Sentences with phrase «grouping of his abstract expressionist paintings»

Not exact matches

The painterly style also emerges from expressionist painting movements of the time, including CoBrA Group and Art Informel, important movements in art in Europe near the time Golub lived in Paris, and abstract expressionism lurks in the strokes and the scrapes too.

These «Modernist» landmarks include the atonal ending of Arnold Schoenberg's Second String Quartet in 1908, the expressionist paintings of Wassily Kandinsky starting in 1903, and culminating with his first abstract painting and the founding of the Blue Rider group in Munich in 1911, and the rise of fauvism and the inventions of cubism from the studios of Henri Matisse, Pablo Picasso, Georges Braque, and others, in the years between 1900 and 1910.

Frankenthaler, Louis and Noland formed the core of a group known as the colour field painters, though the critic Clement Greenberg preferred one of his own clunking coinages, «post-painterly abstractionists», meaning that after the «painterly» surfaces of the abstract expressionists, the purely colour - based paintings of Noland and the others marked out a different and more advanced stage of art's march to absolute abstraction.

But at the core of it were paintings by the German Expressionists and some of the American abstract artists from Stieglitz's group.

It is not known if Untitled [glossy black painting] was produced as part of the first or second campaign.8 But the work's facture resembles that seen in paintings associated with the first group, such as the Whitney Museum of American Art's Untitled [glossy black four - panel painting](fig. 4), and it explores the ambiguities of «monochrome» in ways that seem more closely tied to the abstract expressionist project than to the later paintings» concern with the degradation of materials, an interest often linked to Rauschenberg's 1953 visit to Alberto Burri's (1915 — 1995) studio in Rome.9

The painting scene in San Francisco in the»40s centered around a small, tight - knit group of teachers and serious students at the California School of Fine Arts (renamed the San Francisco Art Institute in 1961), who were influenced by Clyfford Still (1904 - 1980), a major first - generation abstract expressionist painter, who taught at CSFA from 1946 until the early»50s when he moved to New York.

The group included works purportedly by some of the best known, commercially lucrative, abstract expressionists — Mark Rothko, Robert Motherwell, Willem de Kooning, Barnett Newman — «A treasure trove of paintings» as Ann Freedman, the former gallery director who sold the majority, has called them.

José Ygnacio Bermúdez (b. 1922, Havana 1922 — d, 1998, Phoenix): Part of a group of abstract expressionist artists who came of age in the 1950s and became known as «Los Once,» Bermúdez was known for his work in painting, sculpture, photography and graphic design.

The whole Abstract Expressionist movement was made up of a very polyglot group, a lot of whom weren't painting abstract expressionistically at all.

Amidst the group of oil paintings that make up her latest exhibit, Martinsen's abstract expressionist style explores more directly another relationship in the art world, that with the exhibitory arena.

In 1935, he became a founding member of «The Ten,» a group of artists devoted to expressionist and abstract painting.

In 1935, Gottlieb became a founding member of «The Ten,» a group of artists devoted to expressionist and abstract painting.

Early in his career, Gottlieb became a founding member of «The Ten,» a group of artists devoted to expressionist and abstract painting, and began friendships with Milton Avery, Barnet Newman and David Smith.

Bourgeois had her first solo show of paintings in 1945 at the highly regarded Bertha Schaefer gallery, in New York, and then took part in two group shows, at the Whitney Museum of American Art and at Peggy Guggenheim's gallery (which was to figure prominently in the success of the abstract expressionists).

Among early modernist non-literary landmarks is the atonal ending of Arnold Schoenberg's Second String Quartet in 1908, the Expressionist paintings of Wassily Kandinsky starting in 1903 and culminating with his first abstract painting and the founding of the Expressionist Blue Rider group in Munich in 1911, the rise of fauvism, and the introduction of cubism from the studios of Henri Matisse, Pablo Picasso, Georges Braque and others between 1900 and 1910.

Neither purely abstract nor expressionist, the style embraced two broad groupings: the school of «Action Painting» (a style of gestural painting) whose leading members included Jackson Pollock and Willem De Kooning; and the more passive style of Colour Field Painting practised by Mark Rothko andPainting» (a style of gestural painting) whose leading members included Jackson Pollock and Willem De Kooning; and the more passive style of Colour Field Painting practised by Mark Rothko andpainting) whose leading members included Jackson Pollock and Willem De Kooning; and the more passive style of Colour Field Painting practised by Mark Rothko andPainting practised by Mark Rothko and others.

The scale of the work, emphatic handling of paint and use of bright colours are testament to the influence of large - scale American abstract expressionist painting, first seen in strength in England in a group exhibition at the Tate in 1956.

In addition to his close friendships with abstract expressionist painters and sculptors, he was one of the «Irascibles» made famous in Nina Leen's 1951 Life photograph, and in 1948, together with Motherwell, Hare, and Mark Rothko, he co-founded the Subjects of the Artist School, an artists group that provided a forum to discuss the issues at stake in contemporary painting.