Petroleum jelly products, on the other hand, do appear to get
the hair out of the stomach.
Not exact matches
But the thing is I get so sad that I just want to cry
out loud for hours, I feel so depressed and I get angry or irritated at people around me.Also my lower back hurts a lot everyday.I have acne,
hair fall, migraine sometimes,
stomach aches everyday, I have gained weight, I go through most
of the symptoms listed above.
Amla enhances food absorption, balances
stomach acid, fortifies the liver, nourishes the brain and mental functioning, supports the heart, strengthens the lungs, regulates elimination
of free radicals, enhances fertility, helps the urinary system, increases skin health, promotes healthier
hair, acts as a body coolant, flushes
out toxins, increases vitality, strengthens eyes, improves muscle tone and, acts as an antioxidant.
This
hair is usually swallowed and passed right away through the intestines and
out through the feces but in some cases a bit
of it builds up in the
stomach and causes a hairball.
When too much
hair collects in the
stomach rather than passing
out through the gut, it irritates the
stomach lining and whoops — there's a hairball, on its way back
out the wrong end
of the cat!
Even if the fiber increases intestinal mobility, it may not force the
hair to pass
out of the
stomach, which is the real problem with hairballs — they get stuck in the
stomach, not the intestines.
, 1976 traces Acconci's early actions and performances, including FOLLOWING PIECE (1969), in which he followed passers - by on the street until they entered private spaces — SHADOW - PLAY (1970), in which he shadowboxed with a bright light shining behind him while moving in front
of a wall — OPENINGS (1970), during which a camera focuses on Acconci's
stomach as he pulls
out his body
hair, the film ends when Acconci is hairless — SEEDBED (1972), during which he audibly masturbated for eight hours a day under a temporary floor at the Sonnabend Gallery in New York while visitors walked overhead — THE RED TAPES (1976 - 77), a three - part epic that merges video space with filmic space, evolving into complex amalgam
of narrative strategies, photographic images, music and spoken language.
In possible homage to Francis Bacon, the grim - faced man in the piece entitled Meat holds a sow's head
out in front
of his shirtless body, the folds
of his
stomach and tufts
of his dark chest
hair peeking
out from behind it.