Sentences with phrase «group museum visits»

Not exact matches

The Moscow Times reports the museum received a late night visit this week from a group the museum director Alexander Donskoi called «Orthodox militants.»

Groups take a different field trip every day of the week to visit the Bay Area's top museums, science centers, parks, galleries, and various other urban attractions and city centers.

There are plenty of homeschool group activities, places to visit (museums, libraries, zoo, field trips, parks, etc.), classes to take, therapies (this is one that we choose), people to visit, volunteer opportunities, religious groups, etc..

Chicago Park District groups visit the Nature Museum for free year - round!

Groups who would like to include a visit to a Featured Exhibition or 3D movie must first schedule their Museum visit through Capital Area Visitor Services.

School groups who visit the Museum have two field trip options.

Check newspapers and the Internet for upcoming community events, such as fairs or story groups, or visit a museum or art gallery.

Conducting 627 student workshops for visiting school groups right here in the Nature Museum science labs...

For more information about how you can join this select group of people who care deeply about science and the wonderful work of the Peggy Notebaert Nature Museum, please visit the Club and Circle page.

For most of us, the closest we'll ever get to Pablo Picasso's masterpiece The Blue Room or a group of Georges Braque's mid-career paintings is by visiting The Phillips Collection, a modern art museum in Washington, D.C.

These include intensive graduate training, postdoctoral research, and research assistantships for undergraduate students, as well as community outreach, including student group visits to our lab, collaborations with museums, schools, and local organizations, media contacts, and public lectures.

Some of the special advantages of the new site include romantic group dinners, singles events, trips and outings such as museum visits and other cultural events, and personalized attention from The MatzahLady, herself!

Gutierrez uses a clever device — having the story not only narrated, but designed around a group of school kids visiting a museum.

This is particularly impressive given that the treatment - group students had recently visited the museum.

The binary variable Treati is equal to 1 if the student is in the treatment group that was randomly assigned to visit the museum for a school tour and is equal to 0 otherwise.

We similarly conducted lotteries to determine which school groups could visit the museum and studies how the experience affected students.

When examining the impact of a first visit, we restrict our dataset to students in the treatment group who had only visited the museum once (i.e., on the school visit) and students in the control group who had never visited the museum.

Their desire to visit a museum might have been satiated, while the control group might have been curious to visit Crystal Bridges for the first time.

By visiting these famous houses and London landmarks, children will be walking into the places where history happened, rather than being in a museum setting and simply looking at artefacts, school groups will be standing in the environment where a significant person lived.

Groups visiting the Galleries of Justice Museum, Nottingham can take part in a brand new special tour at a reduced rate from January 2017 until Friday 10th February 2017.

Another group might estimate how many people visit the Air and Space Museum in a day.

Information about booking a visit to the Museum and the facilities available on site to all school groups can be found using the link below.

Several weeks after the students in the treatment group visited the museum, we administered surveys to all of the students.

Thanks to a generous private gift, the museum has a program that allows school groups to visit at no cost to students or schools.

Brian Heath reports / The motor museum at Chauffailles — Bryan Goodman visited this French museum which offers cars for sale and charges for admission / 1947 Sunbeam - Talbot — A lovely example of this 2 - litre drophead coupe from the Rootes Group is described by Zoe Harrison / The Cole: made from 1909 to 1925 — Michael Worthington - Williams relates the history of this Indianapolis manufacturer / 1932 Riley Monaco «Plus Ultra» — This month the Editor gives us his impressions of his drive in this quicker version of the Riley Nine / The Flanders 20 — Part II of his article on Walter Flanders Finbarr Corry describes his encounter with a restored example of the 20hp model.

The story is about a Japanese designer who is on a group trip to Europe, and decides to stop in Paris to visit the museums in the capital.

Our guide will go with you and the group to the Uros Floating Islands, after you continue to Taquile Island arriving at midday approximately, you will walk an average of 30 min uphill to see all beauty of Lake Titicaca from the main square, then you will enjoy the lunch and know more about the inhabitants of This Island and Its textile Declared «Cultural Heritage of Humanity» by UNESCO, also, we visit the main square of this island, the handicraft market, and some local museums.

4,200 groups from the Netherlands and abroad booked group visits to the museum in 2012.

A few of us in the group paid extra for some additional activities, such as a visit to the Rosario Islands, river tubing near Tayrona National Park, and some visits to local museums.

