Sentences with phrase «handed pages of notes»

Not exact matches

Some hand out sloppily handwritten notes or 60 - 100 pages of typed notes (no double siding, tree killers!)

It's important to note and understand that because of the hand made nature of these brooches (and just about anything hand made) there is always the possibility for some minor imperfections, which my pieces had, but I'm always fine with that, because Daisy Jean is upfront and clear about that on their product pages, and I understand it comes with the territory of hand made items, and I believe in supporting small businesses.

This product contains 165 + pages of Positive Sticky Notes for building confidence in your students, for handing out praise, and for celebrating different events throughout the year.

Included in this giant hands - on Winter Games resource: 5 Winter Games Close Reading Passages with Comprehension Questions and Graphic Organizers 37 Pages of Winter Games Printables & Graphic Organizers to help direct learning 2 Winter Games Medal Tracking Activities 1 Winter Games Mini Quiz 1 South Korea Research Brochure 9 Wither Games Posters 6 pages of Winter Games Interactive Notebook components 14 Winter Games Word Wall Vocabulary Cards 16 Winter Games Task Cards 1 Winter Games STEM Project Idea 11 Pages of Winter Games Writing Activities 13 Country Research Fill - Ins Book Marks + Blank 13 Country Research Organizers + Blank 10 Pages of Winter Games Math and ELA activities 1 Winter Games Charades game PLEASE NOTE: Certain terms have not been used in this resource as to not infringe upon trademarks or copyrights that may pertain to the Winter Games.

The questions and answers are all included as part of the animated slide - read the instructions on the notes pages of part 2 when you try this out (try it out a few times before the lesson to get the hand of the animations!)

Even a lecture can incorporate three different learning approaches, such as a visual or video, reflective writing at the midpoint, and Cornell note - taking, in which students take notes on the right - hand two - thirds of their notebook page, and then on their own use the left - hand third to write questions about the notes to clarify their thinking.

Owls information poster, fact cards, key word cards, animal types posters, habitat posters, owl photo flashcards, hand puppets, face masks in colour and black and white, nocturnal animals information posters, simple fact sheet to write Alphabet flashcards, phonics flashcards, writing sheets, acrostic poem to complete, writing frames and borders, presentation to make, booklet to complete, sight word cards, mind map, poems to read with hand puppets to act them out, nouns flashcards large, notes page to complete, nouns and verbs worksheet to fill in, speaking and listening task, topic summary worksheet, writing booklet cover to keep project work together, story board to complete, word cards with ow sounds with spellings of «ow» and «ou».

Indeed, I still read the printed pages - what a wonderful smell, the feel of real paper, the rustling of it, the little notes I sometimes write next to the text (or used to), the ability to pass the same book, with inscriptions, to the children who might pass them on to theirs... and someday, those little hands that hold the very same book will associate a grandparent with it.

A book's front matter can include any of the following material and should appear on odd or even (left - hand or right - hand, recto or verso) pages, as noted below.

The most common mentioned is the act of turning the page, the feel of having a book in your hand, and the ability to highlight and scribble notes in the margins.

Unfortunately, without an Export function, what could be the best part of this method is lost: write up three pages of Notes and send the annotated manuscript back to your PC for hands - on editing.

It's also helpful to note that TaxHawk provides a curated list of knowledge articles in the «Help with this page» widget on the right hand side of every screen.

Had DICE perhaps released this solely as a multiplayer game, focusing all their efforts on crafting the very experience they could, then there's a very good chance that you would have seen a 5/5 adorning the bottom of this page, probably along with a hand - written note confessing my undying love for Battlefield 4, regardless of how similiar it is to Battlefield 3.

All game development has pages of hand scribbled notes.

The resulting pages, complete with typos and hand - written notes, form an array of possible, and sometimes impossible, propositions for artworks, which collectively form the initial piece in every Liversidge exhibition.

These works will be exhibited alongside a selection of 24 drawn - notes — individual pages in Scully's written hand — that allow insights into the mind of the living master and his personal process.

David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.

Splashes of pink spray paint and rhinestones adorn the black - and - white file pages, which are punctuated with officious markings, the redacted names of ten informants, hand - written margin notes, and a stamp on the first page of the file reading, «Historical Value / Do Not Destroy.»

A pile of books reveals that the top tired and well thumbed copy is actually a fictional book by a fictional writer; 5 well worn, aged box files are stacked horizontally on top of one another with such hand - written titles as Time Lines, Tide Lines and provenance; a home made page - per - day calendar, assembled in an ad - hoc manner from a metal lever arch and laser printed A4 paper with notes and images taken from the artist's notebooks including sketches, ideas and general to do lists.

To arrange your notes in Cornell fashion, take your standard legal pad and draw a thick vertical line down the left - hand side of the paper, approximately 2 - 3 inches from the side of the page.

95 See Calleros, supra note 37, at 105 (suggesting that e-memos be «no more than one or two single - spaced pages so that a recipient on the move can read it without difficulty by scrolling down the screen of a compact hand - held electronic device such as a BlackBerry ® or iPhone»).

You can resize and move the screen around with your thumb using the Note 8's On - Handed Mode; it's in the middle of the Advanced Features page.