Sentences with phrase «hand painted effect»

A beautiful celebration of summer flowers, with a hand painted effect and broad brushstrokes, a palette of bold and misty colours.
Fill your space with luxurious tumbling roses, with a bold hand painted effect to really encompass the feeling of a rose garden — shown here in fresh pink and aqua greens on white.
The pants have a panelled detail at the back and also feature a contrast hand painted effect print across the front and the front and back lower leg.

Not exact matches

Filed Under: arts and crafts for kids Tagged With: cards, fish, hand print, hand print cards, rainbow paint effect Cerys Parker
Through this hands - on painting for kids project, children can experience cause and effect while learning about color mixing and textures!
Hand the ice paint sticks to your child and let them have fun exploring the different painty effects that they can create.
Thus, as Lightning McQueen races, the track lights and neon signs reflect off of his red paint, and that red glow can now reflect in a puddle as he passes, which alters the color of the car next to him — all without the animators needing to render these effects «by hand» from scene to scene.
This hand painted decoration with a wood grain effect...
(If you're unfamiliar with the technique, it involves hand - painting subtle highlights for a blended effect that looks as close to natural as possible.)
Balayage is a hand - painted hair color technique that mixes ombré and highlights for a gorgeous sun - kissed effect.
Cut in a wrap - effect silhouette that resembles traditional kimonos, this satin - trimmed jumpsuit is made from fluid silk crepe de chine that's beautifully decorated with hand - painted florals.
In hand painted patina - effect havane leather, this pair is an all - season staple.
Hand drawn and painted animated imagery was matched to live action of real characters in this defining moment for visual effects.
There are many subtle details in the art design; things like cultural influence in character models and background environments, beautiful hand - painted textures, vivid effects, smooth animations, and, of course, incredible transitional areas where lighting, shadows, and color blend so well, it could make a grown, bearded man cry.
Super Silver special metallic paint, with 8 - stage process, including three clearcoats and hand - polishing to achieve a lustrous, liquid effect
An optional liquid - effect finish employs a hand - polished 8 - stage process with product - specific Super Silver metallic paint and three layers of clearcoat.
Witness a living breathing world built on hand - painted backgrounds integrated seamlessly with 3D models, dynamic weather and lighting, and stunning visual effects.
It is the game's art direction and sumptuous musical score that rounds everything off nicely, a hand - painted watercolour charm within the game's many locations being beautifully accentuated by the stereoscopic 3D effect.
As I dug deeper I was struck by the sense of outrage and loss this painting aroused in so many people: The family of Lea Bondi, determined to reclaim the stolen portrait she had failed to recover in her lifetime; the Manhattan District Attorney who sent shock waves through the international art world and enraged many of New York's most prominent cultural organizations when he issued a subpoena and launched a criminal investigation following the surprise resurfacing of Portrait of Wally; the New York art dealer who tipped off a reporter about the painting during the opening of the Schiele exhibition at MoMA; the Senior Special Agent at the Department of Homeland Security who vowed not to retire until the fight was over; the art theft investigator who unearthed the post-war subterfuge and confusion that ultimately landed the painting in the hands of a young, obsessed Schiele collector; the museum official who testified before Congress that the seizure of Portrait of Wally could have a crippling effect on the ability of American museums to borrow works of art; the Assistant United States Attorney who took the case to the eve of trial; and the legendary Schiele collector who bartered for Portrait of Wally in the early 1950s and fought to the end of his life to bring it home to Vienna.
However, Boyd's paintings are a testament to the artist's hand, accomplishing nuanced chromatic shifts and optical effects that are as cerebral as they are visceral.
