Sentences with phrase «hand man peter»

Timothy Spall turns in a great supporting performance as Clough's right - hand man Peter Taylor, who wants no part of this petty revenge.

Even his right hand man Peter disowned him.

Not exact matches

Yes, we may invoke Leviticus, Peter, Corinthians, Jesus» words in Matthew, and others to point to the sinfulness of sodomy, but the new covenant removes the penalty of death by the hands of men for this sin.

The same lesson, with a different background, is taught in the last chapter of John, where Jesus is working with his chosen right - hand man, Simon Peter.

The See of Peter fell into the hands of men who were more interested in using it as a power in Italian politics, in aggrandizing the members of their families, or in promoting art and their own personal pleasures than they were in making it effective in furthering the spiritual and moral life of Europe.

Peter was a large man with calloused hands and a rough face.

The men of Scripture — Abraham, Isaac, Sampson, Daniel, Jesus, Peter, Paul — are men of action whose occupations centered around physical labor like farming, shepherding, carpentry, tent - making, and fighting animals with their bare hands.

And Peter says, «This Jesus, delivered up according to the definite plan and foreknowledge of God, you crucified and killed by the hands of lawless men.

Dennis had been working under Frank De Boer as his assistant manager, but since Peter Bosz has taken over the main role, the former Arsenal man has been forced to take a less hands on role, and is now coaching and training with the younger players.

this window has just finished i am already thinking about who we will get for the january window we might try for khedira on a really low offer as he is free agent almost would help boost numbers in midfield in the new year as we will no doubt need to filling the numbers about then also i will hold my hands up and say i was wrong this morning for giving wenger stick and saying welbeck is rubbish i have been out in the cold light of day and had a chance to reevaluate the situation and realized that this could be a canny shrew transfer on wenger behalf actually if wenger can turn the clock back and work his magic on welbeck and get him scoring goals and improve his game then we could have a great underrated signing on our hands its wengers absolute trust in him that might be what makes him a great player as this is something that he never had at old mordor if anybody can make him a world beater wenger can he loves this little pet projects improving players against the odds welbeck has the skillset to be high class player upfornt he just needs to work very hard on his finishing i think once he gets a few goals under his belt he will settle in fine and he is a team player you could put him on the left against man city to shore up that side and he will put in a great shift without a complaint that could be his biggest asset to us or on the right whenever we need him there ithinkwenger might start himon the left against city to protect the left back against navas and i bet you if he does a great job we will take a shine to him quickly i am hopeing he will be one of those wenger gems that he finds and polishes up to a high finish i must admit i was annoyed as some other gunners were at not signing d / m and c / h but if wenger does win the league with this lot it will be his greatest win yet and what might play in to our hands is the unpredictable nature of the league in the last few seasons if we get on a good run at the right time we might be hard to stop look at city they should have never lost to stoke but the result is there in black and white for all to see and i think chelsea will hit the skids after a while to just because cesc and costa are doing well now thats there main threat but teams will work out how to stop them as the season goes on and chelsea will become predictable i think we might just do well this season after all

Peter Pena is charged with shooting a 26 - year - old man in the leg, and grazing the hand of a 21 - year - old woman, said Michael J. DeGeorge.

When they unexpectedly encountered Watson, the Labour deputy leader stopped to smile and shake hands with the Mirror man, saying: «Hello Peter.»

The rebellion was quashed, and a month later new Labour founder - and long - time Brown enemy - Peter Mandelson was awarded a peerage and brought back into the government as Brown's right - hand man.

Supported by a top notch cast of veterans and newcomers such as Peter Fonda, Logan Lerman, Gretchen Mol, Alan Tudyk, Luke Wilson and the impressive Ben Foster (Alpha Dog) as psycho gunslinger and Wade's right hand man Charlie Prince, Mangold delivers a rich tableau that speaks to the true, humble motivations of heroism and the ability for empathy to be found even in the darkest recesses of the self - centered human heart.

