Sentences with phrase «growth of contemporary art museums»

With the exponential growth of contemporary art museums, what new demands are being placed upon artists?

Not exact matches

The exhibition and publication Nicholas Mangan: Limits to Growth is co-produced by Monash University Museum of Art, Melbourne; Institute of Modern Art, Brisbane; and Kunst - Werke Institute for Contemporary Art, Berlin.

MOCA (formally the Contemporary Art Center of Virginia) publications serve as academic record for our institution which, unlike many other Museums, does not have a permanent collection to document its institutional growth.

Other highlights include «LA / LA and Institutional Collaboration», which will use Pacific Standard Time: LA / LA as a reference point to examine how institutions can encourage the growth of regional art scenes; «Digital Museums and Virtual Audiences», focusing on digital innovation and how new technology is starting to leave a deeper mark on the museum world; and «I Was Raised on the Internet», which brings together curators from three major institutions that collaborate on exhibitions investigating the effects of the Internet on contemporary art.

It is a touchstone for contemporary art internationally, plays a central role in London's cultural landscape and is pivotal to the continued growth of the world's most vibrant contemporary art quarter.The Whitechapel Gallery does not own a Collection, but has a dedicated gallery for opening up public and private collections, including five displays from the British Council Collection from April 2009 — May 2010; four displays from The D. Daskalopoulos Collection, Greece, from June 2010 — May 2011; five displays from the Government Art Collection, from June 2011 — September 2012; four displays from the Collection Sandretto Re Rebaudengo from September 2012 — September 2013; four displays drawn from member museums of the Contemporary Art Society from September 2013 — August 2014 and four displays of works from the V - A-C Foundation collection from September 2014 — contemporary art internationally, plays a central role in London's cultural landscape and is pivotal to the continued growth of the world's most vibrant contemporary art quarter.The Whitechapel Gallery does not own a Collection, but has a dedicated gallery for opening up public and private collections, including five displays from the British Council Collection from April 2009 — May 2010; four displays from The D. Daskalopoulos Collection, Greece, from June 2010 — May 2011; five displays from the Government Art Collection, from June 2011 — September 2012; four displays from the Collection Sandretto Re Rebaudengo from September 2012 — September 2013; four displays drawn from member museums of the Contemporary Art Society from September 2013 — August 2014 and four displays of works from the V - A-C Foundation collection from September 2014 — August 20art internationally, plays a central role in London's cultural landscape and is pivotal to the continued growth of the world's most vibrant contemporary art quarter.The Whitechapel Gallery does not own a Collection, but has a dedicated gallery for opening up public and private collections, including five displays from the British Council Collection from April 2009 — May 2010; four displays from The D. Daskalopoulos Collection, Greece, from June 2010 — May 2011; five displays from the Government Art Collection, from June 2011 — September 2012; four displays from the Collection Sandretto Re Rebaudengo from September 2012 — September 2013; four displays drawn from member museums of the Contemporary Art Society from September 2013 — August 2014 and four displays of works from the V - A-C Foundation collection from September 2014 — contemporary art quarter.The Whitechapel Gallery does not own a Collection, but has a dedicated gallery for opening up public and private collections, including five displays from the British Council Collection from April 2009 — May 2010; four displays from The D. Daskalopoulos Collection, Greece, from June 2010 — May 2011; five displays from the Government Art Collection, from June 2011 — September 2012; four displays from the Collection Sandretto Re Rebaudengo from September 2012 — September 2013; four displays drawn from member museums of the Contemporary Art Society from September 2013 — August 2014 and four displays of works from the V - A-C Foundation collection from September 2014 — August 20art quarter.The Whitechapel Gallery does not own a Collection, but has a dedicated gallery for opening up public and private collections, including five displays from the British Council Collection from April 2009 — May 2010; four displays from The D. Daskalopoulos Collection, Greece, from June 2010 — May 2011; five displays from the Government Art Collection, from June 2011 — September 2012; four displays from the Collection Sandretto Re Rebaudengo from September 2012 — September 2013; four displays drawn from member museums of the Contemporary Art Society from September 2013 — August 2014 and four displays of works from the V - A-C Foundation collection from September 2014 — August 20Art Collection, from June 2011 — September 2012; four displays from the Collection Sandretto Re Rebaudengo from September 2012 — September 2013; four displays drawn from member museums of the Contemporary Art Society from September 2013 — August 2014 and four displays of works from the V - A-C Foundation collection from September 2014 — Contemporary Art Society from September 2013 — August 2014 and four displays of works from the V - A-C Foundation collection from September 2014 — August 20Art Society from September 2013 — August 2014 and four displays of works from the V - A-C Foundation collection from September 2014 — August 2015.

