Sentences with phrase «hands of different artists»

Far from being a static element, the grid mutated in the hands of different artists to assume a wide array of forms.

Not exact matches

Bottle design itself was new, but something that I'd always found interesting; as a street artist, being able to create a piece that can be held in your hand as a tangible, 3D piece of art, is a very different and satisfying experience.

The four main characters are all different types of magicians: arrogant slight - of - hand artist Daniel Atlas (Jesse Eisenberg), mentalist Merritt McKinney (Woody Harrelson); shock magician Henley Reeves (Isla Fisher), and street magician Jack Wilder (Dave Franco).

This enchanting tour will take you through the historic streets of the bohemian side of town and explore the different hand - made crafts made by local artists.

Kurchanova writes: «Apart from large canvases covered by Pollock's signature all - over web of patterned, dripped or sculpted paint, a range of his smaller abstract paintings adds complexity to our understanding of his work as that of an «action» painter... Pollock's active engagement with printing presents his achievement as a painter to us from a completely different angle and complicates the understanding of his work as based in physical action and unmediated involvement of the artist's hand.

Indeed, the similarities allow a different path to understanding many contemporary artists, whose output makes use of systems and structures — similar to the notations and instructions of sheet music — that attempt to remove the hand of the maker, yet also present these variations under the guise of a single name.

From friendship circles to plaster of paris hands, abstract sculptures to life - sized Olympians, each class took a different approach to the chosen theme, collaboratively developing exciting ideas with artists and teachers which reached the heart of the Olympic values.

While the selfie can be considered a vernacular subset of the self - portrait genre, it is often a vastly different enterprise than the self - portrait in the hands of an artist.

On the right - hand side, we see framed pictures showing different generations of the artist's family — including parents, her grandmother, and her wedding to an American man.

On the other hand, we witness amazing examples of major American artists that adopted the style and to whom we owe much for the creation of works that celebrate different life experiences abroad and at home, and who have also left for us, mesmerizing records of color and light.

There are of course as many different models of the curator / artist relationship as there are curators and artists, but the most fulfilling times I've had in this job have been when the conversation has developed beyond a discussion of the show at hand.

Group Island Press: Recent Prints, Mildred Lane Kemper Art Museum, St. Louis, MO, 2018 Thinking Through Art, Middlebury College Museum of Art, Middlebury, VT, 2018 Sunrise, Sunset, Emerson Dorsch Gallery, Miami, FL, 2017 The Unhomely, Denny Gallery, New York, NY, 2017 Women Painting, Miami Dade College, Kendall Gallery, Miami, FL, 2017 New Faces, Different Places, Central Features Contemporary Art, Albuquerque, NM 2017 The Home Show, form & concept, Santa Fe, NM, 2016 Girls Who Dance in Dissonance, Wayside, Los Angeles, CA, 2016 Surface Area: Selections from the Permanent Collection, Studio Museum in Harlem, New York, NY, 2016 Self - Proliferation, Girls» Club, curated by Micaela Giovannotti, Fort Lauderdale, FL, 2016 Faces and Vases, Royal NoneSuch Gallery, Oakland, CA, 2016 Visions Into Infinite Archives, SOMArts Cultural Center, curated by Black Salt Collective, San Francisco, CA, 2016 Summer Art Faculty Exhibition, Schick Art Gallery, Skidmore College, Saratoga Springs, NY, 2015 Paula Wilson & Jovencio de la Paz, Saugatuck Center for the Arts, Saugatuck, MI, 2015 Perception Isn't Always Reality, Kranzberg Arts Center, St. Louis, MO, 2015 DRAW: Mapping Madness, Inside — Out Art Museum, curated by Tomas Vu, Beijing, China, 2014 - 2015 Lake Effect, Saugatuck Center for the Arts, curated by Mike Andrews, Saugatuck, MI, 2014 I Am The Magic Hand, Sikkema Jenkins & Co, Organized by Josephine Halvorson, New York, NY, 2013 Sanctify, Vincent Price Museum, Los Angeles, CA, 2013 The Bearden Project, Studio Museum in Harlem, New York, NY, 2012 Configured, Benrimon Contemporary, Curated By Teka Selman, New York, NY 2012 Art by Choice, Mississippi Museum of Fine Art, Jackson, MS, 2011 The February Show, Ogilvy & Mather, New York, NY, 2011 Art on Paper: The 41st Exhibition, Weatherspoon Art Museum, Greensboro, NC, 2010 Defrosted: A Life of Walt Disney, Postmasters Gallery, New York, NY, 2010 41st Collectors Show, Arkansas Art Center, Little Rock, AK, 2009 - 2010 Carrizozo Artist's Show, Gallery 408, Carrizozo, NM, 2009 - 2010 While We Were Away, Sragow Gallery, New York, NY, 2009 A Decade of Contemporary American Printmaking: 1999 - 2009, Tsingha University, Beijing, China, 2009 Collected.