Since the program combines structured group touring with some unstructured free time, we can adjust the order of visits so that you can take in a colorful country market, a special festival, a shopping excursion or museum visits.

Make sure your group visits the grounds, as the interior and exterior design reflect the work of architect Michael Graves, whose design for the winery won a competition sponsored by the San Francisco Museum of Modern Art.

LARA FAVARETTO Born 1973 (Treviso, Italy) Lives and works in Torino, Italy EDUCATION 1994 - 1999 Accademia di Belle Arti di Brera, Milano, Italy 1998 Advanced Course in Visual Arts, Visiting Professor Hacmilton Fulton, Fondazione Antonio Ratti, Como, Italy Scholarship at Kingston University, London, UK SOLO EXHIBITIONS 2019 Castello di Rivoli Museo d'Arte Contemporanea (forthcoming) Aspen Art Museum (forthcoming) 2018 «SUCKING MUD» Galleria Franco Noero, Piazza Carignano, Turin, Italy 2017 «Absolutely Nothing», Nottingham Contemporary, Nottingham, UK 2015 «Good Luck», MAXXI, Rome, Italy «Lara Favaretto: Collected Works», Rennie Collection, Vancouver, Canada «REDEFINE», Galleria Franco Noero, Turin, Italy 2013 «The 2013 Carnegie International», Carnegie Museum of Art, Pittsburgh, USA 2012 «Just Knocked Out», Sharjah Art Foundation, Sharjah, UAE and MOMA PS1, New York, USA 2009 «Absolutely no Donations» Tramway, Glasgow, UK SELECTED GROUP EXHIBITIONS 2018 «Reichtum: Schwarz ist Gold / Black is Gold», Lehmbruck Museum, Duisburg, Germany «Sexy and Cool», Kunsthalle Tübingen, Tübingen, Germany «Playtime», Peabody Essex Museum, Salem, USA «Stories of Almost Everyone», Hammer Museum, Los Angeles, USA 2017 «I am you, you are too», Walker Art Center, Minneapolis, USA «A Poet * hical Wager», MOCA Cleveland, USA Skulptur Projekte Münster, Münster and Marl, Germany 2016 Liverpool Biennial 2016, Liverpool, UK 2015 «The Event Sculpture», The Henry Moore Foundation, Leeds, UK 2014 «Manifesta 10», The State Hermitage Museum, Saint Petersburg, Russia «Infinte Jest», Schrin Kunsthalle, Frankfurt, Germany 2013 «The 2013 Carnegie International», Carnegie Museum of Art, Pittsburgh, USA 2012 «When Attitudes Became Form Become Attitudes», CCA Wattis Institute for Contemporary Arts, San Francisco, USA «dOCUMENTA (13)», Kassel, Germany and Kabul, Afghanistan 2011 12th International Istanbul Biennial, cur.

Kate Gilmore Unfolding Tales: Selections from the Contemporary Collection Brooklyn Museum, Brooklyn, New York Group Exhibition Long Term Installation Visit Website

The Group Visits Program is the Bronx Museum's main service to schools and community groups, providing both inquiry - based and hands - on participatory experiences with contemporary art.

Museum tours are not available for Pre-K and K groups, but visits to the Sculpture Park are encouraged for this age group.

Through the Group Visits Program, students are exposed to the Museum's works during single - session tours led by teaching artists.

Is visiting critic, Massachusetts College of Art, Boston, returning in 1996; begins teaching a summer workshop in monotype at the Fine Arts Work Center; group exhibition: The Herbert W. Plimpton Collection of Realist Art: 18th Annual Patrons and Friends Exhibition, Rose Art Museum, Brandeis University.

Visiting Artist Series (VAS) workshops can be held on - site at the museum and off - site and will be customized for the needs of each group.

