Sentences with phrase «hairy monster»

An angry Bull Terrier is a hairy monster to steal.

First, challenge students to develop a personality and description of their Hairy Monster.

It's a rare film that makes you think deeply about the world around you while also making you laugh hard at scenes of nudity or a grown man walking down the street wearing a hairy monster costume.

The legendary hairy monster Bigfoot?

Sure, there are scarier things, like being system on a blind date by your cousin Cletus and decision manually across the plan from a hairy monster of a persona who likes to amass earwax and has a pet boa constrictor.

But when things do come up (perhaps because a key client is calling with a hairy monster of a problem), the manager is in the dark.

When students» Hairy Monsters are ready — when they have full heads of hair — introduce a writing assignment in which students write character sketches about the monstrous friends / fiends.

Sometimes players are just running to the right to get from Point A to Point B, searching high and low for all the Teensies, other times you are running frantically up a tower to avoid getting drowned in sand or away from disturbing, hairy monsters whose only mission in life is to devour you (all the characters in Legends die in one hit unless you collect a heart, and explode in a «I ate too much cake» hilarious fashion).

Not exact matches

We need a hairy horrible monster in the midfield because at the moment we look like a bunch of flimsy school boys.

No word on which season is best for spotting the Honey Island Swamp Monster, a hairy, Bigfoot - like creature fabled to live in the wetland.

A 1970s documentary - style drama questions the existence of a hairy 7ft tall Sasquatch - type monster that lives in a swap outside of Fouke, Arkansas.

LOS ANGELES, CA (August 14, 2012)-- From the studio that brought you Mega Shark vs. Giant Octopus and Zombie Apocalypse come two new action - thrillers — featuring Alice Cooper, two former teen heartthrobs, an especially tall and hairy beast and a large array of deadly species of shark — that prove that there is no escape from monsters both terrestrial and aquatic.

• Monster menus X 2: In Where the Wild Things Are, little Max goes down a big, hairy girl's gullet as slick as can be, finding refuge in something like a womb... while Coraline, menaced by a Mommy Dearest literally hungry for love, naïvely insists that «Mothers don't eat daughters!»

There she finds a huge, hairy beast, a kind of cross between the Gruffalo and one of those giant monsters off Sesame Street, who looks terrifying but turns out to be a pussy cat.

In the new trailer for Nick Kroll's new animated Netflix series Big Mouth, the average American family is introduced to a fantastical world where genitals can talk and teens are visited by hairy, horned «hormone monsters,» imaginatively challenging the ways people talk about puberty.

Before he leaves, the man is accosted by the castle's owner, a hairy, hideous, and sort of human monster (Jean Marais) who decides the old man should die for stealing one of his roses.

The artists exhibited together in groups like the Monster Roster (late 1950s), Hairy Who (1960s), and, later, Nonplussed Some and False Image.

Starting with the figurative artists of the «Hairy Who» in Chicago and West Coast Funk artists and their assorted allies, it recontextualizes painters as various as William N. Copley, Elizabeth Murray and Gary Panter; encompasses the rogue artist / musicians of Destroy All Monsters; and concludes with the erstwhile Providence collective Forcefield.

This selection of alternative figures includes the Chicago - based Hairy Who (Jim Falconer, Art Green, Gladys Nilsson, Jim Nutt, Suellen Rocca, and Karl Wirsum), representatives of Bay Area Funk Art (Jeremy Anderson, Robert Arneson, Joan Brown, Roy De Forest, Robert Hudson, Ken Price, Peter Saul, and Peter Voulkos), members of the Ann Arbor - based Destroy All Monsters (Mike Kelley, Cary Loren, Niagara, and Jim Shaw), and representatives of Forcefield from Providence (Mat Brinkman, Jim Drain, Leif Goldberg, and Ara Peterson).

In the UTA Artist Space show, for instance, a huge, hairy creature — which looks a bit like the child that might result from a gorilla mating with the ice monster from Empire Strikes Back — sits in the middle of the main gallery room.

Reference points include earlier generations of Chicago art like the Monster Roster and Hairy Who and contemporary heavyweights like Richard Artschwager and Peter Doig.

have had nationally and, in some cases, internationally visible careers: the Hairy Who's Jim Nutt, Gladys Nilsson and Karl Wirsum; from Funk, the ceramicists Ken Price and Robert Arneson and the painters William T. Wiley and Peter Saul (represented here by a wacky 1966 sculpture of a man in an electric chair, one of the few 3 - D works he made); and Mike Kelley and Jim Shaw of Destroy All Monsters.

Groups like the Hairy Who and Destroy All Monsters placed more stock in comic books than in critical theory, which had no place for the raw, figurative, often grotesque kind of art they admired.

Specifically, the exhibition focuses on four groups of artists associated with as many different geographical regions: the six - artist group calling itself the Hairy Who, which exhibited in Chicago from 1966 to» 69; nine artists associated with the San Francisco - born trend known as Funk; the four art - and zine - producing members of the noise band Destroy All Monsters, which disturbed the peace in Ann Arbor, Mich., from 1973 to» 77; and Forcefield, a four - artist collective that made music, videos, sculptures, installations and colorful, knitted costumes in Fort Thunder, a former warehouse in Providence, R.I., from 1996 to 2003.

Focusing on four artist groups that emerged from the regional «hubs» of Chicago, San Francisco, Ann Arbor, and Providence — the Hairy Who, California Funk, Destroy All Monsters, and Forcefield — the show treats geography as destiny.

are four mini-exhibitions based on crucial shows, spaces, and groups in Chicago (the Hairy Who), San Francisco (Funk), Ann Arbor (Destroy All Monsters), and Providence (Forcefield)-- places outside the artistic focal point of New York.