Have students fold a piece of paper in half, then write each spring word on the list down the left -
hand side of their paper.
To arrange your notes in Cornell fashion, take your standard legal pad and draw a thick vertical line down the left -
hand side of the paper, approximately 2 - 3 inches from the side of the page.
Write the numbers down in a column on the left -
hand side of your paper.
Not exact matches
** Example: Place your left
hand under the pie dough under the wax
paper and grab the left
side of the wax
paper with your right
hand and flip it over onto the filling.
Holding the lattice on your palm and spread fingers
of one
hand, parchment
paper side up, peel parchment
paper from bottom and turn lattice over onto pie.
Gently slide your
hand underneath
of the parchment
paper and flip the crust and pie plate right
side up.
Appropriate for: 9 to 18 months Skills developed: Fine motor,
hand - eye coordination What you'll need: A piece
of contact
paper, tape, and a few small toys Take a piece
of sticky contact
paper, the kind you use for lining drawers and shelves, and place it, sticky
side up, on your kitchen floor.
on the left -
hand side of the ballot
paper beside the name
of that party on the party vote part
of the ballot
paper; and
If you hold a sheet
of paper, one
side in each
hand, and then compress it by bringing your
hands together, it will form one large bend; this minimizes the curvature and thus the bending energy.
In this figure from the
paper, some representative protein families are on the left -
hand side of each graph.
Using a piece
of parchment
paper (to prevent mixture from sticking to
hands), press oat mixture into bottom and up
sides of each muffin cup.
While writing independently, a teacher consistently observes a student that is distracted and irritated by background noise (e.g., activity
of others, lighting), and the student verbalizes physical discomfort while writing (e.g., «I don't like how the
paper feels on the
side of my
hand.»).
Joan assessed the crowd, lighting upon the most interesting: young men turning white T - shirts into art, pinching the material tight and rubber - banding each section until they looked like porcupines being dipped into huge steaming vats
of colored dyes; the young woman with a bird's nest
of purple hair sitting at a potter's wheel, slamming down hunks
of clay, her
hands moving nearly as fast as the wheel, cups, vases, plates, bowls, trays, appearing like magic; the elderly man in a worn blue linen suit, a jaunty straw boater on his head, a smeared palette tight in his
hand, painting a mammoth canvas
of people on a beach staring out at an ocean where a sailboat bobbed in the distance, though he himself was standing in a mowed field; the handsome young man at an old - fashioned school desk, a manual typewriter in front
of him, a stack
of paper to the
side.
In order for the Duet Pen to work, the
paper must sit adjacent to the left
side of the Slate 8 (the
side with the docking port) with nothing, not even your
hand, between the pen and the tablet.
While he sees «a bit
of hand - wringing, still, on the digital dark
side,» seven years into the digital disruption
of publishing, «ink - and -
paper books continue to be the favorite, not only the way for the population as a whole but for our kids to read.»
For example, if you draw a line down the middle
of a blank sheet
of paper, the left
hand side represents the investment calculation and the right
side represents the income rider calculation.
If you draw a line down the middle
of a blank sheet
of paper, the left
hand side of the ledger for a deferred annuity is what's called the accumulation value, and the right
hand side is the separate benefits (aka: riders) valuation.
Like a spinning drill move to go underground and up walls, a
paper plane form to cross large gaps or a giant
hand that can grab objects and press switches from the other
side of the room.
Consider the intimacy
of works on
paper, on a pier past the Lower East
Side, but do not expect to hold art in your
hand.
When I asked what it was, Fiona
handed me a piece
of A4
paper with the typed instructions, Work No 74: As many 1 inch squares as are necessary cut from 1 inch masking tape and piled up, adhesive
side down, to form a inch cubic stack.