2017 Panelist, «Keeping It Real: Interventions, Ruptures and Affirmations», Porter Colloquium, Howard University, Washington, DC 2016 Panelist, Porter Colloquium 2016, Howard University, Black Artists Collective: BAM and its Influences 2015 Presenter: Black Arts United States: Institutions and Interventions Northwestern University; Let the Circle Be Unbroken: BADC an alternative network based on collaboration that prepares Black artists...) 2014 «African American Art: Resistance, Community, and Creativity», Busboys and Poets, Washington DC 2013 Open Studio visit Smithsonian Institute, Anacostia Museum, Washington, DC 2012 «Art and Diversity», panelist, Washington Sculpture Group, Washington, DC 2010 Sam Gilliam» More Than A Room: Effective Studio Practices», interview Washington, DC

Visiting museum groups included tBelvedere Museum (Austria), The Power Plant Contemporary Art Gallery (Canada), Centre Pompidou (France), Musée d'Orsay (France), Palais de Tokyo (France), Pinakothek der Moderne (Germany), Stedelijk Museum (Netherlands), Mu - seo de Arte de Lima (Peru), Zaçheta National Gallery of Art (Poland), Ser - ralves Museum (Portugal), Hermitage Museum Foundation (Russia and UK), Kunsthalle Zürich (Switzerland), Albright Knox Art Gallery (USA), Hammer Museum (USA), Hirshhorn Museum and Sculpture Garden (USA), Metropoli - tan Museum of Art (USA), MoMA PS1 (USA), Museum of Modern Art (USA), Museum of Contemporary Art, Chicago (USA), New Museum of Contem - porary Art (USA), Peabody Essex Museum (USA), Walker Art Center (USA), Whitney Museum of American Art museum groups included tBelvedere Museum (Austria), The Power Plant Contemporary Art Gallery (Canada), Centre Pompidou (France), Musée d'Orsay (France), Palais de Tokyo (France), Pinakothek der Moderne (Germany), Stedelijk Museum (Netherlands), Mu - seo de Arte de Lima (Peru), Zaçheta National Gallery of Art (Poland), Ser - ralves Museum (Portugal), Hermitage Museum Foundation (Russia and UK), Kunsthalle Zürich (Switzerland), Albright Knox Art Gallery (USA), Hammer Museum (USA), Hirshhorn Museum and Sculpture Garden (USA), Metropoli - tan Museum of Art (USA), MoMA PS1 (USA), Museum of Modern Art (USA), Museum of Contemporary Art, Chicago (USA), New Museum of Contem - porary Art (USA), Peabody Essex Museum (USA), Walker Art Center (USA), Whitney Museum of American Art Museum (Austria), The Power Plant Contemporary Art Gallery (Canada), Centre Pompidou (France), Musée d'Orsay (France), Palais de Tokyo (France), Pinakothek der Moderne (Germany), Stedelijk Museum (Netherlands), Mu - seo de Arte de Lima (Peru), Zaçheta National Gallery of Art (Poland), Ser - ralves Museum (Portugal), Hermitage Museum Foundation (Russia and UK), Kunsthalle Zürich (Switzerland), Albright Knox Art Gallery (USA), Hammer Museum (USA), Hirshhorn Museum and Sculpture Garden (USA), Metropoli - tan Museum of Art (USA), MoMA PS1 (USA), Museum of Modern Art (USA), Museum of Contemporary