Solo Exhibitions 2015 The Reclining Hippy and the Envelope - Bureau des Realites, Brussels, Belgium Stripes and Dots on the Isle of Portikus: A Story of Sound + Visuals (a small index of contemporary psych)- Portikus - Frankfurt, Germany TBA - In Light of 25 Years - Witte de With - Rotterdam, The Netherlands Solo Show - Nosbaum Reding - Luxembourg, Luxembourg Solo Show - Supportico Lopez - Berlin, Germany Two - person show (with Ute Muller)- Galleria collicaligreggi - Sicily, Italy 2014 Karl?s Body - Kunsthalle Wien Karlsplatz - Vienna, Austria The Illustrator - 1646 - The Hague, The Netherlands Foto / Studio / Zig - Zag - 21er Haus - Vienna, Austria The Tangental Zig - Zag, Kunstraum - London, England Portals (SUN MILK)- Maison Gregoire - Brussels, Belgium Dirt Not Copper - Two - person show with Lorna MacIntyre - 221a - Vancouver, Canada The Story of Stripes and Dots (Chapter 7)- Jessica Bradley Gallery - Toronto, Canada 2013 The Story of Stripes and Dots (Chapter 6)- Southern Alberta Art Gallery - Lethbridge, Canada The Story of Stripes and Dots (Chapter 5)- Fogo Island Arts - Fogo Island, Canada Letterhead - Kunsthal Charlottenborg - Copenhagen, Denmark Alphabet City - MiArt with Supportico Lopez - Milan, Italy Parrot Soup - Supportico Lopez - Berlin, Germany 2012 The Ceremony and The Spirit (with Roe Ethridge)- La Loge - Brussels, Belgium Art Statements - Art Basel - Basel, Switzerland The Story of Stripes and Dots (chapter 2)- Jessica Bradley - Toronto, Canada The Story of Stripes and Dots (chapter 1)- MuHKA - Antwerp, Belgium 2011 The Flute of Sub - The Artist's Institute - New York, USA Growth - KIOSK - Gent, Belgium The Instruments - ABC Berlin - Berlin, Germany The Five Arms of Supportico - Supportico Lopez - Berlin, Germany The Units - Ursula Blickle Stiftung - Kraichtal, Germany The Voids - Galerie Vidal Cuglietta - Brussels, Belgium 2010 The Nine Fingers of Malakoff - Pavilion Projects / Les Maison des Arts de Malakoff - Malakoff, France The Bakery of Blok (first arrangement)- Front Room - Contemporary Art Museum St Louis, St Louis, USA 2009 The Bakery of Blok and the Three Forms of Unit - Miguel Abreu Gallery - New York, USA The Bakery of Blok - Jessica Bradley - Toronto, Canada 2008 The Crystal Ship - BELvue Museum, Brussels, Belgium / Etablissement d?en Face Projects - Brussels, Belgium 2007 The Flute of Sub - Galerie Isabella Bortolozzi - Berlin, Germany Put Your Eye in Your Mouth: a conversational documentary recording Martin Kippenberger?s Metro - net Station in Dawson City, Yukon - Etablissement d?en Face Projects, Brussels, Belgium Who Namcontemporary psych)- Portikus - Frankfurt, Germany TBA - In Light of 25 Years - Witte de With - Rotterdam, The Netherlands Solo Show - Nosbaum Reding - Luxembourg, Luxembourg Solo Show - Supportico Lopez - Berlin, Germany Two - person show (with Ute Muller)- Galleria collicaligreggi - Sicily, Italy 2014 Karl?s Body - Kunsthalle Wien Karlsplatz - Vienna, Austria The Illustrator - 1646 - The Hague, The Netherlands Foto / Studio / Zig - Zag - 21er Haus - Vienna, Austria The Tangental Zig - Zag, Kunstraum - London, England Portals (SUN MILK)- Maison Gregoire - Brussels, Belgium Dirt Not Copper - Two - person show with Lorna MacIntyre - 221a - Vancouver, Canada The Story of Stripes and Dots (Chapter 7)- Jessica Bradley Gallery - Toronto, Canada 2013 The Story of Stripes and Dots (Chapter 6)- Southern Alberta Art Gallery - Lethbridge, Canada The Story of Stripes and Dots (Chapter 5)- Fogo Island Arts - Fogo Island, Canada Letterhead - Kunsthal Charlottenborg - Copenhagen, Denmark Alphabet City - MiArt with Supportico Lopez - Milan, Italy Parrot Soup - Supportico Lopez - Berlin, Germany 2012 The Ceremony and The Spirit (with Roe Ethridge)- La Loge - Brussels, Belgium Art Statements - Art Basel - Basel, Switzerland The Story of Stripes and Dots (chapter 2)- Jessica Bradley - Toronto, Canada The Story of Stripes and Dots (chapter 1)- MuHKA - Antwerp, Belgium 2011 The Flute of Sub - The Artist's Institute - New York, USA Growth - KIOSK - Gent, Belgium The Instruments - ABC Berlin - Berlin, Germany The Five Arms of Supportico - Supportico Lopez - Berlin, Germany The Units - Ursula Blickle Stiftung - Kraichtal, Germany The Voids - Galerie Vidal Cuglietta - Brussels, Belgium 2010 The Nine Fingers of Malakoff - Pavilion Projects / Les Maison des Arts de Malakoff - Malakoff, France The Bakery of Blok (first arrangement)- Front Room - Contemporary Art Museum St Louis, St Louis, USA 2009 The Bakery of Blok and the Three Forms of Unit - Miguel Abreu Gallery - New York, USA The Bakery of Blok - Jessica Bradley - Toronto, Canada 2008 The Crystal Ship - BELvue Museum, Brussels, Belgium / Etablissement d?en Face Projects - Brussels, Belgium 2007 The Flute of Sub - Galerie Isabella Bortolozzi - Berlin, Germany Put Your Eye in Your Mouth: a conversational documentary recording Martin Kippenberger?s Metro - net Station in Dawson City, Yukon - Etablissement d?en Face Projects, Brussels, Belgium Who NamContemporary Art Museum St Louis, St Louis, USA 2009 The Bakery of Blok and the Three Forms of Unit - Miguel Abreu Gallery - New York, USA The Bakery of Blok - Jessica Bradley - Toronto, Canada 2008 The Crystal Ship - BELvue Museum, Brussels, Belgium / Etablissement d?en Face Projects - Brussels, Belgium 2007 The Flute of Sub - Galerie Isabella Bortolozzi - Berlin, Germany Put Your Eye in Your Mouth: a conversational documentary recording Martin Kippenberger?s Metro - net Station in Dawson City, Yukon - Etablissement d?en Face Projects, Brussels, Belgium Who Named the Days?

