Broken Age is
hand painted images, applied onto 3D models, put into a 3D world, which in the end still looks 2D and hand painted.
Not exact matches
An acrylic - on - canvas
hand -
painted Imgur logo that, when illuminated with a black light, reveals a hidden
image of «dickbutt,» a not - quite SFW meme.
To Imgur's staff of 70, these are beloved gifts from users, daily reminders that people care so much about what Imgur has built that they will put a
hand -
painted image of a giraffe, or, heck, just a banana, in the mail to say «thanks.»
David G. Roskie's compelling study Against the Apocalypse: Responses to Catastrophe in Modem Jewish Culture discusses the cross symbol's use not only in Chagall's
painting, but in the literary work of Der Nister, Lamed Shapiro, Sholem Asch, S. Y. Agnon and the poet Uri Zvi Greenberg (Harvard University Press, 1984 [pp. 258 - 310]-RRB- In literature written before World War II (and under the influence of biblical criticism that had emancipated Jesus»
image from its doctrinal Christian vesture), these authors used the cross symbol variously; for Asch, the crucified figure in all his Jewishness symbolized universal suffering; for Shapiro and Agnon, on the other
hand, the cross remained an emblem of violence and a reminder of Christian enmity against Jews.
Souvenir shops are filled with folk - art gifts adorned with
images of bright red peppers, including
hand -
painted eggs, decorated dishware, and embroidered linens.
Like every other election, visual stunts manufactured to maximise positive coverage are not limited to attack posters, but range from the ubiquitous
images of David Cameron in a hard hat and Nigel Farrage with pint in
hand to Nick Clegg trying to «impress future voters with his finger
painting skills».
After analyzing the light reflected off the
painting, he could see the original landscape
image — but he could also see, for the first time, Picasso's hidden
hand.
There's a lot of lead, for instance, in the white
paint that Picasso used — and the hidden
hand,
painted with white, was particularly visible in the
image showing where lead - based
paint was applied, the team reported.
From rock - carved maps of Idaho's Snake River, to
hand - drawn and
painted Ptolemaic world maps predating the discovery of the Americas, to Landsat satellite
images of the Great Wall of China, this colorfully illustrated history shows how maps for cities, subways, weather, and even «moral statistics,» such as crime and poverty have helped people navigate Earth — and conquer large parts of it too.
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Since I am right
handed, I always start applying
paint on the top left of the
image.
and what better way to get back into posting than featuring an accessory that i waited almost 3 months for: this stunning
hand painted bag with the
image of my logo!
The
paint — which takes seven days to apply,
hand - sand, and
hand - polish — is so deep and lustrous that you could count the freckles in your reflected
image.
The first five examples were all
hand -
painted, but Rauschenberg used photographic methods to transfer
images — mostly of classical art pieces — to the car's sheetmetal.
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This required my assistant - of - the - day Maggie and I to dip Alice's feet and
hands in white
paint, press her
hands and feet on to plastic transparency sheets, cut out the
hand prints and foot prints, and then strategically place the plastic prints in the scene, shoot, replace, shoot, etc until we had created the trail you see in the final
image.
The visuals are a stunning blend of traditional «
hand painted» 2D
images bolstered by cel - shaded 3D graphics, which create the feeling that you're walking through a
painting from the 1930's.
The Minneapolis - born artist shoots high - resolution black and white
images through glass blocks, then adds photograms during the development process and, for the final layer,
hand -
paints the prints.
Sometimes I dive straight in with the
paint, others are drawn free -
hand but for a very large and intricate
painting like this I use a projector and draw over the
image, ensuring that the bowls of the glasses are correct in shape and perspective.
Early on he drew in white chalk on readymade chalkboards or directly onto slate -
painted walls, then smudged the
images with his
hands.
Johns, on the other
hand, has been quoted as saying «I didn't want my work to be an exposure of my feelings,» when describing why he turned his back on Abstract Expressionism to
paint familiar, even neutral,
images like flags, targets, and numbers.
Multiple layers of geometric and gestural marks are silkscreened and
hand painted over these flattened
images creating a rhythm within the
painting while obfuscating the original subject matter.
In the imagery, Craven combines found
images of antiquity with abstract
hand - drawn patterns of ambiguous origin, and often subsequently
painting walls to emphasize aesthetic choices that personalize his project.
Most of them were taken at the Tate Modern when he recently had a show at the museum and they are over-painted by
hand, by Richter, with
paint obscuring the
images.
His rhythmic patterns of repeating
images, often featuring symbols of contemporary folk culture, are
hand painted and rendered through the visual language of printmaking.
In these new
paintings, depth, dimension, and the artist's
hand are typically lost in translation from object to
image, allowing the information to exist as it might appear on a digital screen.
This is a painter qua painter, although she works in all kinds of mediums, but the way that she uses digital
images as the subject for her
hand paintings just slays me.
The exhibition will present selections from Bayrle's most iconic series, including several of his rarely exhibited «
painted machines» —
hand -
painted kinetic works inspired by
images of Chinese pageants and other mass demonstrations.
In this present exhibition, Ventura collages and
hand -
paints over every
image.
The performative nature of the
paintings and the artist's self - awareness on camera recalls Hans Namuth's infamous photographs of Jackson Pollock's dramatic
painting process —
images that have defined our understanding of his active bodily presence.18 However, in Saint Phalle's
hands, there is an explicit refusal of the terms of abstraction that Pollock and others of his generation perfected — i.e., the expression of exquisite anguish that could be exorcized by subjective brushwork from the singular, heroic male artist.
Finding himself drawn to figurative
images displaying a complexity of expression, Lawson's resulting
paintings each focus on a single figure from torso up, all including faces and
hands.
