Sentences with phrase «happy the film got»

Not exact matches

Created by award - winning independent production company Archer's Mark, the film plays on these emotions, and uses a happy, light - hearted, fast - paced approach to inspire adults and children alike to get involved with Meat Free Monday.

Anyways, I'm oh so happy the Sharks swept those chickenshits and have a cool amount of time to rest up and prep for Vegas, study some film and get their game plan set.

So happy I finally got to see this Oscar Nominated film.

The pressure off, they're free to make out like teenagers and fall in love, a happy interlude the film covers with smart economy, so as to spend more time on getting to know this «hot grandma» (she's struggling to keep her middle daughter pregnancy - free through high school), as well as the couple's first big fight, occasioned when she wonders why he still doesn't want to sleep with her after nearly 20 dates.

In most cases, flashbacks often do nothing for a film, except oversell the protagonist's loss with affected sentimentality, in a scene that depicts happier times, where the grieving spouse gets all red - eyed after waking up from a reverie.

something I'd be happy to get into a jovial shouting match about over pints, but [not] for the length of a feature film.

John Landis directs this funny film about a pampered African prince named Akeem who, not happy about being in an arranged marriage, and getting tired of a pampered lifestyle, heads to America to try living like a regualr guy and find a wife on his own terms.

This is what the film gets right, a loss such as what Hoffman's character experienced is not easily gotten over, and does not offer happy endings or easy answers.

But the film was light and breezy, with a killer ending that wasn't exactly upbeat: people were expecting happy ending but they didn't get that.

These bad films are the cinematic equivalent of narcotics — you get hooked by their toxicity and you become a happy prisoner to their crashing awfulness.

Then, sadly, the film gets happier, as the Rauches» script give in a bit to the conventional Hollywood wisdom, suddenly seeming to worry if Hope has enough of an «arc,» or if there shouldn't be a «redemption moment.»

To get happy for 100 minutes, put this film in the entertainment line - up.

ACTRESS * Anne Hathaway, Rachel Getting Married * Sally Hawkins, Happy - Go - Lucky * Meryl Streep, Doubt * Kristin Scott Thomas, I've Loved You so Long * Kate Winslet, The Reader * Kate Winslet, Revolutionary Road Alt: Angelina Jolie, Changeling (I heard the film received good response in UK)

This is a great film in my book, and I was happy to see it getting a wide release after its success at Sundance this year.

As for Universal, its LGBTQ - inclusive films were «Pitch Perfect 3,» «Get Out,» «Happy Death Day» and «Fifty Shades Darker.»

And while I was annoyed that one of my favorite characters of all time, the wizard Merlin, was not in this film and instead replaced by a witch who everyone calls «The Mage» (Àstrid Bergès - Frisbey), I was happy that we still got to see some magic.

I am so happy to hear the film is getting a wide release after playing at numerous film festivals and receiving extremely positive reviews.

The Tale of the Princess Kaguya: Isao Takahata's film, likely the last production by Studio Ghibli's two masters (Hayao Miyazaki's The Wind Rises lost to Frozen last year), probably has no shot at Best Animated Feature (How to Train Your Dragon 2 is the heavy favorite), but if it did somehow get the prize, no win on Oscar night would make us happier.

Though a PG - 13 slasher film is like the equivalent of sex with clothes on, «Happy Death Day» gets around that hurdle by being less of a straight - up slasher and more of a darkly comedic murder - mystery that just so happens to involve a temporal loop and a knife - wielding masked killer.

I can't tell you how happy I am that the film itself got so much recognition.

I'm pleased to see this landmark film getting its due, though I do wish such notable fellow nominees as «Happy - Go - Lucky» and Laurent Cantet's wonderful «The Class» hadn't gone home empty - handed.

Therefore, when his attention turns on the heroes of the piece, we instantly get scared and knowing the unpredictable nature of this kind of film, we doubt that there will be a happy ending.

«I'm really happy a film like this with a performance as strong as Frances's is getting out there this year, it's a great statement for the Time's Up era and we made it a year and a half ago.»

While the actual teaser focused on Deadpool giving his best Bob Ross impersonation, complete with happy clouds and trees, we did get a brief collage of footage from the actual movie, snippets and all - too - brief looks at various characters and scenes of the film.

DeWitt's work here also fits the autumnal mood of the film, its low tenors slowing down to a crawl at times as things get ugly between the characters, only to jump back to life as things pick up and seem hopeful, even happy (only insomuch as Philip would be capable of such a genuine feeling, of course).

While Blumhouse Productions had a wonderful 2017 - thanks to hits like Get Out, Split, and Happy Death Day - director James Wan's original 2011 Insidious film was one of the company's first big successes, earning nearly $ 100 million on a $ 1.5 million budget.

