Sentences with phrase «hand on floor beneath»
Get started: Lie on left side with left hand on floor beneath left shoulder, right fingers behind head; let inside of right foot rest on floor in front of left foot.
http://www.health.com/ Not exact matches
Raise one leg up behind you and reach it over to touch the floor beneath your hand on the opposite side.
Exhibiting Company: Omix - ADA / Rugged Ridge Phone: 707-614-6101 Fax: 770-614-6069 E-mail: [email protected] Website: www.omix-ada.com; www.ruggedridge.com Booth Number: 30135 and Omix - ADA / Rugged Ridge Off - Road Success Center Vehicle Builder: Willys - Overland and Ford Motor Company Powertrain / Drivetrain Type and Modifications: Ford: 119.5 ci four - cylinder side - valve Fordson Model N tractor engine; Model A three - speed transmission; engine hand crank; Willys: 134ci four - cylinder L - head side - valve engine; Bantam; 134ci four - cylinder L - head side - valve engine Exterior Modifications: Ford: manual windshield wiper; recessed headlights; pintle tow hook; front and rear blackout lamps; Ford script on rear tail panel; Willys: headlights mounted on top of the fenders; Willys logo embossed on top of grille; folding windshield; vertical slat grille; Bantam: square body - tub corner; round grille bars; flat front fenders; recessed headlights; folding windshield; single windshield wiper Interior Modifications: Ford: car instrument cluster; Willys: circular instrument clusters; cast - metal pedals; three - speed shifter on column; dash - mounted parking brake; Bantam: floor - mounted starter button; hand throttle in dash; gas filler beneath seat; oval gauges
The Scenic City Room is tucked beneath a beautiful 12 - foot high carved cherry wood ceiling ad features a gorgeous pewter queen - sized bed dressed in fabrics of gold and turquoise, The room also has lovely hand stitched antique side chairs and a private bathroom with a shower - over-bath combination, plush bathrobes and deluxe bath products.Located on the second floor of the Inn, this room is accessed by a grand staircase.
These images of Vicious resonate with the photographs of Pollock buried beneath them, wherein Pollock is (partially) seen either standing over a canvas that has been spread out on the studio floor, hand extended with loaded brush — a performative gestural flourish is frozen in time — or else he is seen sitting or even lying down with cigarette in hand, his body seemingly relaxed in a post-creation, almost post-coital state of exhaustion.