Sentences with phrase «group exhibitions such»

His work has been featured in group exhibitions such as Abstract America at the Saatchi Gallery in London and the 2008 Whitney Biennial.

She participated in international group exhibitions such as Resonance / Dissonance, Frost Art Museum, Miami (2016) / Die kalte Libido — Haus der Kunst, Munich (2015) / PUNK.

From 2010 - 2014 she was the Barbara Lee Chief Curator at the Institute of Contemporary Art (ICA) Boston, where she assembled one person exhibitions of artists Steve Locke, Catherine Opie, Josiah McElheny, and Amy Sillman, and group exhibitions such as Dance / Draw and This Will Have Been: Art, Love & Politics in the 1980s.

He has been included in prestigious group exhibitions such as the Whitney Biennial (1977, 1979, 1981, 1989), Documenta (1977, 1982), and the Venice Biennale (1980).

Levine has also been included in many major group exhibitions such as Picturesat Artists Space in New York (1997), The Whitney Biennial (1985, 1989, 2008), The Sydney Biennial (1986), São Paulo Bienal (1998) and The Pictures Generation, 1974 - 1984 at the Metropolitan Museum of Art in New York (2009).

Her work has been included in several international group exhibitions such as the 18th Biennale, Sydney; La Triennale: Intense Proximity, Palais de Tokyo, Paris; On Line, Museum of Modern Art, New York; Liverpool Biennale, Tate Liverpool; Manifesta 7, Trentino - Alto Adige / Südtirol; 7th Gwangju Biennale, Gwangju.

Born in 1977, Xu Zhen has been the subject of solo exhibitions at the Kunsthaus Graz, Austria (2015); Long Museum, Shanghai, China (2015); Ullens Center for Contemporary Art, Beijing, China (2014); the Minsheng Museum, Shanghai, China (2012); Kunsthalle Bern, Switzerland (2011); and S.M.A.K., Gent, Belgium (2009); as well as major international group exhibitions such as the innaugural NGV Triennial, Melbourne, Australia (2017), 20th Biennale of Sydney, Australia (2016); Chinese artists at a time of Turbulence and Transformation, Fondation Louis Vuitton, Paris (2016); Contemporary Art from China, Qatar Museums Gallery Al Riwaq, Doha, Qatar (2016) and New Collection, Centre Pompidou, Paris (2015) 15 Rooms, co-curated by Klaus Biesenbach and Hans - Ulrich Obrist, Art Basel (2014); the 12th Biennale de Lyon (2013); Art of Change, Hayward Gallery, UK (2012); Performa07, New York (2007); the 10th International Istanbul Biennial (2007).

His works has been featured in group exhibitions such as the Biennale de Lyon, Lyon (2013); the de Young Museum, San Francisco (2012); the MoMA / P.

The artist has been a significant contributor to important group exhibitions such as Black Zero, Brooklyn Academy of Music, Brooklyn, NY (1968); Cineprobe, Museum of Modern Art, New York (1971); Documenta 6, Kassel Germany (1977) and Sao Paolo Biennale (1983).

Boudry / Lorenz were also featured in several international group exhibitions such as La Triennale, Milan; Akademie der Künste, Berlin; the 5th Thessaloniki Biennale of Contemporary Art in 2015; and they represented the Swiss Pavillion at the Venice Biennale in 2011.

He has also participated in important group exhibitions such as The Painting Factory: Abstraction after Warhol at the Museum of Contemporary Art, Los Angeles; Le Printemps de Septembre in Toulouse; ILLUMInations in the 2011 Venice Biennale; and The Generational: Younger Than Jesus at the New Museum in New York.

Recent solo exhibitions include; The New Gallery, Calgary (2015), MAI (Montréal, arts interculturels), Montreal (2014), Momenta Art, Brooklyn (2014); Kunstverein Braunschweig, Braunschweig, Germany (2013); VOX: Centre de l'image contemporaine, Montreal (2012) and group exhibitions such as MTL BNL, Montreal; A Space, Toronto (both 2014), Apexart, New York; PAVED arts, Saskatoon; Or Gallery, Vancouver (all 2013), and the Institute of Contemporary Art, Philadelphia (2011).

