Sentences with phrase «group exhibitions worldwide»

Schneider has participated in numerous solo and group exhibitions worldwide.

Since his first solo shows in 2009, Rennie has staged seventeen one - person exhibitions of his work in Australia, Indonesia, the United States and France, and participated in numerous group exhibitions worldwide, including Personal Structures, a Venice Biennale 2017 collateral exhibition.

He has exhibited extensively throughout Europe and the U.S., with solo exhibitions at Some Walls, Oakland, CA; Galerie Katharina Krohn, Basel; Centrum Berlin, Berlin; Palacete dos Viscondes de Balsemão, Oporto, Portugal; and Habitat, Kings Road, London, as well as dozens of group exhibitions worldwide, most notably with Lion and Lamb, London; JiM Contemporani, Barcelona; Kunsthaus, Tosterglope, Germany; ParisCONCRET, Paris; Mass MOCA, North Adams, MA; Janet Kurnatowski Gallery, New York; and Pierogi, Brooklyn, among others.

Similarly, his work has been presented in numerous museum and university collections and gallery group exhibitions worldwide, including most recently, Making / Breaking Traditions: Teachers of Ai Weiwei at the League's Phyllis Harriman Mason Gallery (2014); the University of Iowa Museum of Art at the Figge Museum, Iowa (January — June, 2015); and the International School at the Museum of Art and Cloisters, Loulé, Portugal (August — October, 2015).

McCracken's work has been prominently featured in major group exhibitions worldwide, including «Time & Place: Los Angeles 1957 - 1968» at Moderna Museet in Stockholm, documenta 12 in Kassel, «The Los Angeles Art Scene, 1955 - 1985» at Centre Georges Pompidou, and «A Minimal Future?

Gorczynski has also participated in numerous group exhibitions worldwide, including The Salon is a Living Room, Fanny Berta, Vienna, Austria; E-Vapor-8, Site Gallery, Sheffield, UK; Raster Raster, Aran Cravey Gallery, Los Angeles, CA; New Romantics, Eyebeam, New York, NY; Blue Lagoon, One Thoresby Street, Nottingham, UK; Dry Wipe, Nottingham Contemporary, Nottingham, UK; Shine a Light, Portland Museum of Art, Portland, OR; Youth Culture, The Future Gallery, Berlin, Germany; and The Shift, 319 Scholes, Brooklyn, NY.

She has exhibited in solo and group exhibitions worldwide, most recently in La Biennale di Venezia (2017) and Documenta XIV (2017).

She has exhibited in over 20 solo exhibitions and participated in numerous group exhibitions worldwide, among them: Arte Laguna, Arsenal of Venice; Israel Museum, Jerusalem; Helena Rubinstein Pavilion, Tel Aviv Museum of Art; Herzliya Museum of Contemporary Art; Martin - Gropius - Bau, Berlin; Kunstlerhaus Bethanien, Berlin; Middle East Center for the Arts (MECA), Jersey City; Art in General, New York; and Goethe - Institut, St. Petersburg.

His work has also been shown in group exhibitions worldwide and is represented in major public collections, including those of the Neues Museum Nürnberg, Germany; Tate, United Kingdom; and Museum of Contemporary Art, Los Angeles, among others.

Wood's work has been exhibited in numerous solo and group exhibitions worldwide including shows at the Wexner Center for the Arts, Columbus, OH; The Hammer Museum, Los Angeles; The Museum of Contemporary Art Los Angeles; Gagosian Gallery, London, Hong Kong and Beverly Hills; and The Rema Hort Mann Foundation, NY among others.

He has presented his work in solo exhibitions in Athens, Los Angeles and London and has been included in group exhibitions worldwide (i.e. No Country for Young Men, Bozar, Brussels; Like New!

His installations, videos, and performances have been included in many notable group exhibitions worldwide, including Prospect.1 New Orleans, Illuminations at the Tate Modern; Whitney Biennial, and Freestyle at the Studio Museum in Harlem, and at institutions in China, Germany, Hungary, Japan, Poland, and Russia.

