Sentences with phrase «hand as curator»

In both positions he was known for a steady hand as curator and administrator.

Not exact matches

They are now all grouped together as Maniraptora, or «hand - snatchers,» a taxonomic classification named in 1986 by Jacques Gauthier (now a Peabody curator).

Pick Pharrell as your curator and Quarterly sends you a box with items that were hand selected by Pharrell.

Discreet and attentive concierge staff are on hand to anticipate guests» needs and act as local experts, severing as venerable destination curators and ensuring a memorable stay.

This lead Alan Sondheim, then curator at Atlanta's Nexus Contemporary, to take matters into his own hands, by creating the first ever Atlanta Biennial as platform for contemporary art emerging from and impacting culture in the southeastern United States.

Concurrent with the artists» open call, there was also an open call for a Curatorial Fellow, a hands - on mentoring program for emerging curators who serve as advisors for In Practice.

Discover the innovative processes and works in the newly opened exhibition Out of Hand: Materializing the Postdigital with curator Ron Labaco as your...

In the wake of last year's group exhibitions The 5th of July and It Can Howl, which featured work by New York - and Los Angeles - based artists such as Martine Syms, Nancy Lupo and Katherine Bernhardt — as well as the more regionally inclusive revival of the Atlanta Biennial, co-curated by Fuller, ART PAPERS editor Victoria Camblin, Jacksonville - based independent curator Aaron Levi Garvey and Joan Mitchell Center director Gia Hamilton of New Orleans — there has been some local hand - wringing about whether Atlanta Contemporary's exhibition schedule prioritizes Georgia artists or the rising stars of the New York scene.

It was between Massimiliano Gioni, the visionary New Museum curator behind the last Venice Biennale, and Jeffrey Deitch, who ring - led the downtown New York art scene with his carnivalesque Deitch Projects gallery before going off to try his hand at directing MOCA — an expedition as disastrous and empire - ending as Alcibiades's Sicilian expedition, for those who recall the Peloponnesian war.

Curators Andrew Bonacina (The Hepworth, Wakefield) and Ruba Katrib (MoMA PS1, New York)-- who hands over to Laura McLean - Ferris (Swiss Institute, New York)-- will advise on ambitious solo shows by 19 emerging galleries in Frame; and Toby Kamps (Blaffer Art Museum, University of Houston) returns as curator of Spotlight, a section dedicated to 20th - century pioneers which expands to 35 presentations this year.

Curators Andrew Bonacina (The Hepworth, Wakefield) and Ruba Katrib (MoMA PS1, New York)-- handing over to Laura McLean - Ferris (Swiss Institute, New York)-- advised on ambitious solo shows by 19 emerging galleries in Frame; and Toby Kamps (Blaffer Art Museum, University of Houston) returned as curator of Spotlight, a section dedicated to 20th - century pioneers which expanded to 35 presentations this year.

She's very trusting and supporting in a hands - off way — that was my experience with her as a curator.

From 2002 to 2007 she was the Chief Curator of Exhibitions at the Wexner Center for the Arts where she organized the first US retrospectives of Louise Lawler and Luc Tuymans, as well as Part Object Part Sculpture, which examined sculpture in the wake of Marcel Duchamp's erotic objects and hand made readymades of the 1960s.

From 2002 to 2007 she was the Chief Curator of Exhibitions at the Wexner Center for the Arts where she organized the first US retrospectives of Louise Lawler and Luc Tuymans, as well as Part Object Part Sculpture which examined sculpture produced in the wake of Marcel Duchamp's erotic objects and hand made readymades of the 1960s.

There are of course as many different models of the curator / artist relationship as there are curators and artists, but the most fulfilling times I've had in this job have been when the conversation has developed beyond a discussion of the show at hand.

Besides the curators, the press materials for the show also mention the support of Shelley Farmer of Hirschl & Adler galleries (another fine source for Porter's paintings) as well as Sheila Geoffrion (Welliver's third wife) as having a hand in gathering the works that are part of the show.

But in the hands of curator Boris Groys the proposition turns ambiguous... «Specters,» as conceived by Groys, explores Russian «post-conceptual realism,» an artistic practice in which artists shift attention from isolated art objects and performances to their social and political context.

The National Gallery of Art has announced that it has purchased one of the show's best paintings for its permanent collection, as the only undisputed Arcimboldo work in public hands in the U.S. -LSB-...] Curators are giving it the awkward title of «Four Seasons in One Head» and dating it to around 1490, when Arcimboldo would have been in his 60s.

«For too long, the later 1950s and the early»60s have been seen as a mere parenthesis between Abstract Expressionism, on one hand, and Minimalism and Pop Art, on the other,» says Pepe Karmel, the exhibition's curator.