The film gets a «B» CinemaScore, indicating that her fans are happier (though slightly less so than the B + earned by Joy and American Hustle), but not over the moon about her playing a sultry Russian ballerina - turned - spy in a period film.

We interview Happy Death Day producer Jason Blum about the film's similarities to Groundhog Day and how Get Out may contend for Oscars.

This has been a Male Tradition in films, and I'm happy to see women get a little gun - crazy too.

and the film is from the undervalued but excellent writer / director Mike Mills (Beginners) Demanders looks back at My Beautiful Laundrette which recently got a Criterion release Variety happy news: Season 2 of Transparent arrives in time for Christmas i09 Ridley Scott still planning on filming a Prometheus sequel next year.

It lacks any original or fresh qualities - we know what we are going to get with this film, and director Todd Phillips is happy to dish out the sloppy seconds.

Dearest Edgar: As an aspiring film maker and a self - proclaimed cinephile, i must say i truly admire your work, although i'm «young» i've always been interested in art and your work is truly inspirational to me, i can't really put into words how happy your movies make me, hopefully in the future i'll get to make great movies like you too, i'd just like to thank you for directing such great movies!!!

This is a film I was very sad to miss at Sundance, and I'm happy to get a new look at it.

Get Out is fantastic, am so happy it's getting awards attention, but I think Williams is somewhat lost in the critical hosannas for the film.

I'm happy to see Manchester by the Sea winning a few categories, and it's great to see Lion getting some love, since that film is a hard sell but it's definitely connecting.

Whether as a marketing tool or a way to distinguish its film from others with the same title, the production company that brought us the great Get Out and the very good Happy Death Day just last year, is flaunting ownership of one of their worst movies.

It appears to be the only award the film will win out of its four nominations, but I'm extremely happy that it will at least be getting something.

That's a blessing for those who like getting lost in alienating dystopian worlds, and thanks to Roger Deakins» career - highlight cinematography (which is saying something), they'll be more than happy to meander in the film's high - falutin» questions about the evolving nature of humanity.

However, Michelle Williams» already - lauded lead performance coupled with the recent spotlight on her lack of payment for the film's swift reshoots could potentially catapult her into a happy - to - be-there nomination... but who gets the boot if that happens?

Happy is primarily set in the house of Jeff (Swanberg, giving himself a much bigger role than his last film) and Kelly (Lynskey, getting to use her native New Zealand accent for once), a working class 30 - something Chicago married couple with an adorable, barely vocal 2 - year - old son named Jude (Jude Swanberg, the director's child).

Everyone is still peeved at the way Liam ditched high school sweetheart Josie (Jessica Rothe, from Happy Death Day) on their wedding day — without explanation (an ambiguity that turns out to be preferable to the soapy, here's - why - I - drink monologue we get from Liam in the closing moments of the film).

Don't get me wrong: I'm happy as a clam that the films (remastered in effervescent 1.85:1 anamorphic widescreen transfers — pan-and-scan sold separately — supervised by co-creator Bob Gale with Dolby Digital 5.1 remixes that beef up the re-entry effects especially) look and sound as good as they do and that, for the first time in home video's history, each picture is now being seen as it appeared in theatres (more on that below).

Even though Inglorious Basterds isn't my # 1 film of 2009 it makes me happy inside that Tarantino is getting so much love for his WWII fantasy film.

From the producers of Get Out and Happy Death Day comes a film lacking in Get Out's social commentary and Happy Death Day's irreverent, campy carnage: Truth or Dare.

Sporting a new haircut for her current project (the sci - fi film «Annihilation» from «Ex Machina» director Alex Garland), Rodriguez got candid about her journey to success, talking about the days when she would sustain herself on little more than ramen while working as an extra and later as a guest star on shows like «Happy Endings.»

I was also happy to see Ice Cube get more screen time in the sequel, and his character ends up being a major factor in two of the funniest moments in the film.

From the producers of Get Out and Happy Death Day comes a film lacking in...

It's never fully clear what he might be capable of if pushed the wrong way, and while the film telegraphs that it's unlikely to come to a happy end, it keeps its options open about just how not - happy things are going to get.

I bet we'll get more into The Force Hits the Snooze Button later this week, but I couldn't be happier with the film.

Perhaps that's why Blumhouse's namesake producer has taken ownership of the film on posters and in advertising, heralding the latest release from the person responsible for Happy Death Day and Get Out, but the only favorable byproduct of conjuring this throughline in moviegoers» minds is making the former qualitatively look like the latter in comparison to how awful Truth or Dare actually is.