Sentences with phrase «grow out of that painting»

But then there will be ideas that grow out of that painting.

PK: But still growing out of these paintings that you did at the art institute, California School of Fine Arts?

This show reminds us that Judd's sculpture grew out of his painting, even though he still maintained stringently circumscribed distinctions between painting and sculpture, saying in 1989, «I've absolutely no interest in making paintings.»

Not exact matches

A favorite painting by a Navajo friend shows a lone pinion tree growing out of the side of a cliff, its roots anchored in the rock.

SHELLY STEELY: Yeah we used the dresser it was my mom's dresser only they're not from when she was growing up I mean in the seventies and her grandpa had her paint them orange because that paint was on sale so horrible bright orange color and I think there was two of them and I think at one point my brother painted one black but the other one was just sitting in the closet and so we took it out and repainted it kind of a bright blue.

Especially now that we are finding out about the toxins in paints and plastics — a few natural, quality toys are worth more than a mountain of plastic junk and your child will grow up to recognize and appreciate things that are well - made and have lasting value.

Natalie Smith said she was aware of the move - out policy and she wasn't really shocked to learn the apartment in which she grew up likely has lead paint.

The work could explain why the planet has a relatively small heart, and paints a grisly picture of the early solar system, where massive, rocky «super-Earths» were snuffed out before they could grow into gas giants.

But when I decided to put on some face paint for a dinner outing with my recently grown family and rummaged through my top drawer in search of a mascara, I discovered an unopened tube of Elizabeth Arden Beautiful Color Maximum Volume Mascara (in black, despite the name), and I have honestly no idea how it got there.

Growing out of scriptures that paint a compelling portrait of God, you are invited to explore, experience and know the one who desires to make us whole.

The author paints a picture of a boy born in poverty grow to a teenager whose restless nature leads him to venture out.

Pakistani Samir and his mother moved to town first, painting ornamental moons and carrying secrets, but Miel appeared out of the water tower, with roses growing out of her wrists.

It was his great - granddaughter Elizabeth who sought to rediscover his legacy, setting upon a journey to seek out what had been lost but never forgotten... The everyday lives of the Polish - Jewish community depicted in Moshe Rynecki's paintings simply blended into the background of Elizabeth Rynecki's life when she was growing up.

Dubbed the HGTV Effect by some agents after the television channel that focuses on home improvement shows, a growing number of buyers are splurging on homes simply because they're decked out with granite countertops, stainless steel appliances and a fresh coat of a trendy paint colour.

Because of the original painting, there was a ghost image in the white and I began to pull it out until the shape in the current painting emerged and the piece grew from there.

From physical labor to headwork, to being in touch with oneself and back again... communication and idea exchange, intellect, emotion and conversation... breaking barriers, committing oneself, being involved... from being a man to being a woman, and moving in between... from being a child, to growing knowledgeable and returning to simplicity... from being free to being restricted, to being sovereign... from breaking out of restrictions in art to breaking out of restrictions in society... from being to art and it's all the same... being, artists, male, female, sculpture, painting, performance, all conjoined in a great motion.

With encouragement from Greenberg, Bush became closely tied to two movements that grew out of the efforts of the abstract expressionists: Color Field Painting and Lyrical Abstraction.

An influential artist in the fields of kinetic sculpture and experimental filmmaking during the mid-to-late twentieth century, Breer made stop - motion films that grew out of a desire to imbue his paintings with movement.

Instead of accepting the historical narrative that leads from linear - perspective, through the camera obscura, to photography; Kwabena imagines an alternative history, one in which photography grows out of scroll - painting.

In these quick drawings, as with the large paintings that grow out of them, space is not a matter of logical perspective.

These white paintings grew out of another series of portraits Chimes painted in the 1970s, where many of the same modernist figures are chronicled and memorialized in small, dark portraits with hand - crafted frames.

In some cases, paintings grew directly out of sketches or more finished drawings.

In Time Out New York T.J. Carlin writes that to paint people is to watch them grow old on an infinitesimally small scale of time, and that sitting for an artist makes the subject incredibly vulnerable.

Although Blayton employed techniques from Abstract Expressionism and Color Field painting, she noted that her work did not grow out of any particular artistic tradition, but rather the feelings generated by her own thoughts.

This new type of painting grew out of the sketches that she did on the chalkboards in a disused closed primary school with oil pastel.

Neel's paintings grew out of the Social Realist concerns of American Art of the 1920s and 1930s, during which time she formed her highly personal brand of figuration.

That is because the titanic success of LOVE, which grew out of an early 1961 painting titled 4 - Star Love and evolved into a beloved series of prints and sculptures, cast the rest of his extensive career's worth of work in shadow.

The piece grew out of a feeling Lins had that it was very difficult to make a sculpture that integrated painting in a complex, visually satisfying way.

HK Zamani's images in this series of new paintings grow out of or away from their predecessors — they are sometimes devils, then angels.

The letter «urge [s] the UK's national museums to follow the example of a growing number of international museums and provide open access to images of publicly owned, out - of - copyright paintings, prints and drawings so that they are free for the public to reproduce.»