Art, Chicago (USA), New Museum of Contem - porary Art (USA), Peabody Essex Museum (USA), Walker Art Center (USA), Whitney Museum of American Art Museum (Netherlands), Mu - seo de Arte de Lima (Peru), Zaçheta National Gallery of Art (Poland), Ser - ralves Museum (Portugal), Hermitage Museum Foundation (Russia and UK), Kunsthalle Zürich (Switzerland), Albright Knox Art Gallery (USA), Hammer Museum (USA), Hirshhorn Museum and Sculpture Garden (USA), Metropoli - tan Museum of Art (USA), MoMA PS1 (USA), Museum of Modern Art (USA), Museum of Contemporary Art, Chicago (USA), New Museum of Contem - porary Art (USA), Peabody Essex Museum (USA), Walker Art Center (USA), Whitney Museum of American Art Museum (Portugal), Hermitage Museum Foundation (Russia and UK), Kunsthalle Zürich (Switzerland), Albright Knox Art Gallery (USA), Hammer Museum (USA), Hirshhorn Museum and Sculpture Garden (USA), Metropoli - tan Museum of Art (USA), MoMA PS1 (USA), Museum of Modern Art (USA), Museum of Contemporary Art, Chicago (USA), New Museum of Contem - porary Art (USA), Peabody Essex Museum (USA), Walker Art Center (USA), Whitney Museum of American Art Museum Foundation (Russia and UK), Kunsthalle Zürich (Switzerland), Albright Knox Art Gallery (USA), Hammer Museum (USA), Hirshhorn Museum and Sculpture Garden (USA), Metropoli - tan Museum of Art (USA), MoMA PS1 (USA), Museum of Modern Art (USA), Museum of Contemporary Art, Chicago (USA), New Museum of Contem - porary Art (USA), Peabody Essex Museum (USA), Walker Art Center (USA), Whitney Museum of American Art Museum (USA), Hirshhorn Museum and Sculpture Garden (USA), Metropoli - tan Museum of Art (USA), MoMA PS1 (USA), Museum of Modern Art (USA), Museum of Contemporary Art, Chicago (USA), New Museum of Contem - porary Art (USA), Peabody Essex Museum (USA), Walker Art Center (USA), Whitney Museum of American Art Museum and Sculpture Garden (USA), Metropoli - tan Museum of Art (USA), MoMA PS1 (USA), Museum of Modern Art (USA), Museum of Contemporary Art, Chicago (USA), New Museum of Contem - porary Art (USA), Peabody Essex Museum (USA), Walker Art Center (USA), Whitney Museum of American Art Museum of Art (USA), MoMA PS1 (USA), Museum of Modern Art (USA), Museum of Contemporary Art, Chicago (USA), New Museum of Contem - porary Art (USA), Peabody Essex Museum (USA), Walker Art Center (USA), Whitney Museum of American Art Museum of Modern Art (USA), Museum of Contemporary Art, Chicago (USA), New Museum of Contem - porary Art (USA), Peabody Essex Museum (USA), Walker Art Center (USA), Whitney Museum of American Art Museum of Contemporary Art, Chicago (USA), New Museum of Contem - porary Art (USA), Peabody Essex Museum (USA), Walker Art Center (USA), Whitney Museum of American Art Museum of Contem - porary Art (USA), Peabody Essex Museum (USA), Walker Art Center (USA), Whitney Museum of American Art Museum (USA), Walker Art Center (USA), Whitney Museum of American Art Museum of American Art (USA).