He has shown internationally for more than fifteen years, with inclusion in renowned group exhibitions such as ILLUMINations, the curated exhibition for the 54th Venice Biennale in 2011, the 5th Berlin Biennale in 2008, the critically acclaimed Brave New Worlds at the Walker Art Center in Minneapolis and Unmonumental at the New Museum in New York in 2007, as well as recent solo exhibitions in Norway, Beirut, Mexico City, London, Berlin, Boston, and Houston.

Kaino has also been included in numerous group exhibitions such as the 12th Lyon Biennial, Whitney Biennial, Performa 09 and Prospect.3.

She has been involved in numerous group exhibitions such as the Edinburgh Art Festival, Edinburgh, UK (2015); the Göteborg International Biennial for Contemporary Art, Göteborg, Sweden (2013); and «Performance Now: The First Decade of the New Century», various venues, USA (2012 - 14).

His work has also been included in international group exhibitions such as Shenzhen Sculpture Biennale, China (2014) and Asia Triennial Manchester, United Kingdom (2011), among others.

In addition, Mr. Shapiro's work has regularly been exhibited in prestigious group exhibitions such as the Whitney Biennial, NY (1977, 1979, 1981, 1989), Documenta in Kassel, Germany (1977, 1982), and the Venice Biennale (1980).

She has curated numerous exhibitions, including most recently Love is a Stranger at Creative Growth Art Center in Oakland, and has organized over 50 exhibitions ranging from solo shows of the work of Richard Artschwager, Dan Flavin, and Brice Marden to major group exhibitions such as Monuments for the USA and IRREDUCIBLE: Contemporary Short Form Video.

Maya's work has been included in group exhibitions such as Streetopia at the Luggage Store in San Francisco in 2012, Black & White Outer Space at the Secret Project Robot in Brooklyn in 2011, and Rojo Nova at the Museum of Image and Sound, Sao Paulo in 2010.

Solo exhibitions of her work include LINDER at Stuart Shave / Modern Art (November 2007), Let me go where my pictures go at dépendance gallery in Brussels (2006), The Lives of Women Dreaming at the British Council, Prague (2004) and We who are her hero in Galerie LH, Paris (2006), and her work has been featured in group exhibitions such as Destroy: Punk Graphic Design in Britain, Royal Festival Hall, London (1998), DEAD, the Roundhouse, London (2001), Glamour, British Council, Prague (2003), Plunder, Dundee Contemporary Arts (2003), Audio, Cabinet des Estampes, Geneva (2006), Replay — sphere punk, Le Magasin, Centre National d'Art Contemporain, Grenoble (2006) and Dereconstruction, Barbara Gladstone, New York (2006).

The Hollywood Suites has been seen in solo exhibitions on the West Coast and in Europe and included in group exhibitions such as The Altered Photograph at P.S. 1 in New York in 1979.

His work was exhibited at The Salpeter Gallery in New York 1953, the Museum of Contemporary Art in Boston, and the Jewish Museum (New York), 1948, and was included in group exhibitions such as Liturgical Art, Arts Club of Chicago and at the HCE Gallery, Provincetown MA, 1959 and 60; Six American Sculptors, Milwaukee Arts Center; Art in Judaism — Past and Present, Newark Museum, 1957; Six American Sculptors, Arts Club of Chicago, 1956.

There she organized one - person exhibitions of artists Catherine Opie (2011) and Josiah McElheny (2012), as well as group exhibitions such as Dance / Draw (2011).

Her work has been included in group exhibitions such as: Survival Kit 9 in Riga (2017), Life A User's Manual at Art Encounters in Timisoara (2017), Grotto Capitale at Exile in Berlin (2017) and Gestures of Tomorrow at Kunstverein Nuremberg (2016).

Her work has been included in a number of recent group exhibitions such as Photo Poetics: An Anthology, Solomon R. Guggenheim Museum, New York, Reconstructions, Recent Photographs and Video from the Met Collection and Photography on Photography, the Metropolitan Museum of Art, The Way of the Shovel at the Museum of Contemporary Art Chicago, Mixed Use Manhattan, Museo Nacional Centro de Arte Reina Sofia, Madrid, New Photography 2011, Museum of Modern Art, New York, amongst others.

Tan has participated in group exhibitions such as the Barcelona Video Festival (2006), the Guangzhou Triennial (2005), the São Paulo Biennial (2004), and the Baltic Triennial of International Art, Lithuania (2002).

