She has curated exhibitions including Social Paper:
Hand Papermaking in the Context of Socially Engaged Art with Jessica Cochran, and Revolution at Point Zero: Feminist Social Practice with Neysa Page - Lieberman.
She curated exhibitions including Social Paper, the first exhibition considering
hand papermaking in a socially engaged art context, and Among Tender Roots, the first retrospective featuring Mexican artist, Laura Anderson Barbata's work.
Her exhibition, «Social Paper:
Hand Papermaking in the Context of Socially Engaged Art,» co-curated with Jessica Cochran, was funded by the Crafts Research Fund and the Clinton Hill Foundation, among others.
Not exact matches
She is recognized as a key innovator
in the field of
hand papermaking as art form.
The c3:
Papermaking Residency was established in 2014 to engage artists with little or no experience in hand papermaking, and offer them an opportunity to learn the craft and stretch the limitations of what the med
Papermaking Residency was established
in 2014 to engage artists with little or no experience
in hand papermaking, and offer them an opportunity to learn the craft and stretch the limitations of what the med
papermaking, and offer them an opportunity to learn the craft and stretch the limitations of what the medium can do.
Michelle Stuart (b. 1933, Los Angeles, California) is featured
in the group exhibition Paper / Print: American
Hand Papermaking, 1960s to Today at The International Print Center, New York.
Before taking up encaustic, Laura received training
in hand papermaking and printmaking from Women's Studio Workshop.
His work has been featured
in Art
in Print and
Hand Papermaking magazines, and his work has been exhibited
in the Corcoran Gallery of Art, Center for Book Arts, Salina Art Center, and elsewhere.
An article written by Pace Prints director Rachel Gladfelter is featured
in the Summer 2015 issue of
Hand Papermaking.
Her critical essays have been printed
in BOMB, Art Papers, Flash Art, Metropolis M,
Hand Papermaking, and AfterImage among others.
Melissa Potter is a multi-media artist specializing
in hand papermaking and printmaking exhibiting nationally and internationally at venues including White Columns, the Bronx Museum of the Arts, and film festivals including the VideoDumbo Festival and the Reeling International LGBT Film Festival.
Hear artist Richard Tuttle and collaborators Bill Goldston (ULAE), Anne McKeown (the Brodsky Center), and Paul Wong (Dieu Donné) discuss their works on view
in Paper / Print: American
Hand Papermaking, 1960s to Today, as well as their wider thoughts on paper, print, and their careers
in both fields.
In conjunction with Paper / Print: American
Hand Papermaking 1960s to Today, Shaye Remba, director of Mixografia, discusses works on view created with Louise Bourgeois, Jacob Hashimoto, and Ed Ruscha with exhibition co-curator Mina Takahashi.
Their book covers were made
in traditional
hand - craft processes such as marbling, paste -
papermaking and painting.