Sentences with phrase «handheld camera work»

Director Gabriela Cowperthwaite's spare handheld camera work comes into its own once the canine teams are out in the field.

Even viewed on a television and home theater, the very jerky handheld camera work is enough to unsettle and the sound leaves plenty to be desired.

An even more pertinent influence is Wong Kar - wai, who draws on Hollywood noir and neonoir himself and whose romanticism and volatile handheld camera work and jump cuts have become major influences in Chinese art movies — he's perhaps as pervasive an influence as Quentin Tarantino was a few years ago in the States (and still is in a few Asian movies).

Director Kathryn Bigelow gives the proceedings a hefty dose of style, using a lot of dreamy slow motion and quick editing, and staging the action scenes with great energy; her most brilliant work here are the on - screen recreations of the SQUID clips, shot in long takes and with appropriately edgy and shaky handheld camera work.

At three minutes in length, this ad might run a little long, but it beams with slick editing and some hallmark features of web - ready videos: handheld camera work, shallow focus and an emphasis on pitch - perfect music.

I loved the handheld camera work and how each salesman is depicted as a nuanced, dramatic character.

The casual, handheld camera work was an aesthetic that added to the story, rather than feeling like it was simply the only method of production available.

There are those, like my companion last night, who will respond positively to the proximity to the actors and to the handheld camera work that «keeps it real» (as my friend said).

Some audience members may be subject to motion sickness from the handheld camera work.

He has a propensity for gritty, handheld camera work that when used properly can turn an already emotional scene into a sincerely heartbreaking or even triumphant revelation.

As in her previous films, Ade maintains a natural intimacy with the actors via loose, handheld camera work, befitting of the film's awkward humor and sometimes antagonistic relationships.

The techniques of Monroe and editor Paul Crowder invoke time - lapse photography, speed - change effects, handheld camera work, and the Jerry Bruckheimer principle that only a rare shot last longer than five seconds.