Sentences with phrase «guerre in»

In a Q&A, Fidel Castro Díaz - Balart reveals the truth behind his nom de guerre in Russia and his efforts to launch a nanotechnology R&D center in Havana.

Not exact matches

So here I am, in the middle way, having had twenty years — Twenty years largely wasted, the years of l'entre deux guerres — Trying to learn to use words, and every attempt Is a wholly new start, and a different kind of failure Because one has only learnt to get the better of words For the thing one no longer has to say, or the way in which One is no longer disposed to say it.

I have never been able to understand why, after having unleashed this guerre de plume against the death - of - godders, some critics persisted in including me among them.

Tirso de Molina (the nom de guerre of Gabriel Téllez, a monk in his day job) wrote most of his plays between 1605 and 1625; but he did not include El Burlador de Sevilla in any collection of his works, so we do not know when — or perhaps even if — he wrote it.

He joined the Army immediately after graduation, earned a battlefield promotion to lieutenant colonel at 28 and received many medals — including the DSC and two Croix de Guerre — mainly for his exploits as a commander of tanks in General George Patton's Third Army, where his feats earned him the nickname «Risky.»

This year he is back in En Guerre, or At War, by the French director Stéphane Brizé — another social - realist drama about a factory shutdown and a workers» representative battling to save jobs.

Career: Corden's first stage role was in the musical Martin Guerre.

In exploring the international terrorist who took the title's nom de guerre, Olivier Assayas, in Carlos, focused more on the vast disconnect between the man himself and the rock - star image he cultivated than in necessarily painting a detailed psychological portraiIn exploring the international terrorist who took the title's nom de guerre, Olivier Assayas, in Carlos, focused more on the vast disconnect between the man himself and the rock - star image he cultivated than in necessarily painting a detailed psychological portraiin Carlos, focused more on the vast disconnect between the man himself and the rock - star image he cultivated than in necessarily painting a detailed psychological portraiin necessarily painting a detailed psychological portrait.

Marguerite Vichier - Guerre taught elementary Special Education in both public and charter schools across the country prior to working at 1647.

The Islamic State, whose radical Islamic warriors have inflicted their brutality across the globe from the Middle East to Paris, was founded as al - Qaeda in Iraq in 2004 by a Jordanian thug known by his nom de guerre, Abu Musab al - Zarqawi.

Three of the dogs received the Croix de Guerre, one of Frances» highest military honours, for their actions in combat and all were awarded a life of leisure at the end of the war for their service to their adopted country.

In 2013, Cvejić curated the exhibition Danse - Guerre at Musée de la danse, Rennes (in collaboration with C. Costinas) in the frame of which she made videos two videos ``... in a non-wimpy way» (with Steve Paxton) and «Yvonne Rainer's WAR» (co-authored with L. LaberenzIn 2013, Cvejić curated the exhibition Danse - Guerre at Musée de la danse, Rennes (in collaboration with C. Costinas) in the frame of which she made videos two videos ``... in a non-wimpy way» (with Steve Paxton) and «Yvonne Rainer's WAR» (co-authored with L. Laberenzin collaboration with C. Costinas) in the frame of which she made videos two videos ``... in a non-wimpy way» (with Steve Paxton) and «Yvonne Rainer's WAR» (co-authored with L. Laberenzin the frame of which she made videos two videos ``... in a non-wimpy way» (with Steve Paxton) and «Yvonne Rainer's WAR» (co-authored with L. Laberenzin a non-wimpy way» (with Steve Paxton) and «Yvonne Rainer's WAR» (co-authored with L. Laberenz).

He has been developing the narrative of the Frenglish Empire since 2006, with exhibitions Last Night, After the Lights Went Out, We Fell, In the Court of the Crimson King and La Guerre de Machettes Danseuses (The War of the Dancing Machetes) Crocodile Company Part 1 at Taylor De Cordoba in Los Angeles, and The Wolf and Hawk War 1782 - 1790 for Morgan Lehman Gallery (New York) at Pulse, MiamIn the Court of the Crimson King and La Guerre de Machettes Danseuses (The War of the Dancing Machetes) Crocodile Company Part 1 at Taylor De Cordoba in Los Angeles, and The Wolf and Hawk War 1782 - 1790 for Morgan Lehman Gallery (New York) at Pulse, Miamin Los Angeles, and The Wolf and Hawk War 1782 - 1790 for Morgan Lehman Gallery (New York) at Pulse, Miami.

This is concrete poetry, and myth - making: The name by which the world would know him — Robert Indiana — is a nom de guerre that asserts his place in the bittersweet American Dream.

The contemporary pieces are augmented with works by old masters: the important Apocalypse series of woodcuts by Albrecht Dürer (1471 — 1528) and Les Grandes Misères de la guerre by Jacques Callot (1592 — 1635), which reveal an impressive panorama of social rejection and human abysses in dialogue with contemporary works across centuries.