The eight curator / co-authors will be on hand at the Museum of Modern Art's Bartos Theater this Friday, May 4th for «DEFINING CONTEMPORARY ART: Writing Art History as it Happens,» a lively roundtable discussion that will see these contemporary art experts speak on their choices for the book and examine how one begins to analyze the historical significance of a movement that is still very much going strong.

Citing the decade's significance as a period in which dramatic changes in the nature of art practice went hand in hand with sociopolitical upheavals worldwide, the 17 - member, crossdepartmental curatorial team — led by Temkin and Martino Stierli, chief curator of architecture and design — describe the installation as «organized through the lens of the 1960s.»

2008 Show # 20: Peter Barrickman + Petra Cortright, And / Or Gallery, Dallas This is a Magazine: Episode 26, (Loshadka), Milan The New Easy, Amsterdam Club Internet, K.I.S.S., http://www.clubinternet.org/August NETMARES / NETDREAMS V 3.0, Current Gallery, Baltimore Young Curators, New Ideas, Bond Street Gallery, Brooklyn This is a Magazine: Video Object 23, Milan Build A Fire, Plexus Contemporary, Louisville, Kentucky Lizard Gear, Loshadka at MTAA's OTO, Brooklyn Club Internet, FIRST SELECTION http: / / www.clubinternet.org / New York Underground Film Festival, Anthology Film Archivees, New York B I T M A P: as good as new, Leonard Pearlstein Gallery at Drexel University, Philadelphia Montage: Unmonumental Online, The New Museum, New York 2007 B I T M A P: as good as new, vertexList, Brooklyn The Sims: In the Hands of Artists, Chelsea At Museum, New York Nasty Nets Event, Telic Arts Exchange, Los Angeles

Exhibition curator Norman Rosenthal — presented by Schnabel as his «co-conspirator» — talked about the show as «a demonstration of how alive is the art of painting in the hands of the great master.»

The myth that has grown around his life and art operates at the intersection between the artist's provocative persona, nomadic restlessness, and addictive habits, on the one hand, and, on the other, a seemingly bottomless oeuvre that encompasses not only «works» in every conceivable medium but also his activities as a curator, collector, organizer, and scenester.

Mega-galleries such as Hauser & Wirth have benefitted disproportionately from the growing concentration of wealth in the hands of a small sector of the global elite, giving them the resources to take on many of the functions that were previously the domain of curators, academics, and museums.

He currently works as a curator in the 19th Festival of Contemporary Art Sesc Videobrasil and develops projects as an independent curator for different institutions, such as The Negative Hand, a group exhibition at Parque Lage in Rio de Janeiro, and Prisma Project, a group show at ArtRio in Rio de Janeiro (2015).

«It was a conversation between us as curators first, before it was about the two institutions, about using the materials at hand to shape a dialogue about our country,» explains the Carnegie Museum curator, Eric Crosby, to Creators.

Obrist first came to the gallery as a guest curator in 1995, mounting a free - wheeling exhibition called Take Me I'm Yours, in which Gilbert And George gave away badges and Christian Boltanski allowed people to fill plastic bags full of second - hand clothes for a pound.

Both qualities led directly to his appointment as right - hand man to the biennial's chief curator, Francesco Bonami.

When it comes to S 2, we're all just biding our time until Sotheby's hands the space over to Drake for what will be the start of the 6 God's long career as a curator.

«The team we have assembled brings together Connect as an experienced local production company, accomplished curators and a proven project management company with first - hand experience of the Biennale.

The publication at hand is the second volume of interviews recapitulating the conversations I have been able to hold with artists in the course of my work as a director and curator, writes the Kunsthalle Vienna's illustrious Gerald Matt in his foreword to this galvanizing collection.

It is an eruption into the present of a past long gone, wreckage which, cut adrift from its own time, has somehow washed up on the shores of the present as poverty and abandonment...» and that `... To let the place begin to speak to us, we need a practice of observation of the kind Keats meant by «negative capability»... Take my advice and skip forward to the far more pragmatic and illuminating: Dust Bunnies and Coffee Stains: Anya Gallaccio in conversation with Clarrie Wallis, curator of contemporary art at Tate Britain — a far better point of entry, where one gets to know, first hand, what the work is really all about.

Penn's Kislak Center Special Collections Curator Lynne Farrington, who, together with ICA's Alex Klein, organized AVANT - GARDEner, was on hand, as was David Diao, whose presentation of color field painting was also on view in the galleries.

Renowned for his numerous essays devoted to entertainment and pop culture (Circus Americanus, 1996) and the slapstick shows he made as an independent curator («Just Pathetic,» 1991), Rugoff will surely bring his humorous sensibility to the often heavy - handed biennale exercise.

PROFESSIONAL HIGHLIGHTS • Over 5 years of work experience as a Curator at Local Museum • Highly skilled in planning, developing and presenting exhibitions • Hands on experience in buying items relevant to displays at a museum • Competent at identifying artifacts and managing restorations