On the other hand, be thankful Peter Jackson didn't get his hands on Laura Hillenbrand's 2010 book about the man, or we'd have three entire films about him.

As if to signal that this isn't your grandparents» «Peter Rabbit,» the movie kills off the long - eared trespasser's longtime nemesis (played here by Sam Neill, virtually unrecognizable with his bulging eyes and crazy - old - man beard) just as he gets his hands on the vermin who's been stealing his veggies.

The wild cast of supporting actors includes wise - cracking Thomas Haden Church as Benjamin's brother, JB Smoove as the Realtor, Peter Riegert as Mee's editor, Patrick Fugit (from Almost Famous) as the guy with a monkey on his shoulder, Angus Macfadyen as the colorful zoo maintenance man, and John Michael Higgins as the snooty zoo inspector who knowingly holds their future in his smarmy hand.

Quickies The Apprenticeship of Duddy Kravitz, The Conversation, Phantom India, Five on the Black Hand Side, A King in New York, Ten from Your Show of Shows, The Exorcist, The Apple War, The Mother and the Whore, Blazing Saddles, Billy Two Hats, Zardoz, The Sting, The Underground Man (reviews by Ken Eisler, Rick Hermann, Peter Hogue, Richard T. Jameson, Jon Purdy, Ken Robinson, Gregory Dean Way)

We also have the brilliant Rory Cochrane as Bulger's right - hand man and fellow FBI informant Stevie Flemmi, a brief turn by Peter Saarsgard as the drug - fuelled accomplice Brian Halloran and, on the side of the FBI, Kevin Bacon as Charles McGuire, David Harbour as John Morris, the excellent Adam Scott as FBI Agent Robert Fitzpatrick, and a very good turn from Corey Stoll as Fred Wyshak, the guy that eventually brings the Winter Hill Gang down.

The older man takes Peter aside and says he's aware of the teen's extracurricular activities; he needs an extra set of hands, preferably ones that have web - shooters, to help out in an ideological stand - off between regulated heroics and what some see as borderline vigilantism.

Bringing in a new hero, on the other hand, provides Peter with someone to mentor himself and flips the script of the first film, giving Spider - Man a perspective on what it was like to look up to Iron Man and the rest of Earth's Mightiest Heroes.

The standout was probably Garrett Hedlund's charming (and two - handed) take on Hook, the man - child who would grow up to be Peter Pan's archnemesis.

(Leo McCarey, 1958) Reel 30b01 — Positano (Pierre Clémenti, 1969) Right Now, Wrong Then (Hong Sangsoo, 2015) Rio das Mortes (R. W. Fassbinder, 1971) Rak ti Khon Kaen (Cemetery of Splendour, Apichatpong Weerasethakul, 2015) Sag es mir Dienstag (Astrid Ofner, 2007) Shrimp Boat Log (2006 - 2010), So Sure of Nowhere Buying Times to Come (2010), David Gatten Schwitzkasten (John Cook, 1978) Shift (1972 - 1974), Still (1969 - 1971), Ernie Gehr Sisters (1973), Raising Cain (1992), Brian de Palma Smorgasbord (Jerry Lewis, 1983) Spain (Beryl Sokoloff, 1962) Spin (Hannes Schüpbach, 2001) Stella Dallas (King Vidor, 1937) Still Light (1970/2001), Sotiros (1976-1978/1996), Robert Beavers Suspicion (1941), Rope (1948), Alfred Hitchcock The Black Cat (Edgar G. Ulmer, 1934) The Effect of Gamma Rays on Man - in - the - Moon Marigolds (Paul Newman, 1972) Outer Space (2000), The Exquisite Corpus (2015), Peter Tscherkassky The Seventh Victim (Mark Robson, 1943) The Thoughts That Once We Had (Thom Andersen, 2015) The Throw 1 (2006), Eye Eclipse (2007), Fried Egg (2008), The Initiate (2008), Fruit Polyhedron (2009), Hand, Smaller than Hand (2009), The Soup (2009), Cassowary (2010), Pot Smaller than Pot (2010), Spaghetti Tornado (2010), Benguelino putting a spell on the camera (2011), Bread, Tea and Bao Game (2011), Donkey (2011), Dream of a Ray Fish (2011), Getting into bed (2011), The horse of the prophet (2011), The Unparticled Man (2011), Under a Car (2011), Wave (2011), Wheels (2011), Darwin's Apple, Newton's Monkey (2012), Placing the Fisheye (2012), Those animals that, at a distance, resemble flies (2012), Triangles and Squares (2013), Water Mill (2012), Proboscis (2013), João Maria Gusmão & Pedro Paiva Thorndon (1975), Napkins (1975), Aberhart's House (1976), Johana Margaret Paul Three Films from the Room (Peter Todd, 2015) Tortured Dust (Stan Brakhage, 1984) Trixi (Stephen Dwoskin, 1969) Twin Peaks (1990), Fire, Walk with Me (1992), David Lynch Viaggio in Italia (Roberto Rossellini, 1954) Vivir para vivir (Laida Lertxundi, 2015) Yolanda and the Thief (1945), An American in Paris (1951), The Bad and the Beautiful (1952), The Cobweb (1955), The Courtship of Eddie's Father (1963), The Sandpiper (1965), Vincente Minnelli Zanj Revolution (Tariq Teguia, 2013)