Group Island Press: Recent Prints, Mildred Lane Kemper Art Museum, St. Louis, MO, 2018 Thinking Through Art, Middlebury College Museum of Art, Middlebury, VT, 2018 Sunrise, Sunset, Emerson Dorsch Gallery, Miami, FL, 2017 The Unhomely, Denny Gallery, New York, NY, 2017 Women Painting, Miami Dade College, Kendall Gallery, Miami, FL, 2017 New Faces, Different Places, Central Features Contemporary Art, Albuquerque, NM 2017 The Home Show, form & concept, Santa Fe, NM, 2016 Girls Who Dance in Dissonance, Wayside, Los Angeles, CA, 2016 Surface Area: Selections from the Permanent Collection, Studio Museum in Harlem, New York, NY, 2016 Self - Proliferation, Girls» Club, curated by Micaela Giovannotti, Fort Lauderdale, FL, 2016 Faces and Vases, Royal NoneSuch Gallery, Oakland, CA, 2016 Visions Into Infinite Archives, SOMArts Cultural Center, curated by Black Salt Collective, San Francisco, CA, 2016 Summer Art Faculty Exhibition, Schick Art Gallery, Skidmore College, Saratoga Springs, NY, 2015 Paula Wilson & Jovencio de la Paz, Saugatuck Center for the Arts, Saugatuck, MI, 2015 Perception Isn't Always Reality, Kranzberg Arts Center, St. Louis, MO, 2015 DRAW: Mapping Madness, Inside — Out Art Museum, curated by Tomas Vu, Beijing, China, 2014 - 2015 Lake Effect, Saugatuck Center for the Arts, curated by Mike Andrews, Saugatuck, MI, 2014 I Am The Magic Hand, Sikkema Jenkins & Co, Organized by Josephine Halvorson, New York, NY, 2013 Sanctify, Vincent Price Museum, Los Angeles, CA, 2013 The Bearden Project, Studio Museum in Harlem, New York, NY, 2012 Configured, Benrimon Contemporary, Curated By Teka Selman, New York, NY 2012 Art by Choice, Mississippi Museum of Fine Art, Jackson, MS, 2011 The February Show, Ogilvy & Mather, New York, NY, 2011 Art on Paper: The 41st Exhibition, Weatherspoon Art Museum, Greensboro, NC, 2010 Defrosted: A Life of Walt Disney, Postmasters Gallery, New York, NY, 2010 41st Collectors Show, Arkansas Art Center, Little Rock, AK, 2009 - 2010 Carrizozo Artist's Show, Gallery 408, Carrizozo, NM, 2009 - 2010 While We Were Away, Sragow Gallery, New York, NY, 2009 A Decade of Contemporary American Printmaking: 1999 - 2009, Tsingha University, Beijing, China, 2009 Collected.
While in the wrong hands this might have produced a recherché period room, the effect was a vivid realisation of the architectonic aspirations that Mondrian had for his painting, and for the Neo-Plasticist movement.
New York - based artist Keltie Ferris covers her mostly large - scale canvases with layers of spray paint and hand - painted geometric fields, creating the effect of brightly colored digital screens dissolving into pixels.
The blurred effect of the obfuscated paint, dragged and smeared by the rag, retained a compelling immediacy that Wool embraced, having effectively combined the element of chance with the gesture of the artist's hand.
I break the clean - cut compositions or the so called «Op art» effect by adding loose brushstrokes, by placing hand carved wood panels in front of my «clean» wall paintings and my monochrome surfaces and thus break them with a rough gesture.
The Swiss artist Urs Fischer, known mostly for his sculpture, has also made editioned «paintings» — laser prints of untitled landscapes or interiors that achieve a nearly abstract, cracked - mirror effect with uneven bands of red, white, or black that the artist adds by hand, using a fine paintbrush or felt - tipped marker.
Two paintings and three hand - lettered drawings by Martin Wong A slide show by Matt Wolf Three photographs by David Wojnarowicz Three photogravures by Danh Vo An interview with Marvin Taylor An apparition concerning Liberace A sculpture by Robert Kinmont A stereoscopic photograph by Alfred A. Hart Two paintings and a multiform work by James Benning A photograph and a publication (and errata) by Martin Beck A composite essay by Julie Ault Artifacts and documents from The Downtown Collection An anonymous ledger drawing A crate of personal effects
Gronquist's paintings, for example, are created using sanded plexiglass over hand - painted drop boxes, creating a foggy, luminous effect.
For more than two decades, Simmons has honed his «erasure technique,» a method of hand - smudging and sculpting wet paint to create the shimmery effect of partly erased chalk.
It is here again that Walsh's painting by hand gives the works their particular feel, using the slight irregularity as an optical effect in itself, softer and fuzzier than a Bridget Riley Op painting, but more aggressively illusionistic than, say, a Rothko.
For all their mystery, for all the taciturnity of their refusal, these paintings lodge the totality of their effect in a sleight of hand through which the material surface of the picture appears to be supplanted by an optical membrane: a resonant film that seems the very envelope of vision, like the blackness you «see» when you shut your eyes.
To achieve her desired effects, Ferris overlays hand painted geometric grounds with her signature, graffiti - like markings in spray paint.
