Roundtable discussion with the artists + video screening Saturday, April 19, 3:30 - 5 pm at CCNY Join us for an afternoon of video works / presentations, followed by roundtable dialogue with the four artists and Heather M. O'Brien (artist, educator, organizer, and
guest curator of the show).
Not exact matches
The Cannon Beach Arts Association is pleased to announce that it will be hosting Bonnie Laing - Malcolmson, the
curator of Northwest Art at the Portland Art Museum, as the
guest curator for the Winter All Juried
Show.
As it happens, the Williams College Museum
of Art in Williamstown, Massachusetts, provided one fine example in the fall
of 2016 when it worked with the
guest curator Chaédria LaBouvier to present a
show and programming around another Basquiat, a modestly sized piece from a private collection titled The Death
of Michael Stewart (1983), named for the artist who was killed by New York police officers the year it was made.
In celebration
of the California College
of the Arts» (CCA) one - hundredth anniversary, Braunstein / Quay Gallery presents a group
show of alumni organized by
guest curator Mary Snowden, the Chair
of Painting and Drawing at CCA.
In March 2014, the gallery reopened in an expanded bi-level space at 170 Suffolk Street, allowing our artists the opportunity to evolve their practices to a larger scale while working in a more flexible environment, and for the gallery to host a greater number
of organized
shows, curated both in - house and by
guest curators.
A selection
of Latin American artists and
curators are Ortiz - Torres»
guests throughout the run
of the
show.
Opening: «Noah Becker Presents Something» at Berry Campbell Noah Becker — artist,
curator and founder
of Whitehot Magazine
of Contemporary Art (full disclosure, I also write for the publication)-- takes on the role as the first
guest curator at Berry Campbell with a
show of 20 international artists exploring enigmatic narratives in their paintings, sculptures and works on paper.
Guest - curated by Menil Collection
curator Toby Kamps, this group
show uses painting, photography, sculpture, video, and performance «to re-domesticate the galleries
of Sala Diaz, a former duplex apartment.
Every edition
of the Biennale brings together the Main Project curated by internationally renowned
curators; Special
Guests programme featuring retrospective
shows of the major contemporary artists; Special Projects realised in the key Moscow non-commercial art institutions; Parallel Programme that includes exhibitions in commercial galleries.
The theme
of each Open Call is unscripted, allowing our
guest curators free reign to choose the participants and thematic content
of each unique
show.
Offering a year - round exhibition program
of curated
shows by either gallery owners Mark Van Wagner and Tonja Pulfer or by
guest curators, the gallery has exhibited solo
shows featuring John Perreault and Taylor A. White and the group
show «Summer Whites» featuring art by Georg Blaha, Daniel Bruttig, Tim Furzer, Jamey Hart, Larry Wolhandler and others.
The projects also live on in scholarly essays authored by the program's renowned
guest curators, which offer a critical overview
of the artwork made and
shown at Artpace.
The
show is co-curated by
guest curators Amy G. Poster,
Curator Emerita
of Asian Art at the Brooklyn Museum, and Kaijun Chen, Ph.D., post-doctoral Fellow at the Max - Planck - Institute for the History
of Science.
Join the
curators of the exhibition, Claire Gilman, Senior
Curator at The Drawing Center, and Béatrice Gross, guest curator, for a walkthrough of th
Curator at The Drawing Center, and Béatrice Gross,
guest curator, for a walkthrough of th
curator, for a walkthrough
of the
show.
The
show was conceived
of by
guest curator and artist, Rich Jacobs.
As art historian and
guest curator Kathryn Calley Galitz explains in an accompanying essay, the «Blurred Horizons»
of the
show's title refers to the tendency in contemporary landscape art to muddy the divide between realism and abstraction.
Around 800
guests gathered in a party tent outside the Geffen Contemporary in Downtown Los Angeles to celebrate the 83 - year - old California conceptual art legend for, in Vergne's words, his pivotal role in the formation
of body art, word art, post-structuralist, postmodernist, and proto - appropriation art; the rise
of Los Angeles as an art center; over 377 solo exhibitions, 1,500 group
shows, and 4,000 works
of art — not to mention Baldessari's position as an artist trustee, newly resumed this past year (see Jeffrey Deitch Defends Klaus Biesenbach and Helen Molesworth Hired as Chief
Curator of LA MOCA).
Judging by his past efforts,
guest curator Francesco Bonami's
show might be your last chance before the fresher hell
of the next millennium.