Visiting museum groups included Belvedere Museum (Austria), Brooklyn Museum (USA), The Central Acad - emy of Fine Arts - CAFA Art Museum (China), Centre Pompidou (France), Musée d'Orsay (France), Pinakothek der Moderne (Germany), Boijmans van Beuningen (Netherlands), Stedelijk Museum (Netherlands), Museo de Arte de Lima (Peru), Zaçheta National Gallery of Art (Poland), Hermitage Museum Foundation (Russia and UK), Moderna Museet (Sweden), Albright Knox Art Gallery (USA), The Wallace Collection (UK), Yorkshire Sculpture Park (UK), Frick Art and Historical Center (USA), Hirshhorn Museum and Sculpture Garden (USA), Metropolitan Museum of Art (USA), Museum of Modern Art (USA) and Peabody Essex Museum museum groups included Belvedere Museum (Austria), Brooklyn Museum (USA), The Central Acad - emy of Fine Arts - CAFA Art Museum (China), Centre Pompidou (France), Musée d'Orsay (France), Pinakothek der Moderne (Germany), Boijmans van Beuningen (Netherlands), Stedelijk Museum (Netherlands), Museo de Arte de Lima (Peru), Zaçheta National Gallery of Art (Poland), Hermitage Museum Foundation (Russia and UK), Moderna Museet (Sweden), Albright Knox Art Gallery (USA), The Wallace Collection (UK), Yorkshire Sculpture Park (UK), Frick Art and Historical Center (USA), Hirshhorn Museum and Sculpture Garden (USA), Metropolitan Museum of Art (USA), Museum of Modern Art (USA) and Peabody Essex Museum Museum (Austria), Brooklyn Museum (USA), The Central Acad - emy of Fine Arts - CAFA Art Museum (China), Centre Pompidou (France), Musée d'Orsay (France), Pinakothek der Moderne (Germany), Boijmans van Beuningen (Netherlands), Stedelijk Museum (Netherlands), Museo de Arte de Lima (Peru), Zaçheta National Gallery of Art (Poland), Hermitage Museum Foundation (Russia and UK), Moderna Museet (Sweden), Albright Knox Art Gallery (USA), The Wallace Collection (UK), Yorkshire Sculpture Park (UK), Frick Art and Historical Center (USA), Hirshhorn Museum and Sculpture Garden (USA), Metropolitan Museum of Art (USA), Museum of Modern Art (USA) and Peabody Essex Museum Museum (USA), The Central Acad - emy of Fine Arts - CAFA Art Museum (China), Centre Pompidou (France), Musée d'Orsay (France), Pinakothek der Moderne (Germany), Boijmans van Beuningen (Netherlands), Stedelijk Museum (Netherlands), Museo de Arte de Lima (Peru), Zaçheta National Gallery of Art (Poland), Hermitage Museum Foundation (Russia and UK), Moderna Museet (Sweden), Albright Knox Art Gallery (USA), The Wallace Collection (UK), Yorkshire Sculpture Park (UK), Frick Art and Historical Center (USA), Hirshhorn Museum and Sculpture Garden (USA), Metropolitan Museum of Art (USA), Museum of Modern Art (USA) and Peabody Essex Museum Museum (China), Centre Pompidou (France), Musée d'Orsay (France), Pinakothek der Moderne (Germany), Boijmans van Beuningen (Netherlands), Stedelijk Museum (Netherlands), Museo de Arte de Lima (Peru), Zaçheta National Gallery of Art (Poland), Hermitage Museum Foundation (Russia and UK), Moderna Museet (Sweden), Albright Knox Art Gallery (USA), The Wallace Collection (UK), Yorkshire Sculpture Park (UK), Frick Art and Historical Center (USA), Hirshhorn Museum and Sculpture Garden (USA), Metropolitan Museum of Art (USA), Museum of Modern Art (USA) and Peabody Essex Museum Museum (Netherlands), Museo de Arte de Lima (Peru), Zaçheta National Gallery of Art (Poland), Hermitage Museum Foundation (Russia and UK), Moderna Museet (Sweden), Albright Knox Art Gallery (USA), The Wallace Collection (UK), Yorkshire Sculpture Park (UK), Frick Art and Historical Center (USA), Hirshhorn Museum and Sculpture Garden (USA), Metropolitan Museum of Art (USA), Museum of Modern Art (USA) and Peabody Essex Museum Museum Foundation (Russia and UK), Moderna Museet (Sweden), Albright Knox Art Gallery (USA), The Wallace Collection (UK), Yorkshire Sculpture Park (UK), Frick Art and Historical Center (USA), Hirshhorn Museum and Sculpture Garden (USA), Metropolitan Museum of Art (USA), Museum of Modern Art (USA) and Peabody Essex Museum Museum and Sculpture Garden (USA), Metropolitan Museum of Art (USA), Museum of Modern Art (USA) and Peabody Essex Museum Museum of Art (USA), Museum of Modern Art (USA) and Peabody Essex Museum Museum of Modern Art (USA) and Peabody Essex Museum Museum (USA).

