Sentences with phrase «hand side of your paper»

Have students fold a piece of paper in half, then write each spring word on the list down the left - hand side of their paper.

To arrange your notes in Cornell fashion, take your standard legal pad and draw a thick vertical line down the left - hand side of the paper, approximately 2 - 3 inches from the side of the page.

Write the numbers down in a column on the left - hand side of your paper.

Not exact matches

** Example: Place your left hand under the pie dough under the wax paper and grab the left side of the wax paper with your right hand and flip it over onto the filling.

Holding the lattice on your palm and spread fingers of one hand, parchment paper side up, peel parchment paper from bottom and turn lattice over onto pie.

Gently slide your hand underneath of the parchment paper and flip the crust and pie plate right side up.

Appropriate for: 9 to 18 months Skills developed: Fine motor, hand - eye coordination What you'll need: A piece of contact paper, tape, and a few small toys Take a piece of sticky contact paper, the kind you use for lining drawers and shelves, and place it, sticky side up, on your kitchen floor.

on the left - hand side of the ballot paper beside the name of that party on the party vote part of the ballot paper; and

If you hold a sheet of paper, one side in each hand, and then compress it by bringing your hands together, it will form one large bend; this minimizes the curvature and thus the bending energy.

In this figure from the paper, some representative protein families are on the left - hand side of each graph.

Using a piece of parchment paper (to prevent mixture from sticking to hands), press oat mixture into bottom and up sides of each muffin cup.

While writing independently, a teacher consistently observes a student that is distracted and irritated by background noise (e.g., activity of others, lighting), and the student verbalizes physical discomfort while writing (e.g., «I don't like how the paper feels on the side of my hand.»).

Joan assessed the crowd, lighting upon the most interesting: young men turning white T - shirts into art, pinching the material tight and rubber - banding each section until they looked like porcupines being dipped into huge steaming vats of colored dyes; the young woman with a bird's nest of purple hair sitting at a potter's wheel, slamming down hunks of clay, her hands moving nearly as fast as the wheel, cups, vases, plates, bowls, trays, appearing like magic; the elderly man in a worn blue linen suit, a jaunty straw boater on his head, a smeared palette tight in his hand, painting a mammoth canvas of people on a beach staring out at an ocean where a sailboat bobbed in the distance, though he himself was standing in a mowed field; the handsome young man at an old - fashioned school desk, a manual typewriter in front of him, a stack of paper to the side.

In order for the Duet Pen to work, the paper must sit adjacent to the left side of the Slate 8 (the side with the docking port) with nothing, not even your hand, between the pen and the tablet.

While he sees «a bit of hand - wringing, still, on the digital dark side,» seven years into the digital disruption of publishing, «ink - and - paper books continue to be the favorite, not only the way for the population as a whole but for our kids to read.»

For example, if you draw a line down the middle of a blank sheet of paper, the left hand side represents the investment calculation and the right side represents the income rider calculation.

If you draw a line down the middle of a blank sheet of paper, the left hand side of the ledger for a deferred annuity is what's called the accumulation value, and the right hand side is the separate benefits (aka: riders) valuation.

Like a spinning drill move to go underground and up walls, a paper plane form to cross large gaps or a giant hand that can grab objects and press switches from the other side of the room.

Consider the intimacy of works on paper, on a pier past the Lower East Side, but do not expect to hold art in your hand.

When I asked what it was, Fiona handed me a piece of A4 paper with the typed instructions, Work No 74: As many 1 inch squares as are necessary cut from 1 inch masking tape and piled up, adhesive side down, to form a inch cubic stack.