With an intense exhibition program consisting
of no less than six solo
shows a year, augmented by occasional live performances, Annka Kultys also hosts two group exhibitions annually, one in January with recently graduated artists, enabling them to have a first gallery
show following completion
of their studies, and one in July organised in collaboration with a
guest curator aimed at highlighting new perspectives on young and / or established artists.
Another
show that Kaiser had begun to develop for MOCA, «Jack Goldstein X 10,000,» was dropped from the museum's schedule in 2010, but rescued by the Orange County Museum
of Art in Newport Beach, where it opens June 24, with Kaiser as
guest curator.
The fair, which represents galleries
showing ancient to late 20th - century art, is strengthened by collaborative displays with
guest curators, who this year include Tim Marlow
of the Royal Academy and Sir Norman Rosenthal.
Taryn Simon will be
guest curator, looking at what others have in their houses, a big
show of Lynda Benglis, and Elaine DeKooning's portraits
of JFK.
Born out
of a series
of artist talks hosted by
guest curator Lisa C. Soto, the current
show at Eastside International, Echo Location is a compendium
of work that is intended to relate to the concept
of community.
BBQ joint / gallery Fort Gansevoort welcomes
guest curator Hank Willis Thomas for a new
show, and Creative Time stages a Shirin Neshat talk at the beautiful Cathedral
of St. John the Divine.
The modest
show, organized by
guest curator Jay Belloli and largely selected from holdings in the artist's foundation, includes student efforts, late paintings, a few ceramics, some wood carvings, jewelry designs, two glass vases, a Surrealist abstraction carved in low - relief on the back
of an illuminated plexiglass sheet and more than a dozen prints.
Vernissage, the Sept. 17 opening - night preview
of Expo Chicago benefiting the Museum
of Contemporary Art, saw
guests,
curators and a host
of artists dressed as creatively as the artwork being
shown.
Chris Sharp, writer and independent
curator, Mexico City, will be Guest Curator for the U-TURN Project Rooms section, which highlights the latest tendencies in contemporary art, and Sofía Hernández Chong Cuy, Curator of Contemporary Art at the Patricia Phelps de Cisneros Collection, New York and Caracas, will be in charge of the Solo Show Zurich section, where galleries present individual projects by Latin American a
curator, Mexico City, will be
Guest Curator for the U-TURN Project Rooms section, which highlights the latest tendencies in contemporary art, and Sofía Hernández Chong Cuy, Curator of Contemporary Art at the Patricia Phelps de Cisneros Collection, New York and Caracas, will be in charge of the Solo Show Zurich section, where galleries present individual projects by Latin American a
Curator for the U-TURN Project Rooms section, which highlights the latest tendencies in contemporary art, and Sofía Hernández Chong Cuy,
Curator of Contemporary Art at the Patricia Phelps de Cisneros Collection, New York and Caracas, will be in charge of the Solo Show Zurich section, where galleries present individual projects by Latin American a
Curator of Contemporary Art at the Patricia Phelps de Cisneros Collection, New York and Caracas, will be in charge
of the Solo
Show Zurich section, where galleries present individual projects by Latin American artists.
Rather, I have goals: to remain relevant, to create stronger ties with our artists, to work with new artists and through new structures (i.e. not just solo exhibitions, but group
shows,
guest curators, off - site, et al.), and to acknowledge and accentuate the radical aspects
of the gallery — presenting contemporary art in a Southern, suburban context.
«This is a love fest for Tacita,» said Goodman in her toast to the artist at Tocqueville, where collectors made up a small minority
of dinner
guests who included friends like Roni Horn, Piero Golia, and Julie Mehretu,
curators from museums in at least three countries (including Mexico City's Tamayo, where Dean will have a
show next year), and Jeff Clarke, the CEO
of Kodak, whom Dean characterized as «the man who saved film.»
The
show, organized by
guest curator Joyce Tsai with Santa Barbara Museum chief
curator Eik Kahng, also includes a large selection
of the rather monotonous, abstract color slides Moholy - Nagy shot at night on Chicago streets.
LIMBO presents its first Associate Members
Show selected by
guest judges, artists Bob and Roberta Smith, and
curator and Head
of Exhibitions at Turner Contemporary, Sarah Martin.
About the
show, according to the
curator: The challenge in organising an exhibition with this scale, to discuss comteporary themes and their relations, is set through the group
of works from the museum, another institutions and
guest artists from three different fields.
