Sentences with phrase «hand in some major museum»

Not exact matches

As Philippe de Montebello, then director of New York's Metropolitan Museum of Art, put it in 2003, when the museum staged a major retrospective of his work, «Guston's particular genius was in mediating seemingly diverse traditions, and, with fluent brushstrokes that speak to the artist's hand and brilliant colour, creating works that vigorously defied conventions.&Museum of Art, put it in 2003, when the museum staged a major retrospective of his work, «Guston's particular genius was in mediating seemingly diverse traditions, and, with fluent brushstrokes that speak to the artist's hand and brilliant colour, creating works that vigorously defied conventions.&museum staged a major retrospective of his work, «Guston's particular genius was in mediating seemingly diverse traditions, and, with fluent brushstrokes that speak to the artist's hand and brilliant colour, creating works that vigorously defied conventions.»

Astronomical amounts are also more likely to change hands because it is so rare that masterpieces held in private ownership come on to the market, most already being owned by the major museums.

One of the last paintings of Pope Pius XII held in private hands, the others are housed in major museum collections including Pope II, 1951 (Kunsthalle Mannheim, Mannheim), Figure Sitting, 1955 (Stedelijk Museum voor Actuele Kunst, Ghent) and Study (Imaginary Portrait of Pope Pius XII), 1955 (Sainsbury Centre for Visual Arts, Normuseum collections including Pope II, 1951 (Kunsthalle Mannheim, Mannheim), Figure Sitting, 1955 (Stedelijk Museum voor Actuele Kunst, Ghent) and Study (Imaginary Portrait of Pope Pius XII), 1955 (Sainsbury Centre for Visual Arts, NorMuseum voor Actuele Kunst, Ghent) and Study (Imaginary Portrait of Pope Pius XII), 1955 (Sainsbury Centre for Visual Arts, Norwich).

Matthew Ronay's first major museum presentation in the United States surveys a recent body of meticulously hand - crafted and vibrantly colored sculptures, reliefs and installations that deliver a phantasmagoric vision of physical and psychic processes fueled by visual traditions and conventions in art, science, and popular culture.

For the more recent project Local Industry, Wilson created a temporary textile factory at the Knoxville Museum of Art in Tennessee from February to April 2010, drawing on Tennessee's history as both a major center of industrial textile production in the United States and a region associated with hand weaving traditions.

From late 1960s onwards, Knight Lawrence's work landed in the hands of major collectors and collections, such as MoMA, Hampton University, St. Louis Art Museum and Francine Seder's gallery in Seattle.

The Qatar Museums Authority is has announced the unveiling of a major landscape commission, East - West / West - East, by American artist Richard Serra for the Brouq Nature Reserve, near Zekreet in western Qatar, approximately 60 kilometres from the capital Doha, GPS: N25o 31.019» E050o51.948» This goes hand and hand with a huge survey of his work running from tomorrow -LSB-...]

The Qatar Museums Authority is has announced the unveiling of a major landscape commission, East - West / West - East, by American artist Richard Serra for the Brouq Nature Reserve, near Zekreet in western Qatar, approximately 60 kilometres from the capital Doha, GPS: N25o 31.019» E050o51.948» This goes hand and hand with a huge survey of his work running from tomorrow until 6 July in Doha.

Petite danseuse de quatorze ans is the most ambitious and iconic of Degas's works and one of only a handful of bronze casts that remain in private hands — the majority are housed in major international museum collections, including Tate, London, the Metropolitan Museum of Art, New York, Philadelphia Museum of Art and Museé d'Orsay, museum collections, including Tate, London, the Metropolitan Museum of Art, New York, Philadelphia Museum of Art and Museé d'Orsay, Museum of Art, New York, Philadelphia Museum of Art and Museé d'Orsay, Museum of Art and Museé d'Orsay, Paris.

Students were able to experience, recognize, and appreciate the changes by first hand examination in exhibitions and installations in the major museum in New York City, as well as at Dia: Beacon and Storm King.

«Columbus, Ohio - based artists Dani Leventhal and Sheilah Wilson have embarked on an artistic relationship that is formally and emotionally adjacent to their domestic lives, a quotidian zone they share with their young daughter Rose... Although their joint body of work includes a performance based on the reading of love letters, Shameless Light (2016), and a new video installation, A Hand in Two Ways (Fisted)(2017), created for the Columbus Museum of Art, the major artwork to thus far emerge from the duo is their medium - length video Strangely Ordinary This Devotion.»

Her last major group exhibition was «Hand - Painted Pop: American Art in Transition, 1955 — 62,» shown in leading museums in Los Angeles, Chicago, and New York.

In 2011, she curated the major exhibition, The Artist's Touch, The Craftsman's Hand: Three Centuries of Japanese Prints from the Portland Art Museum, featuring 250 works dating from the 1680s to the present.

This month, when the Museum of Arts and Design in New York opens its show «Out of Hand: Materializing the Postdigital» — the first by a major museum to examine «the increasingly important role of digital fabrication in contemporary art, architecture and design practice» — among the more than 80 artists represented in it will be Frank SMuseum of Arts and Design in New York opens its show «Out of Hand: Materializing the Postdigital» — the first by a major museum to examine «the increasingly important role of digital fabrication in contemporary art, architecture and design practice» — among the more than 80 artists represented in it will be Frank Smuseum to examine «the increasingly important role of digital fabrication in contemporary art, architecture and design practice» — among the more than 80 artists represented in it will be Frank Stella.