Sentences with phrase «hand lithography»

Image entitled HEART II 1981, printed as a limited edition edition of 165, using traditional hand lithography techniques on archival paper.

One of the few hand lithography ateliers in the Southeast, the Rolling Stone Press offered local, regional, and international artists the opportunity to collaborate with master printmaker Wayne Kline, who operated the studio.

Not exact matches

Most of them are Tarkay lithographies, but two of them are originals and some are hand brushed.

Installation view, from left JEREMY OKAI DAVIS, «Makes the Man,» 2012 (acrylic on canvas); NOEL ANDERSON, «Black Past - iche (to be looked at farandaway),» 2014 (fabric dye, collage and digital transfers in custom doubled - sded frame; collage, silkscreen, acrylic and digital transfers on rug); and ELLEN GALLAGHER, «DeLuxe,» 2004 — 5 (portfolio of sixty etchings with photogravure, spitbite, collage, laser - cutting, screenprint, offset lithography, hand painting and Plasticine).

Unique botanical collage using lithography, linocut, relief printing, digital printing, coloured pencil, watercolour and gouache, and sumi ink, hand cut and assembled on collaged japanese papers.

In her print Man Holding His Shadow (2011), she uses lithography, a medium at one remove from the artist's hand, to reflect on the limits of representation while maintaining her painterly style of mark making.

Hand cut digitally printed objects and laser cut litho printed on lithography printed on handmade paper

P07937 Fashion - plate 1969 — 70 Screenprint with offset lithography, hand colouring and collage 29 1/2 × 25 5/8 (749 × 650) on paper 39 × 27 1/4 (990 × 692) watermarked «FABRIANO», offset lithography printed by Sergio and Fausta Tosi, Milan, screenprinting by Chris Prater at Kelpra Studio, published by Petersburg Press in an edition of 70 Inscribed «Tony's proof from Richard» b.r. Purchased at Sotheby's (Grant - in - Aid) 1983 Lit: Hamilton, no. 74, repr.

ELLEN GALLAGHER, «DeLuxe,» 2004 - 05 (portfolio of sixty etchings with photogravure, spitbite, collage, laser - cutting, screenprint, offset lithography, hand - painting and Plasticine).

Image: Dario Robleto, The First Time, the Heart (Before and during emotion, 1870), 2017 Transparent ink lithography on hand - flamed and sooted paper, dipped in bath of shellac and denatured alcohol with brushed lithotine lift on Rising Artist Bristol

Frank Stella, From «The Waves»: The Pacific, 1989, silkscreen, lithography and linoleum block with hand colouring and collage (unique), 75 1/2 x 55 1/2 in / 191.8 x 141 cm

Objects, most importantly household tools, began to appear in his work at about the same time; a hands - on quality distinguished these pieces, which combine elements of painting, sculpture, and installation, as well as works in various other media, including etching and lithography.

Portfolio of sixty etchings with photogravure, spitbite, collage, laser - cutting, screenprint, offset lithography, hand painting and Plasticine, 13 × 10 1/2 in.