, 1999 Curated international Group exhibitions • Venice, Havana, Gothenburg, Tirana, Bamako, São Paulo, Singapore, and Dakar biennials • «Africa Remix» exhibited in Europe, Japan and South Africa, 2006 • «Africas: The Artist and the City,» Spain, 2001 • «Apartheid: The South African Mirror,» Spain, 2007 • «Personal Affects: Power and Poetics in Contemporary South African Art,» United States, 2004 • «The Short Century» in Germany and the United States, 2002

Retrospectives look back over the work of a single artist; other common types are individual expositions or «solo shows», group expositions (collective exhibitions or «group shows»), or expositions on a specific theme or topic («survey shows»).

Art galleries in Chelsea, Uptown, Downtown and Brooklyn are hosting solo shows, group exhibitions and retrospective surveys.

Exhibitions range from newly commissioned projects to surveys of significant artists, thematic group exhibitions, research - based projects and explorations of the Monash University Exhibitions range from newly commissioned projects to surveys of significant artists, thematic group exhibitions, research - based projects and explorations of the Monash University exhibitions, research - based projects and explorations of the Monash University Collection.

This groundbreaking exhibition broadly surveys a key chapter in art history in which an international group of female artists overcame gender - based restrictions to make remarkable creative strides.

Amongst many group surveys dedicated to the last biggest Italian art movement, Marianne Boesky Gallery's solo exhibition of new works by Pier Paolo Calzori was fun, exceptional, and well - focused.

Her exhibitions include co-curating the 2004 and 2006 Whitney Biennials, and curating major survey exhibitions of Dan Graham, Louise Bourgeois, Sol LeWitt, Donald Judd, and Yoko Ono, as well as exhibitions of Paul McCarthy, James Lee Byars, Jack Goldstein, and several group exhibitions including «Signs of the Times: Film, Video and Slide Installation and Britain in the 1980s», «Scream and Scream Again: Film in Art», and «Into the Light: The Projected Image in American Art 1964 - 1977», voted best group show in New York in 2001 by the International Association of Art Critics.

This year, the exhibition not only consists of a solo exhibition of works by the winner of the 2017 award Raquel van Haver, but is combined with a group exhibition that presents a survey of works by previous winners of the award including Frank Ammerlaan, who was awarded De Scheffer 2013.

The exhibition surveys Kapoor's career to date showcasing a number of new and previously unseen works, including a select group of Kapoor's early pigment sculptures, beguiling mirror - polished stainless - steel sculptures and cement sculptures on display for the first time.

What we will say is that Openspace had an aggressive plan to not only focus a group exhibition showcasing 21 artists, they also wanted to involve 4 solo shows effectively making this the largest survey of Graffuturism to date.