Not exact matches
Intensity is the name of the game here, with director Gary Ross going all Paul Greengrass with shaky,
handheld camera - work
getting up close and personal with every fight scene.
The
handheld camera effect while making things more suspenseful does at times
get a bit annoying with its constant moving.
Watching Lou Bloom
get the perfect shot on his
handheld camera using knowledge of what works almost serves as a meta - ish take on directing, since we are watching first time director Dan Gilroy use much of what Bloom is harping on here.
Director Gordon Chan uses
handheld cameras to
get close to the action, with fights extending into streets, alleys, up staircases and onto rooftops.
Using his
handheld camera as the only means of connecting with us, Aaron soon seems like a saint compared to his subject, a lonely man named Josef (Duplass) who comes across as unstable from the
get - go.
The average standalone device, be it a flip
camera, GPS or
handheld console, is quickly
getting absorbed into the all - encompassing smartphone, as it becomes sharper, clearer, faster and cheaper than the thing you bought a few years ago.
Did you
get a new cell phone, iPod, digital
camera, laptop or other
handheld electronic device for the Holidays and don't know what to do with that old one?
The reason you need a tripod is because you will
get camera shake if your shutter is too slow being
handheld.