More than 200 patron groups and leadership from museums around the world visited Frieze New York, including: Maria Balshaw (Tate), Richard Armstrong (Solomon R. Guggenheim Museum), Caroline Bourgeois (Louis Vuitton Moët Hennessey Foundation), Glenn D. Lowry (MoMA), Michael Darling (Museum of Contemporary Art of Chicago), Elena Filipovic (Kunsthalle Basel), and Diana Campbell Betancourt (Dhaka Art Summit); plus groups and leadership from the Andy Warhol Museum (The Warhol), USA, Dallas Museum of Art (DMA), USA, Contemporary Istanbul, Turkey, Centre Pompidou, France, Denver Art Museum (DAM), USA, Eli and Edythe Broad Art Museum, USA, Fine Arts Museums of San Francisco (FAMSF), USA, Institute of Contemporary Art, Boston (ICA Boston), USA, Israel Museum, Israel, Los Angeles County Museum of Art (LACMA), USA, Museo de Arte Latinamericano de Buenos Aires (MALBA), Argentina, Musée d'Art Moderne de la Ville de Paris, France, Musée D'Orsay, France, Museu de Arte de São Paulo (MASP), Brazil, Museu de Arte Moderna de Sao Paulo (MAM), Brazil, Museum of Contemporary Art Chicago (MCA Chicago), USA, Museum of Contemporary Art, Los Angeles (MOCA LA), USA, Museum of Fine Arts, Boston (MFA Boston), USA, Nasher Museum of Art at Duke University, USA, National Museu de Arte Moderna de Sao Paulo (MAM), Brazil, Museum of Denmark, Denmark, Philadelphia Museum of Art, USA, Pinakothek der Moderne, Germany, Seattle Art Museum (SAM), USA, Smithsonian's Hirshhorn Museum and Sculpture Garden, USA, Stedelijk Museum Amsterdam, Netherlands, Tel Aviv Museum of Art, Israel, Victoria and Albert Museum (V&A), United Kingdom, Virginia Museum of Fine Arts, USA, and Walker Art Center, USA, among many museums around the world visited Frieze New York, including: Maria Balshaw (Tate), Richard Armstrong (Solomon R. Guggenheim Museum), Caroline Bourgeois (Louis Vuitton Moët Hennessey Foundation), Glenn D. Lowry (MoMA), Michael Darling (Museum of Contemporary Art of Chicago), Elena Filipovic (Kunsthalle Basel), and Diana Campbell Betancourt (Dhaka Art Summit); plus groups and leadership from the Andy Warhol Museum (The Warhol), USA, Dallas Museum of Art (DMA), USA, Contemporary Istanbul, Turkey, Centre Pompidou, France, Denver Art Museum (DAM), USA, Eli and Edythe Broad Art Museum, USA, Fine Arts Museums of San Francisco (FAMSF), USA, Institute of Contemporary Art, Boston (ICA Boston), USA, Israel Museum, Israel, Los Angeles County Museum of Art (LACMA), USA, Museo de Arte Latinamericano de Buenos Aires (MALBA), Argentina, Musée d'Art Moderne de la Ville de Paris, France, Musée D'Orsay, France, Museu de Arte de São Paulo (MASP), Brazil, Museu de Arte Moderna de Sao Paulo (MAM), Brazil, Museum of Contemporary Art Chicago (MCA Chicago), USA, Museum of Contemporary Art, Los Angeles (MOCA LA), USA, Museum of Fine Arts, Boston (MFA Boston), USA, Nasher Museum of Art at Duke University, USA, National Museu de Arte Moderna de Sao Paulo (MAM), Brazil, Museum of Denmark, Denmark, Philadelphia Museum of Art, USA, Pinakothek der Moderne, Germany, Seattle Art Museum (SAM), USA, Smithsonian's Hirshhorn Museum and Sculpture Garden, USA, Stedelijk Museum Amsterdam, Netherlands, Tel Aviv Museum of Art, Israel, Victoria and Albert Museum (V&A), United Kingdom, Virginia Museum of Fine Arts, USA, and Walker Art Center, USA, among many Museums of San Francisco (FAMSF), USA, Institute of Contemporary Art, Boston (ICA Boston), USA, Israel Museum, Israel, Los Angeles County Museum of Art (LACMA), USA, Museo de Arte Latinamericano de Buenos Aires (MALBA), Argentina, Musée d'Art Moderne de la Ville de Paris, France, Musée D'Orsay, France, Museu de Arte de São Paulo (MASP), Brazil, Museu de Arte Moderna de Sao Paulo (MAM), Brazil, Museum of Contemporary Art Chicago (MCA Chicago), USA, Museum of Contemporary Art, Los Angeles (MOCA LA), USA, Museum of Fine Arts, Boston (MFA Boston), USA, Nasher Museum of Art at Duke University, USA, National Museu de Arte Moderna de Sao Paulo (MAM), Brazil, Museum of Denmark, Denmark, Philadelphia Museum of Art, USA, Pinakothek der Moderne, Germany, Seattle Art Museum (SAM), USA, Smithsonian's Hirshhorn Museum and Sculpture Garden, USA, Stedelijk Museum Amsterdam, Netherlands, Tel Aviv Museum of Art, Israel, Victoria and Albert Museum (V&A), United Kingdom, Virginia Museum of Fine Arts, USA, and Walker Art Center, USA, among many others.