Mid-May at the Haven Gallery brings two parallel exhibitions
of Syd Bee art titled Sunder & Swell, and a group
show It Came from Beneath the Sea, curated by
guest curator Travis Louie.
Every year Southern Exposure, San Francisco hosts it's «no fee» juried
show, a behemoth
of a group
show inviting artists from all over northern California to submit work, free
of charge, to be curated by a
guest juror - this year it's the Assistant
Curator of Hammer Museum, Corrina Peipon.
«American Art on Paper from the 1960s to Present: Selections from the Permanent Collection,» Mildred Lane Kemper Art Museum (formerly the Washington University Gallery
of Art), Washington University, St Louis, MO, January 23 — April 18, 2004 «neoqueer: new visual art by lesbian, gay, bisexual and transgender artists,» Center on Contemporary Art (COCA), Seattle, WA, February 7 — March 20, 2004 «Super-Sized: The Big Print
Show,» Greg Kucera Gallery, Seattle, WA, May 12 — June 12, 2004 «Remembering,» Sweeney Art Gallery, University
of California, Riverside, CA, October 1 — December 11, 2004 «Experiments with Truth,»
guest curator Mark Nash, The Fabric Workshop and Museum, Philadelphia, PA, December 3 — March 12, 2005 «Love / Hate: From Magritte to Cattelan: Masterpieces from the Museum
of Contemporary Art, Chicago,» curated by Francesco Bonami, Villa Manin Centro d'Arte Contemporanea, Codroipo (Udine), Italy, 2004 «Great White,» curated by Joanna Montoya, Center for Curatorial Studies Museum, Bard College, Annandale - on - Hudson, NY, 2004 «Open House,» Brooklyn Museum
of Art, Brooklyn, NY, 2004 «Singular Forms (Sometimes Repeated),» curated by Nancy Spector, Solomon R Guggenheim Museum, New York, NY, 2004 «Robert Colescott & Glenn Ligon from the Logan Collection,» curated by Shannen Hill, Victoria H Myhren Gallery, University
of Denver, Denver, CO, 2004
From the public to the making
of art: the
guest curator show of 2013, entitled «Little Movements: Self - practice in Contemporary Art» will be devoted to artistic practice in the era
of globalisation.
The
show, organized by the Addison Gallery
of American Art at Phillips Academy and the Tang Teaching Museum and Art Gallery at Skidmore College, with Hendel Teicher as
guest curator, opens with early Brown projects from the 1960's and 70's, followed by a section each on the Rauschenberg, Judd, Graves, Nakaya and Winters contributions.
«This transatlantic life allowed Storrs to straddle multiple artistic communities, audiences, and debates, a situation that resulted in his radical renewal
of sculpture in both France and the United States,» observes
guest curator Debra Bricker Balken, who organized the
show with the Boston Athenaeum.
Sherman's pivotal turn as
guest curator midway through the
show succeeded on several levels at once, displaying the fascinations
of the human body in art as well as source material for one
of our most influential artists.
A group
show that serves as paean to the untrendy organized by
guest curator Laurie Nye at Big Picture Los Angeles, «intimate» drawings by Kitty Brophy at Jenny's, and the «wonderfully unruly» paintings
of Daniel Crews - Chubb at Roberts Projects in Culver City.
Directly aligned with one
of the
guest curators, they assume responsible positions for a section
of the overall
show.
Matriculated students can exhibit their work either as part
of a department
show, organized by their department chair or a
guest curator, or by applying to the Office
of SVA Galleries for a juried exhibition.
John D. Graham, né Ivan Gratianovitch Dombrowsky, is the subject
of a scholarly
show at the Parrish Art Museum in Water Mill curated by Parrish
Curator of Art and Education Alicia Longwell, Ph.D., along with guest curator Karen Wilkin and consulting curator William C
Curator of Art and Education Alicia Longwell, Ph.D., along with
guest curator Karen Wilkin and consulting curator William C
curator Karen Wilkin and consulting
curator William C
curator William C. Agee.
The de Young, which is experiencing difficult growing pains in its drive to become a thoroughly modern institution, opened the year with «Speaking in Tongues,» a witty investigation
of its collection and display conventions by museum deconstructor extraordinaire Fred Wilson, and closed it out with «Museum Pieces,» an invitational
show organized by
guest curator Glen Helfand in which 18 local artists and artist teams looked critically at every aspect
of the museum's history and function.
Serving as
Guest Curator for two exhibits at the Westwood Museum
of Sculpture, coordinating all
show aspects including conception, piece solicitation, and layout design.