Sentences with phrase «hand lettering artist»

Not exact matches

New York - based multimedia artist Baron Von Fancy lent his signature hand - lettered phrases to his collaboration with Vans.

Dawn is the Hand - Lettering Artist, Illustrator, Designer, Tombow Senior Brand Ambassador, and the Creative Blogger behind Dawn Nicole Designs ®.

If you're a calligrapher that specializes in crafting event invitations, you could say something like: «I'm an artist with expertise in calligraphy and hand lettering for various invitations.

The film features around 6,500 frames all hand - painted on canvas in the style of the iconic artist and Booth stars as Armand Roulin, who was famously painted by Van Gogh who wore a bright yellow jacket, as he attempts to deliver the artist's final letter to his brother following his suicide.

Selecting with the rotating knob tired our hand out before we could get to artists beginning with the letter E. Pressing and holding down on the directional pad resulted in scrolling through long lists so fast that we often overshot the song we were looking for.

Portland, OR About Blog Fine artist and illustrator Lisa Congdon is best known for her colorful abstract paintings, intricate line drawings, pattern design & hand lettering.

Artist Statement»...» - Alexis LampleyAlexis is a Mississippi - based graphic designer and hand - letterer.

In some paintings the letters «ESP» - a recurring motif or tag in his work - float in and out of vision, referencing at once the subconscious doodles of the artist's hand as well as a literal abbreviation of «Extra Sensory Perception».

Christine Wong Yap is a Queens, NY based artist whose work explores text, hand lettering, and agency.

in Art News, vol.81, no. 1, January 1982 (review of John Moores Liverpool Exhibition), The Observer, 12 December 1982; «English Expressionism» (review of exhibition at Warwick Arts Trust) in The Observer, 13 May 1984; «Landscapes of the mind» in The Observer, 24 April 1995 Finch, Liz, «Painting is the head, hand and the heart», John Hoyland talks to Liz Finch, Ritz Newspaper Supplement: Inside Art, June 1984 Findlater, Richard, «A Briton's Contemporary Clusters Show a Touch of American Influence» in Detroit Free Press, 27 October 1974 Forge, Andrew, «Andrew Forge Looks at Paintings of Hoyland» in The Listener, July 1971 Fraser, Alison, «Solid areas of hot colour» in The Australian, 19 February 1980 Freke, David, «Massaging the Medium» in Arts Alive Merseyside, December 1982 Fuller, Peter, «Hoyland at the Serpentine» in Art Monthly, no. 31 Garras, Stephen, «Sketches for a Finished Work» in The Independent, 22 October 1986 Gosling, Nigel, «Visions off Bond Street» in The Observer, 17 May 1970 Graham - Dixon, Andrew, «Canvassing the abstract voters» in The Independent, 7 February 1987; «John Hoyland» in The Independent, 12 February 1987 Griffiths, John, «John Hoyland: Paintings 1967 - 1979» in The Tablet, 20 October 1979 Hall, Charles, «The Mastery of Living Colour» in The Times, 4 October 1995 Harrison, Charles, «Two by Two they Went into the Ark» in Art Monthly, November 1977 Hatton, Brian, «The John Moores at the Walker Art Gallery, Liverpool» in Artscribe, no. 38, December 1982 Heywood, Irene, «John Hoyland» in Montreal Gazette, 7 February 1970 Hilton, Tim, «Hoyland's tale of Hofmann» in The Guardian, 5 March 1988 Hoyland, John, «Painting 1979: A Crisis of Function» in London Magazine, April / May 1979; «Framing Words» in Evening Standard, 7 December 1989; «The Famous Grouse» in Arts Review, October 1995 Januszcak, Waldemar, «Felt through the Eye» in The Guardian, 16 October 1979; «Last Chance» in The Guardian, 18 May 1983; «Painter nets # 25,000 art prize» in The Guardian, 11 February 1987; «The Circles of Celebration» in The Guardian, 19 February 1987 Kennedy, R.C., «London Letter» in Art International, Lugano, 20 October 1971 Kent, Sarah, «The Modernist Despot Refuses to Die» in Time Out, 19 - 25, October 1979 Key, Philip, «This Way Up and It's Art; Key Previews the John Moores Exhibition» in Post, 25 November 1982 Kramer, Hilton, «Art: Vitality in the Pictorial Structure» in New York Times, 10 October 1970 Lehmann, Harry, «Hoyland Abstractions Boldly Pleasing As Ever» in Montreal Star, 30 March 1978 Lucie - Smith, Edward, «John Hoyland» in Sunday Times, 7 May 1970; «Waiting for the click...» in Evening Standard, 3 October 1979 Lynton, Norbert, «Hoyland», in The Guardian, [month] 1967 MacKenzie, Andrew, «A Colourful Champion of the Abstract» in Morning Telegraph, Sheffield, 9 October 1979 Mackenzie, Andrew, «Let's recognise city artist» in Morning Telegraph, Sheffield, 18 September 1978 Makin, Jeffrey, «Colour... it's the European Flair» in The Sun, 30 April 1980 Maloon, Terence, «Nothing succeeds like excess» in Time Out, September 1978 Marle, Judy, «Histories Unfolding» in The Guardian, May 1971 Martin, Barry, «John Hoyland and John Edwards» in Studio International, May / June 1975 McCullach, Alan, «Seeing it in Context» in The Herald, 22 May 1980 McEwen, John, «Hoyland and Law» in The Spectator, 15 November 1975; «Momentum» in The Spectator, 23 October 1976; «John Hoyland in mid-career» in Arts Canada, April 1977; «Abstraction» in The Spectator, 23 September 1978; «4 British Artists» in Artforum, March 1979; «Undercurrents» in The Spectator, 24 October 1981; «Flying Colours» in The Spectator, 4 December 1982; «John Hoyland, new paintings» in The Spectator, 21 May 1983; «The golden age of junk art: John McEwen on Christmas Exhibitions» in Sunday Times, 18 December 1984; «Britain's Best and Brightest» in Art in America, July 1987; «Landscapes of the Mind» in The Independent Magazine, 16 June 1990; «The Master Manipulator of Paint» in Sunday Telegraph, 1 October 1995; «Cool dude struts with his holster full of colours» in The Sunday Telegraph, 10 October 1999 McGrath, Sandra, «Hangovers and Gunfighters» in The Australian, 19 February 1980 McManus, Irene, «John Moores Competition» in The Guardian, 8 December 1982 Morris, Ann, «The Experts» Expert.