Gavin Delahunty, Hoffman Family Senior Curator of Contemporary Art at the Dallas Museum of Art, shared: «Since 2012, the Dallas Museum of Art's Contemporary Art Initiative has witnessed and delighted in the success and growth of Frieze New York.

«We've had organic growth, inhabiting the space bit by bit over time,» said Joseph Thompson, the founding director of the Massachusetts Museum of Contemporary Art, who has just completed the museum's third phase of expansion on the 16 - acre campus — after some three deMuseum of Contemporary Art, who has just completed the museum's third phase of expansion on the 16 - acre campus — after some three demuseum's third phase of expansion on the 16 - acre campus — after some three decades.

EXHIBITIONS 2016 «Growth / Decay», Antler Gallery - Portland, OR 2016 «Growth / Decay», Paradigm Gallery - Philadelphia, PA 2016 «Year Two», Sweet As Studios - Pittsburgh, PA 2016 «Photobook 2015 Exhibition», Griffin Museum of Photography - Winchester, MA 2015 «Photobook 2015 Exhibition», Davis Orton Gallery - Hudson, NY 2015 «Art All Day», Artworks Trenton - Trenton, NJ 2014 «Works by Nick Pedersen», Paradigm Gallery - Philadelphia, PA 2014 «Pratt Digital Arts» Art Basel Miami Beach - Miami, FL 2014 «Virtual Vision», Auguste Clown Gallery - Melbourne, Australia 2014 «Art All Night», Artworks Trenton - Trenton, NJ 2013 «Story of the Creative», Angel Orensanz Foundation - New York City, NY 2013 «Superstition», San Francisco Center for the Book - San Francisco, CA 2013 «Graphique Noir», Orange County Center for Contemporary Art, CA 2012 «Electron Salon», Los Angeles Center for Digital Art - Los Angeles, CA 2012 «Daylight Savings», The Banff Centre - Alberta, Canada 2011 «Object / Self / Subject», Museum of Russian Art - Jersey City, NJ 2011 «Devoción por un ídolo», Bastardo Gallery — Bogotá, Colombia 2011 «Pratt Show», The Manhattan Center - New York City, NY 2011 «Digital Print Exhibition», D&D Building - New York City, NY 2010 «Art and Sustainability», Schafler Gallery - Brooklyn, NY 2009 «Politics and Media», Schafler Gallery - Brooklyn, NY