A participant in numerous group exhibitions worldwide, including at the Istanbul Biennial (2011), Liverpool Biennial (2010), SITE Santa Fe, New Mexico (2010 and 2004), Venice Biennale (2007 and 1999), Whitney Biennial, Whitney Museum of American Art, New York (2004, 1997, 1993, and 1991), and documenta XI, Kassel, Germany (2002), his work is held in the permanent collections of, among others, the Centre Georges Pompidou, Paris, Hamburger Bahnhof — Museum für Gegenwart, Berlin, The Israel Museum, Jerusalem; San Francisco Museum of Modern Art; Tate Gallery, London; Whitney Museum of American Art, New York.

Kim has participated in numerous solo and group exhibitions worldwide and has been honoured with many awards including the Korea Youth Biennale in 1996.

Smith has more than 100 solo exhibitions in 28 states to her credit and has exhibited internationally and in dozens more group exhibitions worldwide.

In a relatively short amount of time, her work has been included in an impressive amount of solo and group exhibitions worldwide, solo shows include Edwynn Houk Gallery, Conde Nast Gallery, Fifty One Fine Art Gallery, James Hyman and Gagosian Gallery, London among others and group show include The Museum of Modern Art, New York and The Photographers» Gallery, London.

His paintings have been included in group exhibitions worldwide, in such places as Beijing, Manila, Havana, Paris, Cologne, Munich, Sapporo, and Gubbio and Udine, Italy.

Her work has been presented in solo and group exhibitions worldwide including Fomuska at Museion in Bolzano / Bozen, Italy (2010) and Gakona at the Palais de Tokyo in Paris (2009).

McCracken's work has been prominently featured in major group exhibitions worldwide, most recently in three shows organized as part of the 2011 region - wide initiative Pacific Standard Time: Art in L.A. 1945 - 1980 at the Getty Center, Los Angeles; Museum of Contemporary Art San Diego, La Jolla, California; and Pomona College Museum of Art, Claremont, California.

Wilson's work has been the subject of numerous solo and group exhibitions worldwide, including the critically acclaimed Mining the Museum: An Installation by Fred Wilson, sponsored by the Contemporary Museum at The Maryland Historical Society, Baltimore (1992 - 93) and Fred Wilson, Objects and Installations 1979 — 2000, a retrospective organized by the Center for Art, Design and Visual Culture at the University of Maryland, which traveled to seven venues nationally from 2001 — 4, including Andover, Berkeley, Chicago, Houston, Los Angeles, Saratoga Springs, and ending its run at the Studio Museum in Harlem.

Since then he has emerged as one of the most significant abstract painters of his generation, achieving widespread recognition through major solo and group exhibitions worldwide.

Her work is regularly exhibited in solo - and group exhibitions worldwide.

The artists have participated in over 100 solo and group exhibitions worldwide and have work in over 20 collections including the Brooklyn Museum of Art, the Philadelphia Museum of Art, the Houston Museum of Fine Arts, the Los Angeles County Museum of Art, and the Smithsonian Institution.

Dickson has been featured in 7 solo exhibitions and numerous group exhibitions worldwide and his art works are collected by the Heritage Museum of Hong Kong and the City of Montpellier in France.

The artist's work has also been exhibited posthumously in solo exhibitions that include a major 1997 installation of the Congregations curated by Klaus Kertess for the Parrish Art Museum in Southampton, New York; ROAD: Alfonso Ossorio's Response to Jackson Pollock's Death at the Pollock - Krasner House and Study Center in East Hampton in 2001 and, the following year, an exhibition of his ballet and costume designs at the Mississippi Museum of Art in Jackson, MS.. Since his death, Ossorio's work has also been featured in numerous group exhibitions worldwide, most notably Parallel Visions: Modern Artists and Outsider Art at the Los Angeles County Museum of Art, which traveled to the Museo Nacional Centro de Arte Reina Sofia in Madrid, Spain and the Kunsthalle Basel in Switzerland (1992); Shaping a Generation: The Art and Artists of Betty Parsons at the Heckscher Museum of Art in Huntington, NY (1999); Postmodern Transgressions: Artists Working Beyond the Frame at the Yale University Art Gallery in New Haven, CT (1999); Surrealism USA at the National Academy Museum in New York, which traveled to the Phoenix Art Museum (2005); Repartir à Zéro, 1945 - 1949 (Starting from Scratch) at the Musée des Beaux - Arts de Lyon in France (2008); Asian / American / Modern Art: Shifting Currents, 1900 - 1970 at the de Young Museum in San Francisco, CA (2008); and Splendor of Dynamic Structure: Celebrating 75 Years of the American Abstract Artists at the Herbert F. Johnson Museum of Art of Cornell University in Ithaca, NY (2011).