The film's comparison points are clear — a little bit of «Scum,» a little bit of «A Prophet «-- but it sets itself apart by making Jack O'Connell «s central character Eric (who is «starred up,» prison slang for being a high - risk violent offender) a hair - trigger, emotionally fucked psychopath, and by putting him in the same wing as his father Neville (Ben Mendelsohn), a long - time lifer who's the right - hand man to prison kingpin Spencer (Peter Ferdinando).

The Judge Steps Out (Boris Ingster, 1949) Laughter in Hell (Edward L. Cahn, 1933) Afraid to Talk / Merry - Go - Round (Edward L. Cahn, 1932) Woman in Hiding (Michael Gordon, 1950) Mr. Skitch (James Cruze, 1933) Union Depot (Gentleman for a Day, Alfred E. Green, 1932) A House Divided (William Wyler, 1931) The Son - Daughter (Clarence Brown, 1932) Cover Up (Alfred E. Green, 1949) Le code a changé (Change of Plans, Danièle Thompson, 2009) Alina (Giorgio Pàstina, 1950) Parachute Jumper (Alfred E. Green, 1933) We Were Dancing (Robert Z. Leonard, 1942) Die Somme - Das Grab der Millionen (The Somme, Heinz Paul, 1930) Conrad in Quest of His Youth (William C. de Mille, 1920) Transatlantic (William K. Howard, 1931) Cry of the Hunted (Joseph H. Lewis, 1953) L'Engrenage (Louis Feuillade, 1919) No Man's Woman (Franklin Adreon, 1955) Time Table (Mark Stevens, 1956) The Lone Hand (George Sherman, 1953) The Threat (Felix E. Feist, 1949) Hotel Berlin / Vicki Baum's «Hotel Berlin» (Peter Godfrey, 1945) Confidential Agent (Herman Shumlin, 1945) Roger La Honte (Trap for the Assassin; Riccardo Freda, 1966) Pierrot Pierrette (Louis Feuillade, 1924) Getting Mary Married (Allan Dwan, 1919) The Idle Rich (William C. de Mille, 1929) Kiki (Clarence Brown, 1926) The Woman in White (Peter Godfrey, 1948) Yoru no tsuzumi (Night Drum, Imai Tadashi, 1958) She Couldn't Say No (Lloyd Bacon, 1954) Confession (Joe May, 1937) This Could Be the Night (Robert Wise, 1957) Ex-Lady (Robert Florey, 1933) Front Page Woman (Michael Curtiz, 1935) The Great Jewel Robber (Peter Godfrey, 1950) Deep Impact (Mimi Leder, 1998) Within the Law (Frank Lloyd, 1923) Prime (Ben Younger, 2005) Forged Passport (John H. Auer, 1939) So Young So Bad (Bernard Vorhaus & Edgar G. Ulmer, 1950) The Forbidden City (Sidney A. Franklin, 1918)

Peter escapes with a cowboy - like Hook (Garrett Hedlund), who has been in Blackbeard's captivity for a long time, and Sam «Smee» Smiegel (Adeel Akhtar), the dastardly pirate's right - hand man.