Select exhibitions include: Demolishing buildings, buying waste, Green Art Gallery, Dubai, UAE (2018); Women House, National Museum of Women in the Arts, Washington D.C., USA (2018); Fragments, Particles and the Mechanisms of Growth, KIOSK, Ghent, Belgium (2017)(forthcoming); Women House, Monnaie de Paris, Paris, France (2017); What We Know that We Don't Know, KADIST, San Francisco, USA (2017); Planet 9, Kunsthalle Darmstadt, Germany (2017); Variable Dimensions, Museum of Art, Architecture and Technology, Lisbon, Portugal (2017); Rebel, Jester, Mystic, Poet: Contemporary Persians, Aga Khan Museum, Canada (2017); The Eighth Climate (What Does Art Do?)

Recent solo exhibitions include Stranger, Hauser & Wirth, Somerset, England (2017); Hail We Now Sing Joy, Kemper Museum of Contemporary Art, Kansas City, MO (2017); Fly Away, Hauser & Wirth, New York, NY (2016); Within Our Gates, Garage Museum of Contemporary Art, Moscow, Russia (2016); Blocks, High Line Art, New York, NY (2015); Anxious Men, The Drawing Center, New York, NY (2015); Three Rooms, Kunsthalle Winterthur, Winterthur, Switzerland (2015); Magic Numbers, George Economou Collection, Athens, Greece (2014); New Growth, Museum of Contemporary Art, Denver, CO (2014); The Gathering, Hauser & Wirth, Zurich, Switzerland (2013); New Growth, Ballroom Marfa, Marfa, TX (2013); Shelter, South London Gallery, London, England (2012); Rumble, Hauser & Wirth, New York, NY (2012), and the major touring exhibition Message to Our Folks, which opened at the Museum of Contemporary Art, Chicago, IL (2012) and travelled to Miami Art Museum, Miami, FL (2012); High Museum of Art, Atlanta, GA (2012); and Kemper Art Museum, St. Louis, MO (2013).

April 23, 2016 - July 3, 2016 The Blanton Museum of Art presents Fixing Shadows: Contemporary Peruvian Photography, 1968 — 2015, featuring more than 40 works from a transformational period of artistic growth, political turmoil, and social engagement in Peru.

Acknowledging that the converted factory is now a cliché for museum projects, the Times gets to the point with this observation that highlights the importance of Contemporary art as an anchor for community and economic growth:

Aldrich Contemporary Art Museum presents Creative Growth: Dan Miller and Judith Scott an exhibition of works by two artists who are closely associated with Oakland's Creative Growth Art Center — an institution which serves a community of mentally, developmentally, and physically disabled adult artists.

MOCA (formally the Contemporary Art Cener of Virginia) publications serve as academic record for our institution which, unlike many other Museums, does not have a permanent collection to document its institutional growth.

Among these are Negev at the Israel Museum, Jerusalem, 1987; Space of Dragon, Olympic Park, Seoul, South Korea, 1985; Becalmed Beings, Hiroshima City Museum of Contemporary Art, Hiroshima, Japan, 1993; Space of Unknown Growth, Europos Parkas, Vilnius, Lithuania, 1997 - 98; Unrecognized, Citadel Park, Poznan, Poland, 2002; Space of Stone, Grounds for Sculpture, Hamilton, New Jersey, 2003; and her last major public work, Agora, a sculptural group comprised of 106 unique cast - iron figures measuring over nine - feet tall permanently installed in Chicago's Grant Park in 2006.

Butler has exhibited at the Museum of Contemporary Art, Los Angeles; Justina M. Barnicke Gallery, Hart House, University of Toronto; White Columns, New York City; Creative Growth Art Center, Oakland, CA, USA; Sparwasser HQ, Berlin and Gallery 44, Toronto.

2004 Poetry and Its Arts, California Historical Society, San Francisco, CA Continuities, curated by Renny Pritikin, The Nelson Gallery, UC Davis, Davis, CA, I Love Music, Creative Growth Art Center, Oakland, CA The Gray Area — Uncertain Images, curated by Matthew Higgs, The Wattis Institute for Contemporary Arts, San Francisco, CA Un / Familiar Territory, San Jose Museum of Art, San Jose, CA