Sentences with phrase «group objects create»

Your brain's ability to group objects create the rest of the edges.

Not exact matches

This broad integrative style groups «a wide variety of similar objects or concepts together, paying little attention to detail or difference» (Kinsbourne) It creates a web of connected - ness which blurs differences and emphasizes similarities.

For the third group, who take symbolism seriously, religion is seen as a system of symbols which is neither simply objective nor simply subjective, but which links subject and object in a way that transfigures reality or even, in a sense, creates reality.

I created these for my Three, who can count to 30 but still has a hard time counting groups of objects past five.

I am part of the Object - Based Media group, in which I investigate how to create and transform interactive displays and interfaces, focusing on the human response to material properties.

Tits, a Belgian citizen, is recognized for research that «created a new and highly influential vision of groups as geometric objects,» the Abel Committee said in its citation.

Having an inbuilt facility to distinguish between Us and Them was a valuable resource, related to that essential ability to create artificial groupings from what, to a robot, would be entirely distinct objects.

In decorating, a vignette is simply a small grouping of objects that creates a pleasing focal point and «tells a story».

Whether it's fall decorating or any other decorating and design, the best way to create a full looking grouping is to use objects of varying sizes at different height levels to create balance and depth.

In decorating, a vignette is a small grouping of objects that creates a pleasing focal point.

Areas covered: Adding with pictures Single Digit Addition Counting Practice — Circle the correct number 1 - 10 Counting Practice — Fill in the blanks 1 - 20 Counting Practice — Fill in the blanks 1 — 50 Counting Practice — Fill in the blanks 1 - 100 Count the Objects Analyzing Bar Charts Reading Bar Charts Creating Bar Charts Using Ruler to measure length Compare Numbers Identify groups with more or fewer Symbols: «more than,»» less than» or «equal to» Sequencing Even Numbers Odd Numbers Ordinal Numbers Patterns with geometric shapes Single Digit Subtraction Subtracting using pictures

They may reason about who has more or less, devise strategies for creating equal shares of countable objects or amounts, or use counting in a range of situations to reason about a single group of objects or to compare two groups.

Have students work in small groups to create musical rhythms using common objects.

PRODUCT PERKS Explore numbers, patterns, measurement, grouping, and more with this set of colorful tiles Tiles can supplement lessons in counting, addition, subraction, grouping, pattern matching, and more Four vibrant colors (red, blue, yellow, and green) Soft, durable, and quiet foam material WHAT TO TEACH Sorting - Sort the Color Tiles into unique groups Patterns - Create patterns using Color Tiles One More and One Less - Comparing numbers 1 through 10 Number Sense - Exploring the numbers 0 through 10 Make Ten - Increasing number sense by investigating the combination of Color Tiles needed to make a train of 10 tiles Addition - Developing the concept of addition Measuring - Take common objects for size comparison and estimate which object is longer Fractions - Introduce fractions Probability - Investigate probability Logical Thinking - Exploring problem solving and spatial reasoning RESOURCES Learning About... Color Tiles INCLUDES 400 Foam Color Tiles 1 Storage container

16) Georgia: Druid Hills group withdraws its petition to create a charter school cluster after DeKalb County objects.

Students will also be placing objects into equal groups, displaying numbers in arrays, and creating number stories.

Many never before on view, the objects were created by 19th and 20th century artists who lived in cattle herding groups from the Great Rift Valley to the horn of the African continent.

The grouping of objects will create an overall image by their dynamic arrangement within the space, an arrangement that mimics the way I would approach a more traditional painting on canvas.»

This group of intergenerational artists closely considers the process of art - making in their work by playing with scale, the ephemeral quality of their materials, the nature of time and language, and the relationships between the objects that they create.

The group created a proliferation of drawings on large paper and smaller objects like paper bags, plates, train tickets to...

David Shapiro, whose show Money Is No Object was on view at the Sue Scott Gallery this spring, has created a group of vellum scrolls on which he has placed the bills and receipts and ticket stubs he's collected over the course of a year.

It surveys the four principal groups of work, created after he graduated from Joseph Beuys's class at the Dusseldorf Art Academy in 1964, that comprise his oeuvre: the Objects; Cloth Pictures; documentation of in situ Wall Paintings and Drawings; and examples of his late Metal Pictures.