Her collages are constructed using fragments from fashion and travel magazines, pornography, African art books, automotive schematics, and
images drawn from science fiction as well as
hand - drawn or
painted elements which create a variety of new formations of the body.
Innerst broke onto the New York art scene in the early 1980s with exquisitely executed small - scale
paintings with
hand - made frames, and his works were considered part of the Pictures Generation of artists who employed widely varied
images as source material culled from the expanding media of the pre-digital age.
The laborious printing process included selecting a black and white photograph transferred to a framed silkscreen, tracing the
image, delineating
paint areas and
hand pulling each
paint color across the screen onto the paper or canvas.
He stressed the artificiality of his
images by
painting them as though they'd come from a commercial press, with the flat, single - color Ben - Day dots of the newspaper meticulously rendered by
hand using
paint and stencils.
We call them
paintings because that is the convention for flat
images made by
hand that hang on a wall, and we call them abstract because they might remind us of, say, a
painting by Sam Gilliam, Al Loving, Jean - Paul Riopelle, Cy Twombly or Jack Whitten.
When ill health prevented Henri Matisse from
painting he turned his
hand to cut - outs, using collage to create whole
images or compositions.
A new exhibition of the artist's work features more than 50 collages,
paintings and
hand -
painted serigraphs considering girlhood, self -
image and the dysfunctional legacy of colorism.
In the large construction «Bound», a wide yellow line (both as
painted mark and as collaged or free hanging dyed and
hand painted muslin) traverses the entire field, stitching together disparate materials and creating a possible path for the eye, which never arrives at a static
image.
She has published artist's books such as Anna's Egypt (AUC Press, 2003);
Images du Ganges (Editions Fata Morgana, 2003) and Constantin Cavafy: Poèmes (Editions Fata Morgana,
hand -
painted books, limited edition, 2001), and her works can be found in the collections of the Museum of Modern Art, New York; Art Institute of Chicago; Neue Galerie, Kassel, Germany; Institut du monde arabe, Paris; Guggenheim Abu Dhabi; Kadist Art Foundation, Paris and Musée Carre d'Art, Nîmes, France.
Hinkle's largely figurative
images combine photographic imagery with
hand - drawn and
painted details to create fantastical female figures of wonder.
Based loosely on photographs of women sourced from fashion magazines, photo albums, pornography, and elsewhere, Joffe's
paintings — juxtaposing thin, dripping washes with thicker oily passages — explore the notion that all appearances and
images, regardless of how off -
hand they may seem, are carefully planned and constructed.
Image Credits: Untitled, 2010, Silkscreened acrylic on dye - printed linen with vinyl ribbon, 78 x 51 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; A Line (Almanac), 2013, Eight felt double page spreads with «a» line cut; White felt end pages; Hard cover,
hand - bound, 20.1 x 13.2 x 3 inches, Edition of 10 + 3 Aps, Collection of Thea Westreich Wagner and Ethan Wagner; A Line (Cover Letter), 2015, Synthetic felt, acrylic on canvas, 79 x 48 inches, Collection of Eleanor and Bobby Cayre, New York; Work Description, 2010, Glass, vodka, wood, cardboard, and plant, 33 1/2 x 45 x 32 1/2 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Untitled, 2009, Acrylic, gesso, spray
paint on linen with lacquered wood frame, 71 x 50 inches, Private Collection, NY; Untitled, 2010, Acrylic on canvas, 69 x 53 inches, Private Collection, NY; Untitled, 2007, Airbrush and oil and acrylic on linen, 71 x 164 inches Courtesy of Daniel Lewis and Campoli Presti, London / Paris; Untitled, 2012, Vodka, pigment, urethane, gesso, and cotton, 24 x 18 inches, Courtesy of Dylan Lewis and Campoli Presti, London / Paris; Untitled, 2011, Silkscreened acrylic news print and felt on wood - mounted dibond, 30 x 40 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Yogurt Cinema, 2014, Cardboard, concrete, Pyrex bowl and lid, yogurt, video projector, and 108 min.
The three
paintings that were on view during his show — Peekaboo, Prom Night (For Bigger Thomas), and Window
Painting — combine collaged materials that the artist hand - stitched into the canvas, with printed images of his family he pulled, without permission, from Facebook, to form works that create tension between formal aspects of painting and the ways in which people live
Painting — combine collaged materials that the artist
hand - stitched into the canvas, with printed
images of his family he pulled, without permission, from Facebook, to form works that create tension between formal aspects of
painting and the ways in which people live
painting and the ways in which people live online.
Around the walls are
images of Chinese screens that have been photographed, then turned into perforated wooden sculptures on a CNC laser - cutting machine, then
painted by
hand.
On one
hand, the work is a
painted matrix barcode, but with technology, it also tethers an altogether separate
image to that
painting.
Choosing
images generally experienced through second
hand sources of information, Kahrs infuses his
paintings and drawings with the drama of film, creating a sense of constant motion and closeness within a still and fragmented plane.
Here, Weil takes one of the most iconic
paintings in history, strips it down and injects her own visual vocabulary, focusing on the Apostle's
hands (
hands are a recurring theme in her work), as well as the
image's innovative use of perspective.
Polke's works during these years were mainly «Rasterbilder» (
paintings that mimic printing): Polke appropriated publicity
images from newspapers and magazines, enlarging them and
hand painting them onto a canvas, dot by dot, creating an abstract pattern.
Around 2013, the artist began a series of shallow but densely layered
paintings that remix appropriated
images with various types of mark making — made using a tablet a pen, a mouse, her
hand directly to canvas, and original drawings projected and traced.