The fair had record institutional attendance, with more than 228 groups includ - ing acquisitions groups from the world's major museums, visiting from ter - ritories including Austria, Canada, France, Germany, The Netherlands, Peru, Russia, Switzerland and the USA.

Selected group exhibitions include The Museum Imagined at Danese Corey, New York; The Museum Presents Itself 2 at Tel Aviv Museum of Art; Domestic Ideals at Lesley Heller Workspace, New York; The Readymade Centennial at Haifa Museum of Art; Re: Visiting Rockefeller at the Rockefeller Archaeological Museum, Jerusalem; and Senses of the Mediterranean at Hangar Bicocca, Milan.

Groups of ten or more may schedule free docent - led guided tours of Kemper Museum's Permanent Collection and special exhibitions; to see more information visit the Museum's Tours page.

Palm Beach Daily News - Teens advise Norton Museum on how to connect with their age group Palm Beach Daily News - Why don't more teens visit the Norton Museum?

on view at MUSEION studio house, Bolzano, Italy, through Nov 22, http://www.museion.it/current-exhibitions/?lang=en Goldschmied & Chiari in group exhibition «The Body as Language,» curated by Paola Ugolini at Richard Saltoun, London, Oct. 9 - Nov. 27, http://www.richardsaltoun.com/exhibitions/ Kristen Lorello to exhibit at UNTITLED., Miami Beach, Dec. 2 - 6 Nadia Haji Omar / Bayne Peterson exhibition previewed in ArtCritical by William J. Simmons 9/7/15, http://www.artcritical.com/2015/09/07/labor-day-shout-outs/ Rachel Higgins interviewed in «From the Salvage Yard to the Shopping Mall: Rachel Higgins» Logistical Aesthetics,» by Natalie Hegert, in ArtSlant, June 30, http://www.artslant.com/ew/artists/rackroom/244140-rachel-higgins Rachel Higgins: Logistics featured in «Standing Out in the Crowd: 10 Summer Solo Shows Around the World in 2015» by Natalie Hegert in MutualArt http://www.mutualart.com/OpenArticle/Standing-Out-in-the-Crowd — 10-Summer-Sol/648DC5F4E3B290BD Josh Slater in CKTV Karaoke Night at Redbull Studios, Friday, June 12th, http://nyprojectspace.redbullstudios.com/news/karaoke-night/ Goldschmied & Chiari in «Organic Matters — Women to Watch 2015,» at the National Museum of Women in the Arts, Washington, D.C., through September 13, http://nmwa.org/exhibitions/organic-matters Rachel Higgins in Martha Schwendener's New York Times article, «10 Galleries to Visit in Brooklyn and Queens,» April 16, http://www.nytimes.com/2015/04/17/arts/design/10-galleries-to-visit-in-brooklyn-and-queens.html

It is not known if Untitled [glossy black painting] was produced as part of the first or second campaign.8 But the work's facture resembles that seen in paintings associated with the first group, such as the Whitney Museum of American Art's Untitled [glossy black four - panel painting](fig. 4), and it explores the ambiguities of «monochrome» in ways that seem more closely tied to the abstract expressionist project than to the later paintings» concern with the degradation of materials, an interest often linked to Rauschenberg's 1953 visit to Alberto Burri's (1915 — 1995) studio in Rome.9

Jonathan LeVine Gallery is pleased to present Greetings from New York City: Jonathan LeVine Gallery Visits Berlin, a group exhibition presented in association with Urban Nation as part of their ongoing series, Project M. Urban Nation will be the first museum worldwide to exclusively collect and exhibit contemporary graffiti and street art.

Leadership and patron groups from museums around the world visited Frieze New York, including: Art Gallery of Ontario (AGO); Art Institute of Chicago (ARTIC); Art Gallery of Ontario (AGO); Art Institute of Chicago (ARTIC); Aspen Art Museum; British Museum; Centre Pompidou; Contemporary Arts Museum Houston (CAMH); Guggenheim Bilbao; Hammer Museum; Hirshhorn Museum and Sculpture Garden; Institute of Contemporary Arts, London (ICA London); Institute of Contemporary Art, Philadelphia (ICA Philadelphia); Institute of Contemporary Art, Boston (ICA Boston); Institute of Contemporary Art, Miami (ICA Miami); Israel Museum; Los Angeles County Museum of Art (LACMA); Louvre Museum; Menil Collection; Museo de Arte Moderno de Bogota (MAMBO); Museum of Contemporary Art Chicago (MCA Chicago); Museum of Contemporary Art Toronto; Museum of Fine Arts, Boston (MFA Boston); Museum of Fine Arts, Houston (MFAH); Pérez Miami Art Museum, Miami (PAMM); Philadelphia Museum of Art; San Francisco Museum of Modern Art (SFMOMA); SBC Gallery of Contemporary Art; Serpentine Galleries; Serralves Museum of Contemporary Art; Stedelijk Museum; Tate Americas Foundation; Tate Britain and Tate Modern; The Power Plant Contemporary Art Gallery; Victoria and Albert Museum; Walker Art Center; and Zachęta National Gallery of Art.