The gallery becomes a landscape in which various objects, particularly figurative objects, are isolated in small groupings to create a heightened sense of interaction between them.

The representation of the same pictorial object at a different time, with the aim of observing the shift and the changes in the natural light, was not new to Monet, who between 1890 and 1891 had already created a series of 15 canvases representing a group of haystacks in the outskirts of Giverny.

Other highlights of the exhibition include her Neverland series from 2002, where she photographed objects, either alone or in groups, on fields of color; Figure Drawings from 1988 - 2008, featuring an installation of 40 framed images of the human figure; Objects of Desire from 1983 - 1989, where she made collages of found photographs and rephotographed them against bright background of red, blue, green, yellow, and black; Renaissance Paintings from 1991, featuring individual figures and objects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text reobjects, either alone or in groups, on fields of color; Figure Drawings from 1988 - 2008, featuring an installation of 40 framed images of the human figure; Objects of Desire from 1983 - 1989, where she made collages of found photographs and rephotographed them against bright background of red, blue, green, yellow, and black; Renaissance Paintings from 1991, featuring individual figures and objects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text reObjects of Desire from 1983 - 1989, where she made collages of found photographs and rephotographed them against bright background of red, blue, green, yellow, and black; Renaissance Paintings from 1991, featuring individual figures and objects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text reobjects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text redacted.

Exhibitions and Productions Bow Arts (2017), «Rhino», London (solo show) Bow Arts (2016), «Desire Caught by the Tail», London (solo show) Wimbledon Space (2016), «The Golden Face Lift» (solo show) Dyson Gallery (2016), «Act Natural», London (exhibiting artist) Riverlight Gallery (2015), duo exhibition, London (exhibiting artist) The Rag Factory (2014), «Love Kills», London (as Artistic Director of LUXE / performer) The Chelsea Theatre (2014), «Love Kills», London (as Artistic Director of LUXE / performer) Floating Island Gallery (2014), group show, (exhibiting artist) Spill Festival (2013), «PORN», Ipswich (exhibiting artist) Departure Foundation (2013), group show, «Unperforming» (exhibiting artist) Testbed Gallery (2013), group show, «acts of 2», (exhibiting artist and curator) Testbed Gallery (2012), group show, «acts of», (exhibiting artist and curator) Freud Museum (2011), group show, Objects of Desire, London (exhibiting artist) Battersea Arts Centre (2010), Accidental Festival, London (exhibiting artist) Blue Print (2010), group show, In Time, London (exhibiting artist) perFORM (2009), group show, Triangle Space, London (exhibiting artist) Live Art Lectures (2009), group show, London (exhibiting artist) Disconnected (2009), web - based group show, created and uploaded in London (exhibiting artist) Tate Modern (2008), The Living Currency, London (live performance) Home Sweet Home (2008), various locales, London (co-founder and exhibiting artist, group show) Blackout (2008), group show, Chelsea Art, London (exhibiting artist) Press Play (2008), group show, Chelsea Art, London (exhibiting artist) Climate of Change (2007), group show, Southwark Art (exhibiting artist) Heiner Müller Programme (2001), Access Theatre, New York (as Artistic Director of LUXE / performer) Vengeance, Bloodlust & Afternoon Tea: Armageddon, Cupcakes & the Poisonous Love of Heiner Müller's «Quartet», «Heartpiece» & «Medeamaterial» (2005) Theatro Technis, London (as Artistic Director of LUXE / performer) EH JOE (1998), The Kraine, New York (as Artistic Director of LUXE / performer) Meditation JoJo (1996), Mabou Mines Suite, New York (director and solo performer for video) Dixon Place Funereal (1995),» Funereal», New York, (director and performer) Mabou Mines / Suite (1994), «Funereal», New York (director and performer) H.E.R.E. (1994), «HOME», New York (director and performer) Glendale Studio (1993), «HOME», Arizona (director and performer)

Grouped thematically rather than chronologically or according to nationality, everyday or mundane objects are sometimes juxtaposed with boxes created for ceremonial, aesthetic, or symbolic purposes.