Rather than drawing attention to the process of creating Abstract Expressionist works through impasto paint and visible brush marks, Lichtenstein imitated the effects of mechanical printing through a stencil process, thick black outlining and his striking hand - painted Benday dots.
«Although de Kooning and Pollock made use of chance effects,» notes Calvin Tomkins in his book Off the Wall, «letting the paint run and drip in their spontaneous encounters with the canvas, they were not about to hand over the whole process to accident.»
Her pieces combine life - size photographs of Tierra del Fuego Indians - their bodies painted in bold abstract designs - with hand - knit replicas of the figures, patterns and all, and the effect is startling.
The economy of means is calibrated to a purpose, not to an effect and one can follow the eye, the hand and the mind behind the wandering paint dots of Adam Henry filling the loose knit of burlap, the puzzle like rectangular wood shapes assembled in Ryan Mrozowski triptych and the diagonal lines crisscrossing the complex constructions of Gianna Commito and Ann Pibal.
• Track record of instructing students about basic sketching and contouring techniques • Well versed in evaluating students» work, charting their progress, grading assignments and guiding them regarding their weaknesses appropriately • Hands - on experience in curriculum development, lesson planning and implementation with aid of modern and effective AV aids and instructional strategies • Expert in instructing students about working in various modes including pastels, oil colors, water colors, fabric paints, charcoal and pencil • Adept at creating and maintaining a highly stimulating, inspiring and multicultural classroom environment • Proven ability to introduce novel forms of art and inculcate the same in the curriculum effectively • Demonstrated ability to enhance creativity among students by encouraging innovation, novelty and originality in their pieces of art • Familiar with various kinds of pixel sheets, sketching paper and art material, fully capable of determining age specific art material and techniques, suitable for assigned level and grades of children • Known for initiating, designing and implementing various art contests at the school to encourage a general appreciation for art among students • Competent at identifying course goals and fulfilling the same in collaboration with students, teachers and parents • Proven skills in lesson planning, curriculum implementation, technique instruction, practice facilitation and assignment communication • Profound knowledge of various advanced level 3D effect art techniques • Strong classroom management, organization and discipline control skills • Profound ability to devise innovative learning and instructional techniques to facilitate effective transfer of skill and knowledge • Proficient in use of computer to aid art work, familiar with various graphic designing and drawing enhancement software
These white mosaic kitchen tiles have been transformed with striking hand - painted zig zags and a black floating shelf has been added to mirror the effect.
And for the walls, go for something different, like this hand - painted brick effect design.
The final coat is of course hand painted with precision or if you have chosen a solid wood finish, you will have a choice of a lacquered or oiled to give the effect you love.
At its best in a neutral decorating scheme like this one, which shows off the hand - painted finish to best effect.
«Paint, applying even pressure, and try using on furniture and fabric, too, for a beautiful hand - painted effect,» says Josephine Bennett, Head of Design, Home Furnishings, Laura Ashley.
The hand painted, wood - effect chair legs are complemented by the embossed detailing on the backs of the chairs and this gives a look of warmth, creating a subtle contrast against the table's contemporary, high gloss finish.
The Abbey Extending Table featured in this set has a table top made from High Pressure Laminate which, along with the chair legs which are hand painted with a wood - effect finish, guarantees supreme durability.
Even better, the table has been produced at high pressure to ensure the utmost resilience, whilst the chairs feature metal legs which are hand painted to give a wood - effect finish.
With a high pressure laminate table top created at pressures of over 1000 lbs per square inch, coupled with the dining chairs» metal legs, hand - painted with a matching wood effect, you can be in no doubt that this is a dining set which has been built to last.
This is also evident in the wood - effect hand painted chair legs which stand out against the table's high gloss finish, making this a truly designer dining set in terms of both quality and style.
A robust set of dining chairs with ease of maintenance and attention to detail, This Set of Two Grey Talisa Dining Chairs consist of a wipe - clean resin shell and durable metal legs, hand painted to give a wood - effect finish.
The high gloss table has been produced under high pressure to ensure that it is as robust as possible, whilst the chairs have been constructed with metal legs, hand painted to give a wood - effect finish.
Similarly, the table's high pressure finish and dining chair's metal legs, which have a hand painted wood - effect, also ensure long term durability, meaning this set can withstand the demands of daily and long term use thanks to its easy - clean properties and robust construction.
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