Adapted from the story called The Hands of Orlac by Maurice Renard, Mad Love would star Peter Lorre in one of his very best roles as a leading man before eventually being -LSB-...]

Peter Brock later recalled that after the 1985 James Hardie 1000, long time HDT driver and Brock's right - hand - man at the Special Vehicles operation John Harvey had remarked that their personal road cars (the SS Group A) were in fact faster and more reliable than the 1985 race cars.

Every man, woman and pet budgie wants to get their hands (or beak) on the latest (and probably last) Uncharted game.

Players will be taking on the role of Peter Parker when they finally get their hands on Spider - Man for PS4, but he won't be the rookie he's been portrayed as in other romps.

David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.

Exhibition Checklist Main Gallery (Clockwise from entrance) Robert Arneson Splatt, 1983 bronze with unique ceramic base 71 x 21 x 21 inches RAs 130.01 Robert Arneson Elvis II, 1978 conte, pastel on paper 41 5/8 x 29 7/8» RAd 04 Joan Brown Self - Portrait at Age 42, 1980 enamel on canvas 71 3/4» x 60» JBRp 19 Steven Campbell Men Insulting Nature and the Notion of Travel, 1986 oil on canvas 83 x 99 inches SCamp 01 Carol Cole Tar Baby, 2004 mixed media 7 x 13 inches CCs 1 Peter Saul Come and Get Me, 1968 oil on canvas 63 1/2 x42 inches PSp 118 Richard Shaw Figure on a Palette, 1980 glazed porcelain 39 x 13 x 18 inches RSs 68 Andrew Lenaghan Big Sarah, 2005 acrylic on canvas 77 1/2 x 58 inches AnLp 395 Yoan Capote Madness II, 2004 steel 70 1/2 x 40 x 23 inches YCs 19 Collier Schorr Esther's Fine Dream (Ashes to Ashes, We All Fall Down), 1991 cast paper, acrylic, pencil, and collage L 18 x W 12 x D 10 inches CoSs 1 James Barsness Untitled (Red nude on street), 2004 acrylic, ballpoint pen 12 x 9 inches JBARd 60 James Barsness Untitled (with jack o'lantern), 2004 acrylic, ballpoint pen, inkjet archival print on paper 11 7/8 x 8 5/8 inches JBARd 61 Anthony Kulig Look - Out, 2005 plaster, acrylic Two figures 17 x 4 1/2 x 3 inches each AKuls 8 Don Colley Weave 2003 7 x 6 1/2 inches scratchboard, artist's frame DCp 10 Don Colley Reel, 2003 scratchboard, hand - made hardwood frame 6 x 6 inches DCp 09 Side Gallery Diane Edison Self - Portrait Interior (striped robe), 1992 color pencil / black paper 30 x 22 inches DEd 8 Adolph Gottlieb The Watchers, c. 1941 oil on canvas 30 x 24 inches AGotp01 Lesley Dill Of, 2005 unique bronze with oil paint 67 x 58 x 28 inches LDs 207 Alfred Leslie Bread and Coffee, 1983 oil on canvas 84 x 60 inches ALp 02 Stanton Macdonald - Wright Study for American Synchromy # 1, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 3 Stanton Macdonald - Wright Study for American Synchromy # 2, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 4 James Valerio David, 2004 pencil on paper 30 1/2 x 25 inches JVd 52

This is the point where marketing slides its greasy hand into the soul of men and women and pets their vanity for all its worth.