Image Credits: Untitled, 2010, Silkscreened acrylic on dye - printed linen with vinyl ribbon, 78 x 51 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; A Line (Almanac), 2013, Eight felt double page spreads with «a» line cut; White felt end pages; Hard cover, hand - bound, 20.1 x 13.2 x 3 inches, Edition of 10 + 3 Aps, Collection of Thea Westreich Wagner and Ethan Wagner; A Line (Cover Letter), 2015, Synthetic felt, acrylic on canvas, 79 x 48 inches, Collection of Eleanor and Bobby Cayre, New York; Work Description, 2010, Glass, vodka, wood, cardboard, and plant, 33 1/2 x 45 x 32 1/2 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Untitled, 2009, Acrylic, gesso, spray paint on linen with lacquered wood frame, 71 x 50 inches, Private Collection, NY; Untitled, 2010, Acrylic on canvas, 69 x 53 inches, Private Collection, NY; Untitled, 2007, Airbrush and oil and acrylic on linen, 71 x 164 inches Courtesy of Daniel Lewis and Campoli Presti, London / Paris; Untitled, 2012, Vodka, pigment, urethane, gesso, and cotton, 24 x 18 inches, Courtesy of Dylan Lewis and Campoli Presti, London / Paris; Untitled, 2011, Silkscreened acrylic news print and felt on wood - mounted dibond, 30 x 40 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Yogurt Cinema, 2014, Cardboard, concrete, Pyrex bowl and lid, yogurt, video projector, and 108 min.

Working in hand - cut wood and paper décollage the artist creates intricate letter based works.

