Sentences with phrase «group painted patterns»

Lynch relates this to the way in which the Bloomsbury group painted patterns on the rooms of their rented accommodation at Charleston house.

Not exact matches

Miller's photos of Complex 9 show vines swallowing up stairways; the weathered paint on a group of electrical panels that has peeled away into a colorful abstract pattern; and massive metal bolts on which lives might have once depended, which are now rusted a deep red.

In this project students work in groups and outline their body shapes on a big piece of paper and then using magazines, sequins, patterns and paint and drawings students then collage into the body shape.

«If your school PTA or a group of parent volunteers wants to paint a playground map for your school, the key to producing a good playground map is to first make a pattern out of construction or butcher paper,» Bonne says.

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Unlike her early paintings, this small group of works shows West's increasing experiments with more varied compositional patterns and the drama of forceful brushstrokes, usually black against white unprimed canvas.

Although a critical force within the group, the artist's contributions to Memphis — in the form of graphic patterns — were only a small segment of her career; as the ICA show makes clear, Du Pasquier is a multifaceted artist, and she became particularly interested in abstract and figurative painting.

While in the past, each of White's abstractions referred to a single patterned object (a quilt, a shirt, and so on), his new paintings suggest groupings of things in their relationships to each other, within the spaces they occupy.

The first group of paintings here are wonderfully restrained little canvases whose subjects include frozen peas defrosting in a kitchen sink, or curls of paper scattered on a linoleum floor whose generic pattern is depicted in quick smears of paint.

Taking direction from architect and theosophist Claude Bragdon's treatise on drawing four - dimensional patterns on a two - dimensional plane, Ms. Auerbach presents a series of glass sculptures and a sculpture consisting of 3D - printed parts, along with large - scale acrylic paintings created with custom - made tools and a new group of her coveted Weave paintings.

The compositions of these paintings fall into one of two groups: the earlier paintings are rectilinear and the later ones are based on a diamond pattern.

Recent group exhibitions include Interior Motif at The Painting Center -LRB-» 15) and between a place and candy: new works in pattern + repetition + motif at 1285 Avenue of the Americas Gallery -LRB-» 15).

In the collection, Chéri Samba dissects the world with the 2016 painting J'aime la coleur de la vraie carte du monde (I love the color of the real map of the world); Ahmed Chiha paints vibrant patterns over bamboo sticks, grouping them over a pile of sand; Zbel Manifesto collective collected trash for a week, using it to create an installation that looks like a dining room with Maria Callas's voice singing in the background; and Soukaina Aziz Al Idrissi hangs sheets with different textures together to form a dangling collage.

I regularly exhibited in Jamaica during the 1980s and held a number of important group and solo exhibitions, including: Painting, Patchwork, Paper, The Barn, 1983, Patchwork: The Female Pattern, Frame Centre Gallery 1984, Young Talent, National Gallery of Jamaica, (1984) and Magic Carpets, Frame Centre Gallery 1986 and my paintings can be found in renowned private and public collections including the Victoria & Albert Museum, London.

An artist and academic, he has shown regularly at Anthony Reynolds, even exhibiting a group of repetitive pattern, field paintings last year.

Opening: «The Swerve» at Ortega Y Gasset Projects A group exhibition curated by artists Lauren Frances Adams and Jennifer Coates, «The Swerve» presents paintings and sculptures by nine emerging and mid-career artists who make artworks that play with pattern in fascinating ways.

Inspired by an archival photograph of Matisse's studio in which plants cast an abstract pattern of shadows on a wall, Dadson has placed a series of filtered lights before a group of house plants; as the work's title suggests, these plants have been painted black with a non-toxic paint, bringing uncanny sharpness and contrast to their forms.

And I realized I had to do something 1983 Rammelzee vs K Rob «Beat Bop» 1984 First shows at Clarissa Dalrymple and Nicole Klagsbrun's Cable Gallery (artists of Wool's generation who begin showing same period include Philip Taaffe Jeff Koons Mike Kelley Cady Noland and James Nares 1984 produces first book photocopied edition of four: 93 Drawings of Beer on the Wall 1984 Warhol Rorschach paintings 1986 First pattern paintings 1987 Joins Luhring Augustine Gallery 1987 First word paintings 1988 Collaborative installation with Robert Gober one painting by Wool (Apocalypse Now) one sculpture by Gober (Three Urinals) one collaborative photograph (Untitled) and a mirror Gary Indiana contributes a short piece of fiction to the accompanying publication 1988 In Cologne sees show of Albert Oehlen's work meets Martin Kippenberger 1988 First European shows Cologne and Athens 1988 Collaborates with Richard Prince on two paintings: My Name and My Act 1989 Museum Group shows in Amsterdam Frankfurt am Main and Munich Whitney Biennial 1989 One year fellowship at the American Academy in Rome 1989 Starts taking photographs 1989 Publishes Black Book an oversized collection of 9 - letter images 1989 Fall of the Berlin Wall 1990 Meets Larry Clark 1991 First survey mounted at Boymans - Van Beuningen Museum Rotterdam publishes accompanying artist's book Cats in Bag Bags in River color photocopies of photographs of black and white paintings 1991 Creates edition of small paintings for ACT - UP New York Needle Exchange 1991 Participates in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa Texas

At the Dionysian end we have Bed Bath and Between and at the Apollonian end, we have Territory of Abstraction, a group show of new paintings, works on paper and sculpture by twelve artists who, sharing an interest in geometry, colour, pattern and repetition, also manage to form a wider territory by approaching their similar concerns in uniquely individual ways.

Other members took different directions: Prendergast utilized the decorative patterns of colour he found in the work of the French Nabi group in his translations of the American landscape; Davies painted dreamy, twilight scenes evolved from lyrical allegories rather than from contemporary life; Lawson adopted a style that was lyrically atmospheric.

Clear glass wall decorations can be placed individually or in groups on your wall to create texture and interest, either on a plain coloured, painted wall, or a patterned, wall papered area.

Botanical prints in burr wood frames grouped together have as much impact as a single large painting, while an over-sized lamp with an Oriental - style base, checked curtains and the floral chair fabric add pattern to the pared - down scheme.