I'm always glad to see it, and I'm even gladder to encounter things I've never seen, like the sculpture called «Bateau de Guerre» by the apocalypse - minded Chris Burden, who died in May.

In his Guerre Pace (War's Peace) body of work Bertolo sought to consider the contradiction between the «willingness of human beings to inflict suffering on their neighbors and the evident pointlessness of history» and concurrently, «the serenity and quiet joy of family intimacy.»

The 2015 paintings on exhibition are comprised of works from the artist's Guerre Pace project and new paintings in reflection.

The museum's co-partnership with Duke Chapel and the Divinity School brought us Miserere et Guerre, an installation of 58 stunning prints by French artist Georges Rouault in the Incubator Gallery.

This is due to the deep singularity of his oeuvre but also to his own life and its traumas: a German expelled by the Nazis, he fought on the Allied side and lost a leg in battle while carrying a wounded man; he was then awarded the Croix de la Guerre and naturalied as a Frenchman.

The World in the Stedelijk,» Stedelijk Museum, Amsterdam «In Context: The Portrait in Contemporary Photographic Practice,» Ruth and Elmer Wellin Museum of Art, Hamilton College «In Plain Sight,» Smack Mellon Gallery, New York «In the Aftermath of Trauma,» Kemper Museum, St Louis «L'ange de l'histoire,» Centre d'Art Contemporain Walter Benjamin, Perpignan «Les désastres de la guerre, 1800 - 2014,» Louvre - Lens, Lens «Literary Devices,» Fisher Landau Center for Art, New York «Manifestin the Stedelijk,» Stedelijk Museum, Amsterdam «In Context: The Portrait in Contemporary Photographic Practice,» Ruth and Elmer Wellin Museum of Art, Hamilton College «In Plain Sight,» Smack Mellon Gallery, New York «In the Aftermath of Trauma,» Kemper Museum, St Louis «L'ange de l'histoire,» Centre d'Art Contemporain Walter Benjamin, Perpignan «Les désastres de la guerre, 1800 - 2014,» Louvre - Lens, Lens «Literary Devices,» Fisher Landau Center for Art, New York «ManifestIn Context: The Portrait in Contemporary Photographic Practice,» Ruth and Elmer Wellin Museum of Art, Hamilton College «In Plain Sight,» Smack Mellon Gallery, New York «In the Aftermath of Trauma,» Kemper Museum, St Louis «L'ange de l'histoire,» Centre d'Art Contemporain Walter Benjamin, Perpignan «Les désastres de la guerre, 1800 - 2014,» Louvre - Lens, Lens «Literary Devices,» Fisher Landau Center for Art, New York «Manifestin Contemporary Photographic Practice,» Ruth and Elmer Wellin Museum of Art, Hamilton College «In Plain Sight,» Smack Mellon Gallery, New York «In the Aftermath of Trauma,» Kemper Museum, St Louis «L'ange de l'histoire,» Centre d'Art Contemporain Walter Benjamin, Perpignan «Les désastres de la guerre, 1800 - 2014,» Louvre - Lens, Lens «Literary Devices,» Fisher Landau Center for Art, New York «ManifestIn Plain Sight,» Smack Mellon Gallery, New York «In the Aftermath of Trauma,» Kemper Museum, St Louis «L'ange de l'histoire,» Centre d'Art Contemporain Walter Benjamin, Perpignan «Les désastres de la guerre, 1800 - 2014,» Louvre - Lens, Lens «Literary Devices,» Fisher Landau Center for Art, New York «ManifestIn the Aftermath of Trauma,» Kemper Museum, St Louis «L'ange de l'histoire,» Centre d'Art Contemporain Walter Benjamin, Perpignan «Les désastres de la guerre, 1800 - 2014,» Louvre - Lens, Lens «Literary Devices,» Fisher Landau Center for Art, New York «Manifesto!

Widely regarded as one of the most pioneering artists of his generation, British artist Liam Gillick presents A Game of War Structure, 2011, a newly - designed version of The Game of War (Le Jeu de la Guerre) created originally by the French Situationist Guy Debord in 1977, while the internationally - celebrated Spanish artist Susana Solano's work, Carmen, 2011, is a large stainless steel sculptural work which encourages the viewer to experience the emotion that the form engenders as it transforms the surrounding environment.

This is due to the deep singularity of his oeuvre but also to his own life and its traumas: a German expelled by the Nazis, he fought on the Allied side and lost a leg in battle while carrying a wounded man; he was then awarded the Croix de la Guerre and naturalised as a Frenchman.

De Guerre has more than 25 years of experience in the industry, starting his career with local developer, Inducon Development Corporation.