A graphic artist, activist, successful podcast host, author and hand - painted lettering specialist, he kicked off his career with clients such as the Guardian and WWE.

The painting's title and the artist's signature hug the breadth of the bottom edge, spelled out in machine - stenciled letters that negate this most intimately tailored sign of the artist's hand.

It also features a title on the front cover and spine that was hand lettered by the artist and nearly 200 never - before - published works and items of ephemera.

In response, more than 2,000 artists, curators, scholars, writers, interns, assistants, and many others engaged in the art world have signed an open letter stating «we are not surprised» by the widespread harassment they have experienced — including being groped, undermined, and intimidated — at the hands of people in positions of power.

The text in Powell's word lists is not printed — the artist has hand drawn each letter and filled it with ink.

In a free, public event, renowned psychedelic poster artist, hand letterer, underground cartoonist and Cooper Union graduate Victor Moscoso A»57 will discuss his work with design historian Norman Hathaway.

British artist Bob and Roberta Smith offers a mixed media installation The Poisoned Glade of Anti-Social Aesthetic» (2004) that includes hand - lettered, misspelled signs and clumsy drawings that insult artistic, musical and political icons.

Choice offerings will include a larger - than - life portrait of inventor Thomas A. Edison, signed by Edison and the artist, Ellis M. Silvette; a letter hand - written and signed by Marilyn Monroe when she was just 17 a...

With the new work the artist continues his path into abstraction, color, hand styles, and letter form.

«Columbus, Ohio - based artists Dani Leventhal and Sheilah Wilson have embarked on an artistic relationship that is formally and emotionally adjacent to their domestic lives, a quotidian zone they share with their young daughter Rose... Although their joint body of work includes a performance based on the reading of love letters, Shameless Light (2016), and a new video installation, A Hand in Two Ways (Fisted)(2017), created for the Columbus Museum of Art, the major artwork to thus far emerge from the duo is their medium - length video Strangely Ordinary This Devotion.»

Norman Hathaway will interview renowned psychedelic poster artist, hand letterer, underground cartoonist and Cooper Union graduate Victor Moscoso.

On March 17th, artist Bright walked into the Whitney wearing a shirt that read «BLACK DEATH SPECTACLE» in hand - written lettering, and stood in front of Open Casket (2016), a painting by the white artist Schutz in the Whitney Biennial.

Artist Statement «My interpretation of the cover» - Roberlan BorgesBrazilian digital illustrator, hand letterer and graphic designer.

Brooklyn based artist Scott Albrecht recently opened a soloexhibition of new work, «Along The Way», at Philadelphia's TrickGo gallery.Featuring a mixture of graphic hand lettering on aged book pages or salvagedbook covers and geometric woodcuts housed within reassigned drawers, thework explores personal memories and events in the artist's life.

Artist Statement «Geometric Exploration of the cover with red tones» - Roberlan BorgesBrazilian digital illustrator, hand letterer and graphic designer.

Artist Statement «Hand drawn Eagle illustration and «VOTE» lettering.»

Brooklyn based artist Scott Albrecht recently opened a soloexhibition of new work, «Along The Way», at Philadelphia's TrickGo gallery.Featuring a mixture of graphic hand lettering on aged book page...

Featuring a mixture of graphic hand lettering on aged book pages or salvaged book covers and geometric woodcuts housed within reassigned drawers, the work explores personal memories and events in the artist's life.

The basis is a hand - written letter to the artist, ending with the words «May this text be an indication of the space between you and me».

«They needed someone who could pencil / ink / color and letter covers and interior pages, which are jobs that are generally split up and handed to individual artists that specialize in each category.»

Portland, OR About Blog Fine artist and illustrator Lisa Congdon is best known for her colorful abstract paintings, intricate line drawings, pattern design & hand lettering.

Portland, OR About Blog Find painting of unique animals, unusual environments, unexpected portraits, characters, hand painted letters and repeat pattern for surface design by Artist, illustrator, Adrienne Vita.

The powder room features custom wallpaper with the text of an ancient Greek letter hand - illustrated by Brooklyn artist Katie Merz.