Her work has been included in solo and group exhibitions worldwide, including most recently Made in L.A. 2014 at the Hammer Museum and Bringing the World into the World at The Queens Museum.

Her work has been shown in numerous solo and group exhibitions worldwide.

Her work has been included in many solo and group exhibitions worldwide, solo shows include Edwynn Houk gallery, Fifty One Fine Art Gallery, James Hyman and Gagosian Gallery, London among others and group shows include The Museum of Modern Art New York, MoCP Chicago and The Photographers» Gallery, London.

Work by the artist has been prominently featured in group exhibitions worldwide, most recently in 2013 as part of NYC 1993: Experimental Jet Set, Trash and No Star at the New Museum, New York.

He has participated in a number of group exhibitions worldwide, including the Istanbul Biennial (2011); Liverpool Biennial (2010); SITE Santa Fe, New Mexico (2010 and 2004); Venice Biennale (2007 and 1999); Whitney Biennial, Whitney Museum of American Art, New York (2004, 1997, 1993, and 1991); and documenta XI, Kassel, Germany (2002).

Lucas» work has also been shown in group exhibitions worldwide, including but not limited to, the Museum of Modern Art, New York; Musèe National d'Art Moderne, Centre George Pompidou, Paris; Tokyo Museum of Contemporary Art, Tokyo; Tate Modern, London; Victoria and Albert Museum, London; National Gallery, London and Centre d'Art Santa Monica, Barcelona Spain.

In recent years, Thompson's work has also been exhibited regularly in group exhibitions worldwide, including Il Secolo del Jazz: Arte, Cinema, Musica e Fotografia da Picasso a Basquiat (The Jazz Century: Art, Cinema, Music and Photography from Picasso to Basquiat) at the Museo di Arte Moderna e Contemporanea in Rovereto, Italy, which traveled to the Musée du Quai Branly in Paris France and the Centre de Cultura Contemporània in Barcelona, Spain (2009); Blues for Smoke at the Museum of Contemporary Art in Los Angeles, CA, which traveled to the Whitney Museum of American Art and Wexner Center for the Arts of the Ohio State University in Columbus, OH (2012); Witness: Art and Civil Rights in the Sixties at the Brooklyn Museum, Brooklyn, NY, which traveled to the Hood Museum of Art, Dartmouth College, Hanover, NH and the Blanton Museum of Art, Austin, TX (2014); Beat Generation at the Centre Pompidou in Paris, France (2016); and The Color Line: African American Artists and Segregation at the Musée du Quai Branly (2016).

His work has been included in solo and group exhibitions worldwide, includingCanon at Museo Experimental El Eco in Mexico City in 2012; In other words at NGBK + Kunstraum Kreuzberg, Berlin Germany in 2012; El horizonte del topo at Centre for Fine Arts in Brussels Belgium in 2010; Aftermath at Taka Ishii Gallery in Kyoto Japan in 2010; One foot apart at Leme Gallery in Sao Paulo, Brazil in 2009; Hecho en casa at the Museum of Modern Art, Mexico City in 2009; and in Declaraciones at El Museo de Arte Reina Sofia in Madrid, Spain in 2005 among others.

He has staged over 80 solo exhibitions and over 250 group exhibitions worldwide to date, and in 2012 Tate Modern presented his retrospective exhibition.

Callum Innes is one of the most significant abstract painters of his generation, achieving widespread recognition through major solo and group exhibitions worldwide.

