Sentences with phrase «guitar strumming»

"Guitar strumming" refers to the technique of using your fingers or a pick to quickly sweep across the strings of a guitar, creating a rhythmic sound. Full definition
Too bad it's not enough for Doug and Jimmy to have fun; they're forced to learn something in the process, too, as suggested by the perfunctory heart - to - hearts the two have in the film's third act, acoustic guitars strumming in the background.
The drums» round thump and Callahan's baritone vocals receive plenty of low and low - mid richness, but the vocals and guitar strumming also benefit from a high - mid that brings out the definition, clarity, and crispness of the mix.
Whether watching movies or listening to music, higher tones — such as explosions or the opening guitar strums in Bruce Springsteen's «Glory Days» — sounded harsh, especially at higher volumes.
Callahan's baritone vocals actually sound less rich than they typically do — there's a solid high - mid presence that brings out their treble edge, and the general sound is crisp and bright, with some nice anchoring in the deep lows, so both the thump of the drums and the bright guitar strums stand out nicely.
Following «Reckoner,» «House of Cards» begins with reverbed guitar strums accentuated with snare hits.
CNN: Las Posadas: Joseph and the Virgin Mary travel in Maryland Guitars strummed and the cheerful voices of young and old sang «Feliz Navidad» as people in the streets cheered the birth of Christ with Spanish lyrics and upbeat rhythms in Oakview, a neighborhood in Silver Spring.
The Laurie Berkner Songbook also includes suggested guitar strumming patterns and lots of related play activities suitable for both the home and the classroom.
Thanks to GarageBand's built - in effects, you can trigger a virtual orchestra via an attached keyboard or transform your basement guitar strumming into a blaring Pearl Jam solo performed at Madison Square Garden.
A lot better than their first album since they abandoned a lot of aimless, sloppy guitar strumming.
The only taste of the outside world she gets is playing her gentle guitar strums down the local railway station by night.
So, if you are up for sleeping under the stars, meeting loads of cool people, and sitting around blazing campfires with a few guitars strumming, Backpacker Adventure Tours is right for you.
The La Nina pattern hasn't dissipated despite JCH's despite another ignorant rant from the lonesome, guitar strumming cowboy in the family oil business.
We loaded up one of our favorite acoustic tracks, «Out of the Woods» by Nickel Creek, and blossoming forth from the little globes were rich guitar strums, smooth mandolin, and full vocals, all delivered with an impressive amount of power and breadth.
John and Paul's harmonies on the Beatles» «A Hard Day's Night» rose clearly above the song's jangly guitar strumming.
The boost keeps guitar strumming in the spotlight, and not swallowed by bass.
The little acoustic guitar strums that drift in and out of the larger tapestry of sound.
Silver Spring, Maryland (CNN)- Guitars strummed and the cheerful voices of young and old sang «Feliz Navidad» as people in the streets cheered the birth of Christ with Spanish lyrics and upbeat rhythms in Oakview, a neighborhood in Silver Spring.
A loop might be eight bars of a drumbeat, an acoustic guitar strumming a G minor chord, the blast of a horn section, or the sound of a presidential candidate losing it on national television.
Bono's vocals and The Edge's guitar strums were crisp and clear on U2's «Where the Streets Have No Name,» but the bass was underwhelming — so the end result was that the track sounded tinny.
There are many iconic images surrounding surfing: Bronzed bodies in bikinis and board shorts gallivanting on the beach, long boarders hanging ten, hot babes everywhere, bonfires burning, guitars strumming, and of course, extreme stoke.
Schneider will be missed by many for his energy, wit, ferocity, overloaded e-mail messages, guitar strumming and many other facets.
And once again, there's a pinched, sculpted high - mid and presence that seemingly sends the vocals, guitar strums, and percussive hits through a bizarre filter.
The guitar strumming on this track also gets a solid high - mid and high - frequency presence.
But there's a very crisp, bright sound happening here as well — the higher - register percussion, the acoustic guitar strums, and even the tape hiss all get some boosted presence, lending everything a very sculpted sound — rich and bright.
The drums receive a little extra deep low - end power, but primarily, we notice how bright and crisp things sound — Callahan's vocals have plenty of treble edge, and the percussive hits and guitar strums that populate the mix are particularly bright.
The sculpting in these higher frequencies also pushes the attack of the acoustic guitar strums to the front, and lends some extra brightness to the higher register percussive hits.
The acoustic guitar strums and the higher register percussive hits also benefit from the high - mid presence, as well as some sculpting in the highs — things sound bright, crisp, and quite clear.
And, on tracks such as «Don't Let Me Be Misunderstood» by Santa Esmeralda, the guitar strums and clapping were more pronounced on the Sonos Ones than on the HomePod.
The guitar strums and higher register percussion stand out — there's some added brightness here, while the bass presence seems located more in the lows and low - mids and less in the sub-bass realm.
The guitar strums get a solid high frequency presence — they pop with brightness and stand out more in the mix than usual.
Callahan's baritone vocals get a solid low - mid richness that is balanced to a certain degree by some high - mid treble edge — though both the vocals and the guitar strumming might benefit from a slightly crisper presence.
Instead, the high - mids and highs take control of the mix to a certain extent, lending his voice some treble edge and contour, and highlighting the attacks of the guitar strumming and percussive hits.
The guitar strums sometimes sound brighter than they do on other pairs, and Callahan's vocals sometimes sound more crisp — this sound signature, even with the bass at low or medium levels, is a lows - and mids - forward affair, with a little less crispness and brightness in the higher frequencies.
The acoustic guitar strums and Callahan's baritone vocals are also notably bright and crisp — the level of clarity is nice, but there is more treble being added to the equation than necessary.
There's a solid high - mid and high frequency presence here that allows the vocals to retain a crisp edge and lends the guitar strums some brightness.
Just as ideal are the high - mids and highs that lend some treble edge and crispness to Callahan's rich baritone vocals and the attack of the guitar strumming.
This mix sounds more crisp and bright than anything else, with Callahan's rich baritone receiving some definition in the high - mids and the guitar strums and higher percussive hits benefiting from the excellent high - mid and high frequency clarity.
The guitar strums also receive plenty of high - mid presence, allowing the primary elements of the mix to not be overshadowed by the slight boosting of bass.
The attack of the acoustic guitar strums is bright and beautiful, and more so than usual, we get a solid sense of the dynamics on this track and the space it was recorded in.
The guitar strums manage to sound natural, but the HA - MR77X's delivery of the drums mixes the best of the strong - but - refined bass response with the worst of the highly sculpted mids and highs — the thump of the drums is there, but the attack sounds tinny and unnatural.
In fact, his voice and guitar strumming sound too bright and occasionally tinny.
The high - mids and highs are crystal clear, giving the vocals plenty of clarity and contour, as well as some bright presence to the guitar strumming and percussive hits.
This means Callahan's vocals and the guitar strumming actually sound fairly crisp and well - defined, rather than muddy or booming like they might on many other bass - forward headphone pairs.
Thus, the vocals get plenty of definition and treble edge, and the guitar strumming and high - pitched percussive attacks are bright and clear.
The guitar strums and higher percussive attacks on this track are delivered with brightness and life, especially on the reflections of the higher percussive hits.
The EQ switch really only effects frequencies below 1kHz, and the guitar strumming is brighter than on many pairs in both modes.
The guitar strums here also sound bright and share the spotlight with the vocals as the drums more or less take a backseat.
We'd like to hear a little more treble edge on his voice, or high - mid and high frequency presence bringing out the guitar strums and higher frequency percussive attacks, but generally speaking, this is a balanced, clear sound.
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