Exhibition Checklist Main Gallery (Clockwise from entrance) Robert Arneson Splatt, 1983 bronze with unique ceramic base 71 x 21 x 21 inches RAs 130.01 Robert Arneson Elvis II, 1978 conte, pastel on paper 41 5/8 x 29 7/8» RAd 04 Joan Brown Self - Portrait at Age 42, 1980 enamel on canvas 71 3/4» x 60» JBRp 19 Steven Campbell Men Insulting Nature and the Notion of Travel, 1986 oil on canvas 83 x 99 inches SCamp 01 Carol Cole Tar Baby, 2004 mixed media 7 x 13 inches CCs 1 Peter Saul Come and Get Me, 1968 oil on canvas 63 1/2 x42 inches PSp 118 Richard Shaw Figure on a Palette, 1980 glazed porcelain 39 x 13 x 18 inches RSs 68 Andrew Lenaghan Big Sarah, 2005 acrylic on canvas 77 1/2 x 58 inches AnLp 395 Yoan Capote Madness II, 2004 steel 70 1/2 x 40 x 23 inches YCs 19 Collier Schorr Esther's Fine Dream (Ashes to Ashes, We All Fall Down), 1991 cast paper, acrylic, pencil, and collage L 18 x W 12 x D 10 inches CoSs 1 James Barsness Untitled (Red nude on street), 2004 acrylic, ballpoint pen 12 x 9 inches JBARd 60 James Barsness Untitled (with jack o'lantern), 2004 acrylic, ballpoint pen, inkjet archival print on paper 11 7/8 x 8 5/8 inches JBARd 61 Anthony Kulig Look - Out, 2005 plaster, acrylic Two figures 17 x 4 1/2 x 3 inches each AKuls 8 Don Colley Weave 2003 7 x 6 1/2 inches scratchboard, artist's frame DCp 10 Don Colley Reel, 2003 scratchboard, hand - made hardwood frame 6 x 6 inches DCp 09 Side Gallery Diane Edison Self - Portrait Interior (striped robe), 1992 color pencil / black paper 30 x 22 inches DEd 8 Adolph Gottlieb The Watchers, c. 1941 oil on canvas 30 x 24 inches AGotp01 Lesley Dill Of, 2005 unique bronze with oil paint 67 x 58 x 28 inches LDs 207 Alfred Leslie Bread and Coffee, 1983 oil on canvas 84 x 60 inches ALp 02 Stanton Macdonald - Wright Study for American Synchromy # 1, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 3 Stanton Macdonald - Wright Study for American Synchromy # 2, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 4 James Valerio David, 2004 pencil on paper 30 1/2 x 25 inches JVd of Travel, 1986 oil on canvas 83 x 99 inches SCamp 01 Carol Cole Tar Baby, 2004 mixed media 7 x 13 inches CCs 1 Peter Saul Come and Get Me, 1968 oil on canvas 63 1/2 x42 inches PSp 118 Richard Shaw Figure on a Palette, 1980 glazed porcelain 39 x 13 x 18 inches RSs 68 Andrew Lenaghan Big Sarah, 2005 acrylic on canvas 77 1/2 x 58 inches AnLp 395 Yoan Capote Madness II, 2004 steel 70 1/2 x 40 x 23 inches YCs 19 Collier Schorr Esther's Fine Dream (Ashes to Ashes, We All Fall Down), 1991 cast paper, acrylic, pencil, and collage L 18 x W 12 x D 10 inches CoSs 1 James Barsness Untitled (Red nude on street), 2004 acrylic, ballpoint pen 12 x 9 inches JBARd 60 James Barsness Untitled (with jack o'lantern), 2004 acrylic, ballpoint pen, inkjet archival print on paper 11 7/8 x 8 5/8 inches JBARd 61 Anthony Kulig Look - Out, 2005 plaster, acrylic Two figures 17 x 4 1/2 x 3 inches each AKuls 8 Don Colley Weave 2003 7 x 6 1/2 inches scratchboard, artist's frame DCp 10 Don Colley Reel, 2003 scratchboard, hand - made hardwood frame 6 x 6 inches DCp 09 Side Gallery Diane Edison Self - Portrait Interior (striped robe), 1992 color pencil / black paper 30 x 22 inches DEd 8 Adolph Gottlieb The Watchers, c. 1941 oil on canvas 30 x 24 inches AGotp01 Lesley Dill Of, 2005 unique bronze with oil paint 67 x 58 x 28 inches LDs 207 Alfred Leslie Bread and Coffee, 1983 oil on canvas 84 x 60 inches ALp 02 Stanton Macdonald - Wright Study for American Synchromy # 1, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 3 Stanton Macdonald - Wright Study for American Synchromy # 2, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 4 James Valerio David, 2004 pencil on paper 30 1/2 x 25 inches JVd Of, 2005 unique bronze with oil paint 67 x 58 x 28 inches LDs 207 Alfred Leslie Bread and Coffee, 1983 oil on canvas 84 x 60 inches ALp 02 Stanton Macdonald - Wright Study for American Synchromy # 1, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 3 Stanton Macdonald - Wright Study for American Synchromy # 2, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 4 James Valerio David, 2004 pencil on paper 30 1/2 x 25 inches JVd 52

Sku: MI1253 - B Artist: Louise Nevelson Title: At Pace Columbus (Gold) Year: 1977 Signed: Yes Medium: Foil Print Paper Size: 24... more Sku: MI1253 - B Artist: Louise Nevelson Title: At Pace Columbus (Gold) Year: 1977 Signed: Yes Medium: Foil Print Paper Size: 24.25 x 26 inches (61.595 x 66.04 cm) Image Size: 24.5 x 25 inches (62.23 x 63.5 cm) Edition Size: Unknown Framed: No Condition: C: Several Signs of use and handling, some visible marks Additional Details: Signed by Nevelson in ball point pen in the below the image in the lower right - hand side.

Practising motion on paper, his hand moved crayons through a thin surface of wet house - paint, or the side of a pencil smoothly across bare paper, almost like an exercise.

The catalog waxed rhapsodically about the weight of the paper and the smooth as silk feel you'd have written on it with your fountain pen, but never explained the weird huge margin at the left - hand side.

He's scribbling a series of 12 words on the blue paper handed to him by one of the two women at the other side of the desk.

If you will hand in a physical copy of your CV, then it is acceptable to print it on two sides of the same piece of paper.

A suggestion was also made to get a photo of the two leaders showing them sitting side by side with pads of paper and pens in hand.