In this regard, the position of the classical composer is not so different from that of the conceptual artist, whose work makes use of systems and structures to remove the hand of the maker, yet also resolve a varied output of work under the guise of a single name.

All prints are hand finished by the artist so are slightly different because of this, so you are getting a genuine one off in Ink and Gold leaf.

And complex relief structures in different paper supports, such as «The Plan of St. Gall» (1988 — 89) are placed with a study of interlocking hands by Guido Reni, to underscore the artist's conviction that mannerist abuse of conventional space accounted for her burgeoning fascination with mathematics and astronomy.»

Each artist chooses to phrase in a different language — Colvin with a strong drawing presence in a process driven mark making, mostly on raw linen; Odita in glorifying the line with his hard - edged color fields and well - balanced compositions; and Smith by the non-denial of drawing in his free brush strokes as well as his compositional «free hand.»

The British artist, Shaun McDowell, has worked to create distinct series of paintings using different materials and applications in each body — acrylic paint applied by hand, oil stick drawn and smudged, oil paint applied wet on dry to build up layers of clear independent marks that form a whole.

The British artist, Shaun McDowell, has worked to create distinct series of paintings using different materials and applications in each body — acrylic paint applied by hand, oil stick drawn and smudged, oil paint applied wet on dry to build up layers of...

His first solo exhibition was a Sanchez Cotán in Trondheim, Norway in 2009 and recent projects include The devil finds work for idle hands at Toomey Tourell Fine Art, San Francisco (2012) and Drawology: drawing as phenomenology at the Bonington Gallery Nottingham, and the co-curation of A Machine Aesthetic at Gallery North, Northumbria University, The Gallery, The Arts University Bournemouth, University of Lincoln, Norwich University of the Arts (2013 - 2014) where eleven contemporary artists were invited to explore the various manifestations, uses and influences of different aspects of mechanisation within their practice.

«I approached her with the same intro as last time, «You might need this»,» Thomson explains, «and handed her a pack of Tarot cards, a limited edition set, each of the 22 cards being designed by a different stuckist artist.

A video image of Nauman's hands enacting the possible combinations of the four fingers and thumb is suspended in a dark gallery accompanied by three sound elements: Nauman's voice calling out the instructions for the different finger and thumb combinations; a piano played by artist Terry Allen and recorded in response to Nauman's instructions; and Nauman intermittently speaking the words «for children, for children.»

Though ostensibly minimalist, the small flaws and unmistakable traces of the artist's hand, as well as the spirit in which these works were made are quite different from the cold, intellectual yearnings of the Minimalists.

Hand - in - Glove became an itinerant model hosted by different organizations and partners (including Press Street in New Orleans in 2013 and Works Progress and the Soap Factory in Minneapolis in 2015), promoting critical dialogue and innovative organizing models and under - the - radar opportunities that could be useful to artists and organizers and this year including the launch of Common Field.

This exhibition will highlight contemporary artists and designers whose work is influenced by the digital world yet crafted by hand, and aims to shed light on the different aspects of this emerging new craft mindset, and aesthetic.

The artist has re-worked this installation with curators and conservators at the gallery to present a diverse range of hand - made artefacts fashioned from natural wood from the city's collections, challenging us to think about the provenance and display of our collections in a very different way.

One subtly different page is layered after another, revealing the passage of time and the artist's own hand.

I considered and assessed MINUS SPACE's terms «reductive + concept - based» as a working concept, which are modest on the one hand, but, on the other hand, are inclusive of artists of very different strategies and media, thereby opening up a new discourse.

Bui: I think it's also interesting to point out, on the one hand, artists who had studied with Hofmann, like Larry Rivers, Jan Müller, Helen Frankenthaler, Lee Krasner, Wolf Kahn, Robert Goodnough and even Myron Stout, who went on to do different things, on the other hand, artists of a decade or more younger like the class of 1963, who had studied with Albers, which tend to be more theoretically - minded and reductive in principle.

Although his black silhouette figures and murky oil paint abstractions might appear from the hand of two different artists, Bradley has an underlying vision of movement and the figure that links his deceptively simple, charming output.

We have thought up a Metelkova City puzzle, consisting of all possible formats: from exhibitions at different venues, interventions into public space, talks, performances and open studios, with the desire to give each artist an opportunity for a presentation adequate to her / his practice on the one hand, and a look into the artist's work space and work process to a visitor on the other hand.

In these small, text - based works, Lesperance attempts to merge her hand - writing with that of Sleigh's, a metaphor for these two women artists from different generations grappling with a very similar set of issues.

American artist Spencer Finch (b. 1962) has created a large - scale, site - specific installation at the Morgan inspired by its great collection of medieval Books of Hours — beautiful, hand - painted works that served as personal prayer books for different times of the day and different periods of the year.

These three flavors of curation combine to create a few different funnels — either by being hand - picked by a flesh - and - blood editor or scooped up organically from the Fresh Finds web crawler — for artists to enter and rise through the ranks.

Murfreesboro, Tennessee I am an artist of different mediums and can hand paint and distress furniture.