She holds an MFA from the California Institute of the Arts, and her work has been included in solo and group exhibitions worldwide, including most recently a 2013 commission on view at the Blaffer Art Museum in Houston, Blind Spot: Window into Houston Clarissa Tossin.

Loher's work has been shown in solo and group exhibitions worldwide, including: Figge Art Museum, Davenport, Iowa, USA; MuBE, Museu Brasileiro da Escultura, São Paulo, Brazil; MAXXI Museum, Rome, Italy; United Nations Pavilion, Shanghai Expo, China; SIGGRAPH Asia, Yokohama, Japan and Art Digital, Moscow, Russia.

He has been the subject of numerous solo and group exhibition worldwide, including three museum shows in 2017 and 2016: Rodney McMillian: a great society at the Art Institute of Chicago (2017); Views of Main Street (2016) at the Studio Museum in Harlem and St. Louis Art Museum; and The Black Show (2016) at the Institute of Contemporary Art, University of Pennsylvania.

His work has featured in group exhibition worldwide, including at the 2004 Whitney Biennial; the Kunstmuseum Wolfsburg, Germany; the 2002 Liverpool Biennial and the 2001 Berlin Biennial.

Not exact matches

Since 1987, over 90 solo Damien Hirst exhibitions have taken place worldwide, and he has been included in over 300 group shows.

Her work has been shown worldwide in both solo and group exhibitions.

Griffin has had several solo exhibitions in the US, including two with his former New York gallery Mitchell - Innes & Nash and has shown his work extensively in group shows both domestically and worldwide.

A large portion of the exhibition features works already seen in past solo exhibitions worldwide, for example works such as Grapes (2011), Divina Proportione (2012), and Study of Perspective (2014)-- while this could potentially be perceived by trained audiences as a disappointment, the artist's engagement with the topical refugee issue, in particular his engagement with the group of local photographers, transforms Ai Weiwei at Cycladic into a riveting exhibition.

The artist's work has been shown in over twenty solo exhibitions and numerous group exhibitions internationally and is represented by Galerie Samuel Lallouz, Montréal and Hyphen - Hub, New York, and in public collections and publications worldwide.

Amer's art has been featured in major solo and group museum exhibitions worldwide, including at the Musee d'Art Contemporain de Montreal; the Brooklyn Museum of Art; Museo d'Arte Contemporanea Roma, Rome; Gwangju Museum of Art, South Korea; and the Museum of Modern Art, New York.

His work has been featured in group exhibitions in museums worldwide including the Whitney Biennial, Whitney Museum of American Art, New York (2017); Stedelijk Museum voor Actuele Kunst, Ghent, Belgium (2016); Astrup Fearnley Museet, Oslo, Norway (2016); Hammer Museum at Art + Practice, Los Angeles, CA (2016); Camden Arts Centre, London, UK (2016); Studio Museum, Harlem, NY (2013); Carnegie Museum of Art, Pittsburgh, PA (2013); Museum of Contemporary Art, Los Angeles, CA (2012); Los Angeles County Museum of Art, Los Angeles, CA (2011); and the Rubell Family Collection, Miami, FL (2011).

Since more than 20 years, her works have been included in several solo and group exhibitions in important museums and institutions worldwide.

His work has been shown in numerous group exhibitions at important venues worldwide, such as Collection Sandretto Re Rebaudengo: Have you seen me before?

Since 1982, her work has been exhibited in nearly 150 solo exhibitions at museums and galleries worldwide and has been featured in hundreds of significant group exhibitions, including the Whitney Biennial, New York (1991, 1993, 2002); La Biennale di Firenze, Florence, Italy (1996 - 1997; 1998); and La Biennale di Venezia (1993, 1999, 2005, 2009).

He has participated in group exhibitions in major museums and galleries worldwide, including the Kunsthaus Zürich; Orangerie Herrenhausen, Hannover; Whitebox, New York; Palazzo Reale, Milan; Martin - Gropius - Bau, Berlin; El Espacio Aglutinador, Havana, Cuba; The Israel Museum, Jerusalem; Tel Aviv Museum of Art; Museum on the Seam, Jerusalem; and CCA Andratx, Mallorca.