Did these paintings featuring cultural and historical figures grow out of that commission?

The exhibition, which runs through October 22, opens with six works from Anxious Audiences — paintings covered with grids of scrawled, apprehensive faces that grew out of the Anxious Men series Johnson debuted at New York's Drawing Center last fall.

It is in this painted space of «intimate immensity,» where dueling weather systems, terrain and sky, and the flooding light and growing shadows collide, that «Gornik's landscape opens out onto psychological experience broadly defined — the modern experience of loss without a lost object.

When he published The Sexuality of Christ in Renaissance Art and in Modern Oblivion, his 1983 classic on cultural and aesthetic repression, the New York Times summed up that «the book grew out of a question that had apparently occurred to no other modern scholar: Why is it that in so many Renaissance paintings of the Madonna and Child, the infant Jesus's genitals are actively displayed to viewers both within and without the picture?»

Deciding to do this group of small - scale work grew out of a desire for intimacy and is a big contrast from my last exhibition, which included some of the largest paintings I've ever made.

Hurley's Glyph paintings grew out of these encounters.

His first collaged paintings grew out of this process; these abstract grid - like images recall a night sky or aerial view of an urban landscape.

So in some ways, the 9/11 painting is part of your memorial painting series that grew out of the»60s?

The surface of a painting bulges out, as if something is growing inside it.

[4] For example, in Born to Paint (1966 - 68), which is an assemblage of panels that are studies for the painting Wrong (1966 - 68, Los Angeles County Museum of Art), Baldessari was photographed standing in front of a tree that looks like it is growing out of his head.

I have always painted, I never grew out of it.

The subjects of paintings like The Garden of Earthly Delights III (2003)-- which is, among other things, an homage to Hieronymus Bosch — grow out of Shaw's vivid imagination.

Since she emerged a couple of years ago with lurid paintings that one critic said possess «just the right amount of wrong,» Juliano - Villani, who is in a group exhibition at New York's Jewish Museum this month, has almost dared the growing contingent of collectors and curators who follow her to throw her out of the club.

Her pieces grow out of the rectangle and incorporate painted and dyed fabrics adding complexity and inviting viewers into the space of the work.

Is the «complexity» which is now sought in abstract painting and sculpture some sort of response to those disqualifications posing as real art, since it grows out of the earlier» simplified era??

This room, titled «Threat and Sanctuary,» is devoted to the anti-formalist painting that grew, for the most part, out of abstraction but needed somewhere to go other than the psychologically fraught ethos of Abstract Expressionism.

Oppenheim speaks of growing up in Washington and California, his father's Russian ancestry and education in China, his father's career in engineering, his mother's background and education in English, living in Richmond El Cerrito, his mother's love of the arts, his father's feelings toward Russia, standing out in the community, his relationship with his older sister, attending Richmond High School, demographics of El Cerrito, his interest in athletics during high school, fitting in with the minority class in Richmond, prejudice and cultural dynamics of the 1950s, a lack of art education and philosophy classes during high school, Rebel Without a Cause, Richmond Trojans, hotrod clubs, the persona of a good student, playing by the rules of the art world, friendship with Jimmy De Maria and his relationship to Walter DeMaria, early skills as an artist, art and teachers in high school, attending California College of Arts and Crafts, homosexuality in the 1950s and 1960s, working and attending art school, professors at art school, attending Stanford, early sculptural work, depression, quitting school, getting married, and moving to Hawaii, becoming an entrepreneur, attending the University of Hawaii, going back to art school, radical art, painting, drawing, sculpture, the beats and the 1960s, motivations, studio work, theory and exposure to art, self - doubts, education in art history, Oakland Wedge, earth works, context and possession, Ground Systems, Directed Seeding, Cancelled Crop, studio art, documentation, use of science and disciplines in art, conceptual art, theoretical positions, sentiments and useful rage, Robert Smithson and earth works, Gerry Shum, Peter Hutchinson, ocean work and red dye, breaking patterns and attempting growth, body works, drug use and hippies, focusing on theory, turmoil, Max Kozloff's «Pygmalion Reversed,» artist as shaman and Jack Burnham, sync and acceptance of the art world, machine works, interrogating art and one's self, Vito Acconci, public art, artisans and architects, Fireworks, dysfunction in art, periods of fragmentation, bad art and autobiographical self - exposure, discovery, being judgmental of one's own work, critical dissent, impact of the 1950s and modernism, concern about placement in the art world, Gypsum Gypsies, mutations of objects, reading and writing, form and content, and phases of development.

Labor - intensive and experimental, playful and poetic, surprising and delightful, Lukas» sculptures and sculptural paintings grow out of investigations into gravity, perspective, mathematics, color theory and the properties of light.

Anna Kolod's sculptures, paintings and drawings are cocooning with erotic images, fantasies and obsessions, which grow out of their dual, Eros - Thanatos origin.

The painted narrative quilts for which Ringgold is best known grew out of these early paintings, and denounce racism and discrimination with their subject matter.