Sentences with phrase «happening on the screen»

The movie business will also change and shift to something more connected, where people will want to interact a little bit — differently than with games, but they will still want to somehow be part of what's happening on the screen.

Watch out for: The person who hasn't figured out that what's happening on both screens has to be complementary, not identical.

So if the emotion of the score isn't matching what's happening on screen, or playing against it if necessary, then it kind of falls flat.»

«And drama is the same challenge, but in drama you have to key a lot more into the emotion of what's happening on screen.

Instead of switching off, he advocates «co-viewing» and «parallel play» — finding ways to play with or alongside your child and to talk about what's happening on screen.

We condemn the violence that takes the lives of those we love, while we glorify those very same acts when they happen on screens.

It happened on screen — why not in our lives?

I think the sound guy «love triangle» story got so overplayed compared to what actually happened on the screen.

Young babies also don't have the attention span necessary to follow what's happening on the screen.

On another level, their minds move voluntarily into the imagination in which there is a suspension of reality testing and an acceptance of what is happening on the screen as real.

While many of us are still getting used to the new features, the familiar logo and cobalt blue coloring are comforting to us, and we feel like we understand what's happening on the screen in front of us, even if the video switches often to Ugandan children and rebel troops.

Color Display: You can certainly have a great fishing trip without one, but a color display makes it so much easier to determine what's actually happening on the screen.

It's not uncommon in a New York City subway car, an airport terminal or just about any other public space to see a dozen or more people completely consumed by what's happening on the screen of their smartphone, to the exclusion of the world around them.

Called Audetel, (audio described television), it was originally designed to give visually disabled people the chance to enjoy TV by providing an audible des - cription of what is happening on the screen and transmitting it with ordinary TV signals.

«That way if someone watching connects with something that's happening on the screen, they can seek help,» she says.

It's distressing, technically solid, and matches the horror happening on screen.

Picture a movie screen playing in front of you and there is your perfect relationship montage on loop What is happening on screen?

There's a lot of things happening on screen at 1 time and although it looks awesome it's sorta bogged down by the framerate.

The score, provided by Ludwig Göransson has everything from tribal percussive soundscapes to banging tehno tunes, completely intensifying everything that's happening on the screen.

But the purpose of «based on true events» is to make what happens on screen seem even scarier.

He speaks enthusiastically about the movie and keeps up the chatter without any significant silence breaks while giving us plenty of anecdotes and technical explanations rather than just pointlessly describing what's happening on the screen.

There are many modes that Star Wars fans (and mostly kids) will definitely enjoy, but you just keep getting a feeling that everything that happens on your screen is almost automated.

Occasionally, if you walk into a movie late, what's happening on screen can look more dramatic and intriguing than if you'd seen it from the beginning.

Because the main character Billy (Adam Wingard) is a photographer who creates erotic murder scenes, it is often difficult to tell if what is happening on screen is real or just another prop for his scene.

It's just a bit too hard to make out what's happening on screen during some of the nighttime scenes.

Using performance mode on PS4, you get around 40 fps, jumping up and down depending on what's happening on screen.

Unlike the professionals showcased within the movie itself, this is a screenplay that shows off all of its tells to the audience long before they happen on the screen.

This is your brain on Michael Bay — a cortex scramble so amped on pyro and noise and brawling cyborgs it can only process what's happening on screen in onomatopoeia: Clang!

We won't go into spoilers here, but let's just say that my inner 9 - year - old self was blown away by what was happening on screen as the final battle took place.

Deep down, we all know that modern superhero movies are operating with even lower dramatic stakes than Star Wars or James Bond movies: beloved characters rarely stay dead after they've been killed, and no plot development, no matter how grave, is irreversible, so there's no possible way that what seems to be happening on the screen could really be happening.

There was a lot less of the jarring, blurry camerawork that makes it so you can't tell what's happening on the screen.

The idea of a «natural» sound stage is almost at odds with a film in the Star Wars series, but the sound mix team here (led by the incomparable Gary Rydstrom) have created an electrically vibrant, totally involving mix that makes full use of the entire sound stage, with effects happily flying around the room in complete sympathy with what's happening on screen.

Dunkirk features very little dialogue and more things happening on screen.

It is very sub par and even sometimes distracts from what it supposed to be happening on the screen.

Unlike most films, where the composer would create the music based on what happens on the screen, it is said that Leone worked the opposite way, constructing scenes to fit the pieces of music.

The audio mix plays well with what's happening on screen.

Deadpool's breaking of the fourth wall gets the audience even more involved as it is no more about the story that is happening on the screen, we know of his self - aware ways and they make us laugh even more.

It's good because he sticks to what's actually happening on screen and doesn't go off on too many tangents.

Not everything connected in the MCU happens on screen.

Armed with powerful computer algorithms that generate cartoonish eruptions of earth, fire, wind, and water, today's VFX supervisors have a mandate to make bad things happen on screen — all of the bad things, preferably at the same time.

It sure sounds like something scary is going on from the music cues, but as we sit in the audience waiting for that scary something to occur, we grow less and less certain on the ability to deliver, especially as we snicker more and more at what's happening on the screen.

But the script is badly underwritten, never quite connecting the dots between what happens on screen...

With the craziness that happens on screen, the developers did a fine job of making everything in the game look good with really no problems to speak of.

Cars screech, metal collapses upon impact, and there's never any question that it's all really happening on screen.

The default four - quadrant mini game feels disconnected from what's happening on screen, while a simplified alternative that consists of mindless button mashing also fails to capture the intricacies of these bone - breaking holds.

It all combines into a lulling feeling of familiarity, and you certainly wouldn't be blamed if you drifted into a catnap, or were caught doing mental laundry about something (or anything) else besides what was happening on screen.

Whatever was happening on the screen was totally vulgar, but the doctor was speaking totally academically.

Either option would be preferable — at least in terms of our involvement in and / or discomfort with what's happening on screen — to the wishy - washy restraint of screenwriter Lem Dobbs (adapting a novel by Neil Gordon) and director Robert Redford's wholly safe approach.

It runs perfectly on the basic hardware too in a silky smooth 60 fps action all - around, no matter how much stuff is happening on the screen.

Next up, Studio Binder takes a look at the color palettes uses by director Denis Villeneuve and using color theory, breaks down what they mean with regards to what's happening on the screen.