In her second year [at Cranbrook Academy of Art], she translated a group of found objects — including 7 ″ vinyl records, vintage film strips, tobacco tin boxes, soap, dice, and other miscellaneous items collected from flea markets and thrift stores — into graphic form to create the book The Item You Selected Is Unavailable.

The inaugural exhibition, «Formal Alchemy,» Silverman explained, «brings together a cross-generational group of three artists who are all creating elevated objects from common ingredients through conceptually interesting processes.»

This bloodless TAKEOVER will result in an exhibition organized by James displaying objects created by a group of nine artists loyal to his cause, namely the exploration of power.

Acknowledging this tendency, Bas created an installation of objects from his collection, titled A Queer and Curious Cabinet, for the Bass Museum's group show «TIME» in 2013.

The group created a proliferation of drawings on large paper and smaller objects like paper bags, plates, train...

Osorio, in collaboration with a group of teachers, students, parents, and neighbors created an art project inside a Tyler School of Art classroom which incorporated objects gathered from the closed Fairhill School building.

After he encounters a particularly engaging group, Nawa sources the actual object — whether a taxidermied animal or inanimate object — and encapsulatesthese into different sized cells, which are created through the use of glass beads.

Pino Pascali was an Italian artist, a pioneer of the Arte Povera movement — a group of artists who used ordinary, everyday objects to create poor art in order to express their anger to the commercialization of the art world.

After he encounters a particularly engaging group, Nawa sources the actual object — whether a taxidermied animal or inanimate object — and encapsulates these into different sized cells, which are created through the use of glass beads.

These are all objects and artifacts that are created by people, by large groups and by small groups.

She has exhibited her works (drawing, printmaking, and creating objects, images) in solo and group exhibitions nationally and internationally including galleries and museums in Seoul, Busan, New York, Chicago, Boston, Kitakyushu, and Ningbo.

The Deluge Group is creating a mobile sculpture trailer, which serves as a place of production and vehicle for the exhibition and sale of a wide range of art objects, trash constructions and objects of social parody, and other creative forms of exchange.

He's a pioneer of the Arte Povera movement, a group of artists who used poor materials and everyday objects to create art in order to express their anger to the commercialization of the art world.

Alcova collection of «handcrafted geometric objects that can sit alone or be grouped to create intimate landscapes», designed by Ronan and Erwan Bouroullec.

Pictured here, the Alcova collection of «handcrafted geometric objects that can sit alone or be grouped to create intimate landscapes», designed by Ronan and Erwan Bouroullec.

Central Park's current group exhibition, All the Best, pairs bizarre, semi-functional furniture created by Ross Hansen with ceramics by Emily Marchand and objects and prints by Lauren Steinberg.

A group show gathers wooden objects created by nearly 40 California wood artists, from one - of - a-kind furnishing to elaborate marquetry inspired by Google searches.

The audio component, created by the group Organ Octet and edited by Dale Berning, is presented on custom - built speakers that spin intermittently, sending the clatter and rolling sounds of spinning objects and the airy tones of miniature organs around the space.

The WAAM Fine Arts Benefit Auction is our second biggest fundraiser of the year and proceeds support our dynamic schedule of solo and group exhibitions, our vital education program that provides outreach to over 700 students in the Ulster Country school systems, our important Archives and Library that preserves information relating to the lives and careers of artists associated with the Woodstock region, and our landmark Permanent Collection of over 2,200 objects representing important American artists who have lived and created in the Woodstock region.

The group show examines objects as they relate to time, space and materiality, and features a handful of artists working through a variety of mediums to create an open conversation between art, history and alchemy in the form of the exhibition.

Like Christmas in July, this small presentation contextualizes Peter Shire's culturally inflected contribution to the Italian design group, Memphis, and is part of an on - going series dubbed «Masterpieces and Curiosities», which creates mini-exhibitions centred around objects from the Jewish Museum's collection.

«I know that, often, the most powerful thing I can do in a group is to create a shared vision, and take action — not make an object.

These distinct groups of objects are positioned at either end of the gallery, creating a showdown of competing geometries whose gravity and imposing presence are reminiscent of political monuments and spiritual architecture.