The artist has participated in group exhibitions such as Office Baroque, Brussels (2015); Cortesi Contemporary, Lugano, Switzerland (2013); the Aspen Art Museum, Aspen (2013); and The Whitney Biennial, Whitney Museum of American Art, New York (2008).

Additionally he has been in featured in group exhibitions such as Visibles / Invisibles at Fondation Blachere, Apt (2015), the touring Silver Sea Cross-Ship (2013 - 14) and the display of the Habesha Art Collection at the National Museum in Addis Ababa (2014).

The 1987 winner of the Turner Prize, his work has been presented in numerous individual exhibitions in Europe, America, and Aisa, and the sculptor has also participated in many group exhibitions such as the Carnegie International, Münster's Skulpturen Projekten, and Documenta.

Her work has been included in a number of recent group exhibitions such as New Photography 2011, Museum of Modern Art, New York, Photography on Photography, the Metropolitan Museum of Art, The Way of the Shovel at the Museum of Contemporary Art Chicago, Mixed Use Manhattan, Museo Nacional Centro de Arte Reina Sofia, Madrid, amongst others.

Founded in 2010 by Emmanuel Di Donna, formerly Vice Chairman of Sotheby's Impressionist & Modern Worldwide and Head of New York Evening Sales, Di Donna Galleries has organized monographic exhibitions of work by René Magritte, André Masson, and Andy Warhol, among others — in addition to ambitious group exhibitions such as «Fields of Dream: The Surrealist Landscape,» which featured over 70 works by various artists in a range of mediums.

Helen Molesworth is the Barbara Lee Chief Curator at the Institute of Contemporary Art, Boston, where she has organized one - person exhibitions of artists Catherine Opie (2011) and Josiah McElheny (2012), as well as group exhibitions such as Dance / Draw (2011).

They include those by Bridget Riley, Martin Creed, Antony Gormley, Tracey Emin, Andy Warhol, Ed Ruscha, Jeremy Deller, Anish Kapoor, René Magritte, Francis Bacon and David Shrigley, as well as influential group exhibitions such as Africa Remix, Light Show, The Human Factor, Psycho Buildings and most recently The Infinite Mix.

She has also participated in many group exhibitions such as Pot Luck, Art Circuit Touring Exhibition, New Art Gallery Walsall, Aberystwyth Art Centre, PM Gallery, Southampton City Art Gallery, UK (2008 - 9); Tales of the New World, Havana Biennial, (2009); 5x5Castelló09, Espai d'art contemporani de Castelló, Spain and Utopia, PhotoEspana, Museu Berardo, Centro Cultural do Belem, Lisbon, Utopia, Fundación Municipal de Cultura, Valladolid, Spain.

His work has been included in group exhibitions such as the 2017 Whitney Biennial, Whitney Museum of American Art, New York, NY, USA (2017); Parked like serious oysters, MMK, Frankfurt, Germany (2015); and Lost Boys, Glucksman Gallery, Cork, Ireland (2013).

His work has also been included in major group exhibitions such as the 2014 Taipei Biennial, the 55th Venice Biennale and the Biennale de Lyon in 2013, and the 2012 Paris Triennial.

His works have been shown in group exhibitions such as «Imagens Mestiças» (Instituto Tomie Otake, São Paulo, Brazil) and «Do valongo à favela» (Museu de Arte do Rio, Rio de Janeiro, Brazil).

His work has been included in group exhibitions such as Peter, Paul and Mary, Adrian Rosenfeld Gallery, San Francisco, CA, USA (2018); Marching to the Beat, Jessica Silverman Gallery, San Francisco, CA, USA (2017); Touchpiece, Hannah Hoffman Gallery, Los Angeles, CA, USA (2017); Home Improvements, curated by John Waters, FraenkelLAB, San Francisco, CA, USA (2016); Love for Three Oranges, Karma at Gladstone Gallery, Brussels, Belgium (2015) and Embracing Modernism: Ten Years of Drawings Acquisitions, The Morgan Library & Museum, New York, NY, USA (2015).

He has co-curated group exhibitions such as Pyramids of Mars at Fruitmarket Gallery, Edinburgh (2000), Populism at Stedelijk Museum, Amsterdam (2005), La insurrección invisible de un millón de mentes at Sala Rekalde, Bilbao, Spain (2005), and A History of Irritated Material at Raven Row, London (2010).