Exhibition Checklist Main Gallery (Clockwise from entrance) Robert Arneson Splatt, 1983 bronze with unique ceramic base 71 x 21 x 21 inches RAs 130.01 Robert Arneson Elvis II, 1978 conte, pastel on
paper 41 5/8 x 29 7/8» RAd 04 Joan Brown Self - Portrait at Age 42, 1980 enamel on canvas 71 3/4» x 60» JBRp 19 Steven Campbell Men Insulting Nature and the Notion
of Travel, 1986 oil on canvas 83 x 99 inches SCamp 01 Carol Cole Tar Baby, 2004 mixed media 7 x 13 inches CCs 1 Peter Saul Come and Get Me, 1968 oil on canvas 63 1/2 x42 inches PSp 118 Richard Shaw Figure on a Palette, 1980 glazed porcelain 39 x 13 x 18 inches RSs 68 Andrew Lenaghan Big Sarah, 2005 acrylic on canvas 77 1/2 x 58 inches AnLp 395 Yoan Capote Madness II, 2004 steel 70 1/2 x 40 x 23 inches YCs 19 Collier Schorr Esther's Fine Dream (Ashes to Ashes, We All Fall Down), 1991 cast paper, acrylic, pencil, and collage L 18 x W 12 x D 10 inches CoSs 1 James Barsness Untitled (Red nude on street), 2004 acrylic, ballpoint pen 12 x 9 inches JBARd 60 James Barsness Untitled (with jack o'lantern), 2004 acrylic, ballpoint pen, inkjet archival print on paper 11 7/8 x 8 5/8 inches JBARd 61 Anthony Kulig Look - Out, 2005 plaster, acrylic Two figures 17 x 4 1/2 x 3 inches each AKuls 8 Don Colley Weave 2003 7 x 6 1/2 inches scratchboard, artist's frame DCp 10 Don Colley Reel, 2003 scratchboard, hand - made hardwood frame 6 x 6 inches DCp 09 Side Gallery Diane Edison Self - Portrait Interior (striped robe), 1992 color pencil / black paper 30 x 22 inches DEd 8 Adolph Gottlieb The Watchers, c. 1941 oil on canvas 30 x 24 inches AGotp01 Lesley Dill Of, 2005 unique bronze with oil paint 67 x 58 x 28 inches LDs 207 Alfred Leslie Bread and Coffee, 1983 oil on canvas 84 x 60 inches ALp 02 Stanton Macdonald - Wright Study for American Synchromy # 1, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 3 Stanton Macdonald - Wright Study for American Synchromy # 2, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 4 James Valerio David, 2004 pencil on paper 30 1/2 x 25 inches JVd
of Travel, 1986 oil on canvas 83 x 99 inches SCamp 01 Carol Cole Tar Baby, 2004 mixed media 7 x 13 inches CCs 1 Peter Saul Come and Get Me, 1968 oil on canvas 63 1/2 x42 inches PSp 118 Richard Shaw Figure on a Palette, 1980 glazed porcelain 39 x 13 x 18 inches RSs 68 Andrew Lenaghan Big Sarah, 2005 acrylic on canvas 77 1/2 x 58 inches AnLp 395 Yoan Capote Madness II, 2004 steel 70 1/2 x 40 x 23 inches YCs 19 Collier Schorr Esther's Fine Dream (Ashes to Ashes, We All Fall Down), 1991 cast
paper, acrylic, pencil, and collage L 18 x W 12 x D 10 inches CoSs 1 James Barsness Untitled (Red nude on street), 2004 acrylic, ballpoint pen 12 x 9 inches JBARd 60 James Barsness Untitled (with jack o'lantern), 2004 acrylic, ballpoint pen, inkjet archival print on
paper 11 7/8 x 8 5/8 inches JBARd 61 Anthony Kulig Look - Out, 2005 plaster, acrylic Two figures 17 x 4 1/2 x 3 inches each AKuls 8 Don Colley Weave 2003 7 x 6 1/2 inches scratchboard, artist's frame DCp 10 Don Colley Reel, 2003 scratchboard,
hand - made hardwood frame 6 x 6 inches DCp 09
Side Gallery Diane Edison Self - Portrait Interior (striped robe), 1992 color pencil / black
paper 30 x 22 inches DEd 8 Adolph Gottlieb The Watchers, c. 1941 oil on canvas 30 x 24 inches AGotp01 Lesley Dill
Of, 2005 unique bronze with oil paint 67 x 58 x 28 inches LDs 207 Alfred Leslie Bread and Coffee, 1983 oil on canvas 84 x 60 inches ALp 02 Stanton Macdonald - Wright Study for American Synchromy # 1, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 3 Stanton Macdonald - Wright Study for American Synchromy # 2, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 4 James Valerio David, 2004 pencil on paper 30 1/2 x 25 inches JVd
Of, 2005 unique bronze with oil paint 67 x 58 x 28 inches LDs 207 Alfred Leslie Bread and Coffee, 1983 oil on canvas 84 x 60 inches ALp 02 Stanton Macdonald - Wright Study for American Synchromy # 1, 1919 charcoal on
paper (2 -
sided drawing) 25 x 18 1/2 inches SMWd 3 Stanton Macdonald - Wright Study for American Synchromy # 2, 1919 charcoal on
paper (2 -
sided drawing) 25 x 18 1/2 inches SMWd 4 James Valerio David, 2004 pencil on
paper 30 1/2 x 25 inches JVd 52
Sku: MI1253 - B Artist: Louise Nevelson Title: At Pace Columbus (Gold) Year: 1977 Signed: Yes Medium: Foil Print
Paper Size: 24... more Sku: MI1253 - B Artist: Louise Nevelson Title: At Pace Columbus (Gold) Year: 1977 Signed: Yes Medium: Foil Print
Paper Size: 24.25 x 26 inches (61.595 x 66.04 cm) Image Size: 24.5 x 25 inches (62.23 x 63.5 cm) Edition Size: Unknown Framed: No Condition: C: Several Signs
of use and handling, some visible marks Additional Details: Signed by Nevelson in ball point pen in the below the image in the lower right -
hand side.
Practising motion on
paper, his
hand moved crayons through a thin surface
of wet house - paint, or the
side of a pencil smoothly across bare
paper, almost like an exercise.
The catalog waxed rhapsodically about the weight
of the
paper and the smooth as silk feel you'd have written on it with your fountain pen, but never explained the weird huge margin at the left -
hand side.
He's scribbling a series
of 12 words on the blue
paper handed to him by one
of the two women at the other
side of the desk.
If you will
hand in a physical copy
of your CV, then it is acceptable to print it on two
sides of the same piece
of paper.
A suggestion was also made to get a photo
of the two leaders showing them sitting
side by
side with pads
of paper and pens in
hand.