In addition to his 2012 solo exhibition About at Wilkinson, London, he has presented work in group exhibitions such as Free (2010) at the New Museum of Contemporary Art, New York; Collect the Wwworld at Link Art Centre, Brescia, Italy; and New Wave at the Internet Pavilion within the Venice Biennale, 2009.

Henry Chalfant has been widely exhibited internationally including his solo show Graffiti in New York, OK Harris, New York, 1980 and group exhibitions such as New York / New Wave, P.S. 1, New York, 1981, and Art of the American Century Part ll, Whitney Museum of American Art, New York, 1999.

Her work has been included in group exhibitions such as Her Crowd: New Art by Women from Our Neighbors» Private Collections, Bruce Museum, Greenwich, CT (2016); Sincerely Yours, Torrance Art Museum, Torrance, CA (2015); The Go - Between, Museo di Capodimonte, Naples, Italy (2014); Chasm of the Supernova, Center for the Arts Eagle Rock, Los Angeles, CA (2012); La Californie, The Museum of Public Fiction, Los Angeles, CA (2011); Baker's Dozen III, Torrance Art Museum, Torrance, CA (2011); Unfinished Paintings, LACE: Los Angeles Contemporary Exhibitions, Los Angeles, CA (2011); and NewNow, Nerman Museum of Contemporary Art, Overland Park, KS (2009).

His work has been included in group exhibitions such as Damage Control: Art and Destruction Since 1950, Hirshhorn Museum and Sculpture Garden, Washington, D.C. (2013); The Living Years: Art after 1989, Walker Art Center, Minneapolis, MN (2012); 2008 California Biennial, Orange County Museum of Art, CA (2008); 16th Biennale of Sydney: Forms that Turn, Sydney, Australia (2008); 8 Bienal de Arte de Panamá, Panama (2008); Freedom, Hague Sculpture Center, the Netherlands (2008); Unmonumental: The Object in the 21st Century, New Museum of Contemporary Art, New York, NY (2007); 2004 Whitney Biennial, Whitney Museum of American Art, New York, NY (2004); and the Dreams and Conflicts: The Dictatorship of the Viewer, 50th International Exhibition of Visual Arts of the Biennale di Venezia, Italy (2003).

There are the numerous exhibitions she has curated, such as «Democrazy» (2007 — 08); «Jide Alakija: Owambe, Aso - Ebi and the Politics of Dress» (2011); «Kelani Abass If I can save time» (2016 — 17); «Playing with Chance: El Anatsui» (2014); as well as group exhibitions such as «Like a Virgin» with Lucy Azubuike and Zanele Muholi.

He was previously the Curator of Visual Arts at Project in Dublin between 2000 and 2005 where his programme focused on commissioning solo projects from contemporary Irish and international artists as well as occasional group exhibitions such as Communism in 2005 and Enthusiasm for Frieze Projects in 2006.

Her work has been prominently featured in international biennials and group exhibitions such as documenta (1982, 1992, and 2002); Skulptur Projekte Münster (1987, 1997, and 2007); and the Venice Biennale (1982, 1993, 2003, 2007, and 2015), where she represented Germany in 2007.

Her work has been included in group exhibitions such as The Comfort of Strangers at MoMA PS1, New York; The Last Newspaper at the New Museum, New York; and The Historical Box, at Hauser & Wirth, Zurich and London.

Her work has been presented in many solo and group exhibitions such as For An Experience of Wholeness (2013) at the Digital Media Gallery, Lycoming College in Williamsport; Contemporary Photographic Practice and the Archive (2013) at the Harry Ransom Center at the University of Texas at Austin; X Y Z — The Geometric Impulse in Abstract Art (2012) at the Torrance Art Museum; and Perspectives 168 (2010) at the Contemporary Arts Museum Houston.

Her work has also been included in many national and international group exhibitions such as What Can not be Cured Must be Endured at Rutgers University (2012); Then and Now: The Art of Development at Milwaukee Institute of Art and Design (2011); and the PhotoIreland Festival in Dublin (2011).

Since joining the MCA in 1999, she has curated group exhibitions such as Escultura Social: A New Generation of Art from Mexico City, which was accompanied by a bi-lingual catalogue, as well as in - depth presentations of the MCA Collection in Constellations: Paintings from the MCA Collection and MCA Exposed: Defining Moments in Photography, 1967 - 2007.